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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C7AB it is the complementary color #B93854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C7AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C7AB shade: #4BC7A6, #5CD9B9, #6DEBCC, #7EFDDF and #8FFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C7AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C7AB shade: #46C7AB, #35B598, #24A385, #139172 and #027F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C7AB shade: #46C7AB, #46C788, #46C765, #49C746 and #6CC746

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C7AB shade: #46C7AB, #46C1C7, #469EC7, #467BC7 and #4658C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C7AB shade matches the following richer shades: #46C7AB, #33DBB6 and #1FEEC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C7AB shade: #46C7AB, #59B4A0, #6DA195, #808D8A and #937A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C7AB shade: #46C764, #46C787, #46C7A9, #46C3C7 and #46A1C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C7AB shade: #2B907A, #34B095, #46C7AB, #66D1BA and #85DAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C7AB shade: #46C7AB, #464AC7 and #C77546

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C7AB shade: #46C7AB, #A946C7 and #C7A946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C7AB shade: #46C7AB, #464AC7, #C74664 and #C7C346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C7AB shade: #46C7AB, #6846C7, #C74664 and #A5C746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

Complementary color

CMYK 0 / 70 / 55 / 27

HEX #B93854

RGB 185 56 84

HSL 346.98, 0.54%, 0.47%

LAB 43.92, 53.4, 13.58

 

CMYK 62 / 0 / 17 / 22

HEX #4BC7A6

RGB 75 199 166

HSL 164.03, 0.53%, 0.54%

LAB 72.95, -42.21, 6.42

 

CMYK 58 / 0 / 15 / 15

HEX #5CD9B9

RGB 92 217 185

HSL 164.64, 0.62%, 0.61%

LAB 79.27, -42.37, 5.38

 

CMYK 54 / 0 / 13 / 8

HEX #6DEBCC

RGB 109 235 204

HSL 165.24, 0.76%, 0.67%

LAB 85.52, -42.43, 4.42

 

CMYK 50 / 0 / 12 / 1

HEX #7EFDDF

RGB 126 253 223

HSL 165.83, 0.97%, 0.74%

LAB 91.69, -42.42, 3.53

 

CMYK 44 / 0 / 5 / 0

HEX #8FFFF2

RGB 143 255 242

HSL 173.04, 1%, 0.78%

LAB 93.35, -35.12, -3.81

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 71 / 0 / 16 / 29

HEX #35B598

RGB 53 181 152

HSL 166.41, 0.55%, 0.46%

LAB 66.57, -41.4, 4.82

 

CMYK 78 / 0 / 18 / 36

HEX #24A385

RGB 36 163 133

HSL 165.83, 0.64%, 0.39%

LAB 60.13, -40.69, 6.08

 

CMYK 87 / 0 / 21 / 43

HEX #139172

RGB 19 145 114

HSL 165.24, 0.77%, 0.32%

LAB 53.6, -39.59, 7.5

 

CMYK 98 / 0 / 25 / 50

HEX #027F5F

RGB 2 127 95

HSL 164.64, 0.97%, 0.25%

LAB 47, -38.05, 9.12

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 65 / 0 / 32 / 22

HEX #46C788

RGB 70 199 136

HSL 150.7, 0.54%, 0.53%

LAB 72.18, -49.81, 21.42

 

CMYK 65 / 0 / 49 / 22

HEX #46C765

RGB 70 199 101

HSL 134.42, 0.54%, 0.53%

LAB 71.62, -56.02, 38.72

 

CMYK 63 / 0 / 65 / 22

HEX #49C746

RGB 73 199 70

HSL 118.6, 0.54%, 0.53%

LAB 71.35, -59.29, 52.74

 

CMYK 46 / 0 / 65 / 22

HEX #6CC746

RGB 108 199 70

HSL 102.33, 0.54%, 0.53%

LAB 72.55, -50.11, 54.39

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 65 / 3 / 0 / 22

HEX #46C1C7

RGB 70 193 199

HSL 182.79, 0.54%, 0.53%

LAB 71.94, -31.55, -13.04

 

CMYK 65 / 21 / 0 / 22

HEX #469EC7

RGB 70 158 199

HSL 199.07, 0.54%, 0.53%

LAB 61.55, -13.65, -28.86

 

CMYK 65 / 38 / 0 / 22

HEX #467BC7

RGB 70 123 199

HSL 215.35, 0.54%, 0.53%

LAB 51.37, 6.59, -44.81

 

CMYK 65 / 56 / 0 / 22

HEX #4658C7

RGB 70 88 199

HSL 231.63, 0.54%, 0.53%

LAB 41.85, 28.56, -60.08

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 77 / 0 / 17 / 14

HEX #33DBB6

RGB 51 219 182

HSL 166.79, 0.7%, 0.53%

LAB 78.89, -50.16, 6.31

 

