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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3927C it is the complementary color #3C6D83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3927C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3927C shade: #C89277, #D9A48A, #EAB69D, #FBC8B0 and #FFDAC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3927C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3927C shade: #C3927C, #B28069, #A16E56, #905C43 and #7F4A30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3927C shade: #C3937D, #C3807D and #C37D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3927C shade: #C3937D, #C3A67D, #C3B97D, #BBC37D and #A8C37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3927C shade matches the following richer shades: #C3937D, #D28D6E, #E2875F and #F1814F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3927C shade: #C3937D, #B4998D, #A59E9C, #95A4AB and #86AABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3927C shade: #C37D8E, #C3807D, #C3927D, #C3A57D and #C3B77D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3927C shade: #A3664B, #B67B61, #C3937D, #D0AA9A and #DDC2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3927C shade: #C3927C, #A0C37D and #7D84C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3927C shade: #C3927C, #7DC392 and #927DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3927C shade: #C3927C, #A0C37D, #7DAEC3 and #A07DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3927C shade: #C3927C, #8BC37D, #7DAEC3 and #B57DC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

Complementary color

CMYK 54 / 17 / 0 / 49

HEX #3C6D83

RGB 60 109 131

HSL 198.59, 0.37%, 0.37%

LAB 43.56, -9.94, -17.25

 

CMYK 0 / 27 / 41 / 22

HEX #C89277

RGB 200 146 119

HSL 20, 0.42%, 0.63%

LAB 65.1, 16.93, 22.33

 

CMYK 0 / 24 / 36 / 15

HEX #D9A48A

RGB 217 164 138

HSL 19.75, 0.51%, 0.7%

LAB 71.65, 16.12, 21.09

 

CMYK 0 / 22 / 33 / 8

HEX #EAB69D

RGB 234 182 157

HSL 19.48, 0.65%, 0.77%

LAB 78.1, 15.41, 19.95

 

CMYK 0 / 20 / 30 / 2

HEX #FBC8B0

RGB 251 200 176

HSL 19.2, 0.9%, 0.84%

LAB 84.46, 14.78, 18.89

 

CMYK 0 / 15 / 24 / 0

HEX #FFDAC3

RGB 255 218 195

HSL 23, 1%, 0.88%

LAB 89.55, 9.44, 16.08

 

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

CMYK 0 / 28 / 41 / 30

HEX #B28069

RGB 178 128 105

HSL 18.9, 0.32%, 0.55%

LAB 57.96, 16.35, 20.13

 

CMYK 0 / 32 / 47 / 37

HEX #A16E56

RGB 161 110 86

HSL 19.2, 0.3%, 0.48%

LAB 51.15, 17.33, 21.54

 

CMYK 0 / 36 / 53 / 44

HEX #905C43

RGB 144 92 67

HSL 19.48, 0.36%, 0.41%

LAB 44.22, 18.47, 23.14

 

CMYK 0 / 42 / 62 / 50

HEX #7F4A30

RGB 127 74 48

HSL 19.75, 0.45%, 0.34%

LAB 37.16, 19.84, 24.97

 

CMYK 0 / 25 / 36 / 24

HEX #C3937D

RGB 195 147 125

HSL 18.86, 0.37%, 0.63%

LAB 64.92, 15.09, 18.67

 

CMYK 0 / 34 / 36 / 24

HEX #C3807D

RGB 195 128 125

HSL 2.57, 0.37%, 0.63%

LAB 60.36, 25.56, 12.33

 

CMYK 0 / 36 / 36 / 24

HEX #C37D7D

RGB 195 125 125

HSL 0, 0.37%, 0.63%

LAB 59.66, 27.2, 11.36

 

CMYK 0 / 25 / 36 / 24

HEX #C3937D

RGB 195 147 125

HSL 18.86, 0.37%, 0.63%

LAB 64.92, 15.09, 18.67

 

CMYK 0 / 15 / 36 / 24

HEX #C3A67D

RGB 195 166 125

HSL 35.14, 0.37%, 0.63%

LAB 69.72, 4.71, 25.18

 

CMYK 0 / 5 / 36 / 24

HEX #C3B97D

RGB 195 185 125

HSL 51.43, 0.37%, 0.63%

LAB 74.69, -5.4, 31.75

 

CMYK 4 / 0 / 36 / 24

HEX #BBC37D

RGB 187 195 125

HSL 66.86, 0.37%, 0.63%

LAB 76.72, -13.74, 34.29