CMYK 87 / 0 / 19 / 7

HEX #1FEEC1

RGB 31 238 193

HSL 166.96, 0.86%, 0.53%

LAB 84.63, -56.7, 8.72

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 51 / 0 / 11 / 29

HEX #59B4A0

RGB 89 180 160

HSL 166.81, 0.38%, 0.53%

LAB 67.5, -32.12, 1.88

 

CMYK 32 / 0 / 7 / 37

HEX #6DA195

RGB 109 161 149

HSL 166.15, 0.22%, 0.53%

LAB 62.43, -19.96, 0.74

 

CMYK 9 / 0 / 2 / 45

HEX #808D8A

RGB 128 141 138

HSL 166.15, 0.05%, 0.53%

LAB 57.53, -5.32, -0.02

 

CMYK 0 / 17 / 14 / 42

HEX #937A7F

RGB 147 122 127

HSL 348, 0.1%, 0.53%

LAB 53.66, 10.52, 0.89

 

CMYK 65 / 0 / 50 / 22

HEX #46C764

RGB 70 199 100

HSL 133.95, 0.54%, 0.53%

LAB 71.6, -56.17, 39.2

 

CMYK 65 / 0 / 32 / 22

HEX #46C787

RGB 70 199 135

HSL 150.23, 0.54%, 0.53%

LAB 72.16, -50.01, 21.92

 

CMYK 65 / 0 / 15 / 22

HEX #46C7A9

RGB 70 199 169

HSL 166.05, 0.54%, 0.53%

LAB 72.9, -42.34, 4.7

 

CMYK 65 / 2 / 0 / 22

HEX #46C3C7

RGB 70 195 199

HSL 181.86, 0.54%, 0.53%

LAB 72.53, -32.51, -12.15

 

CMYK 65 / 19 / 0 / 22

HEX #46A1C7

RGB 70 161 199

HSL 197.67, 0.54%, 0.53%

LAB 62.44, -15.27, -27.5

 

CMYK 70 / 0 / 15 / 44

HEX #2B907A

RGB 43 144 122

HSL 166.93, 0.54%, 0.37%

LAB 53.88, -34.17, 3.36

 

CMYK 70 / 0 / 15 / 31

HEX #34B095

RGB 52 176 149

HSL 166.94, 0.54%, 0.45%

LAB 64.92, -40.12, 4.09

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 51 / 0 / 11 / 18

HEX #66D1BA

RGB 102 209 186

HSL 167.1, 0.54%, 0.61%

LAB 77.26, -36.45, 1.97

 

CMYK 39 / 0 / 8 / 15

HEX #85DAC8

RGB 133 218 200

HSL 167.29, 0.53%, 0.69%

LAB 81.46, -29.88, 0.75

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 65 / 63 / 0 / 22

HEX #464AC7

RGB 70 74 199

HSL 238.14, 0.54%, 0.53%

LAB 38.42, 37.34, -65.67

 

CMYK 0 / 41 / 65 / 22

HEX #C77546

RGB 199 117 70

HSL 21.86, 0.54%, 0.53%

LAB 57.37, 27.98, 39.24

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 15 / 65 / 0 / 22

HEX #A946C7

RGB 169 70 199

HSL 286.05, 0.54%, 0.53%

LAB 48.18, 59.42, -49.37

 

CMYK 0 / 15 / 65 / 22

HEX #C7A946

RGB 199 169 70

HSL 46.05, 0.54%, 0.53%

LAB 70.15, -0.27, 53.58

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 65 / 63 / 0 / 22

HEX #464AC7

RGB 70 74 199

HSL 238.14, 0.54%, 0.53%

LAB 38.42, 37.34, -65.67

 

CMYK 0 / 65 / 50 / 22

HEX #C74664

RGB 199 70 100

HSL 346.05, 0.54%, 0.53%

LAB 48.81, 53.5, 10.93

 

CMYK 0 / 2 / 65 / 22

HEX #C7C346

RGB 199 195 70

HSL 58.14, 0.54%, 0.53%

LAB 77.05, -13.78, 60.88

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 48 / 65 / 0 / 22

HEX #6846C7

RGB 104 70 199

HSL 255.81, 0.54%, 0.53%

LAB 40.32, 45.46, -62.44

 

CMYK 0 / 65 / 50 / 22

HEX #C74664

RGB 199 70 100

HSL 346.05, 0.54%, 0.53%

LAB 48.81, 53.5, 10.93

 

CMYK 17 / 0 / 65 / 22

HEX #A5C746

RGB 165 199 70

HSL 75.81, 0.54%, 0.53%

LAB 75.63, -29.72, 58.61

 

Description

Color code: HEX #46C7AB | qconv.com Color code: HEX #46C7AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 199 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 199 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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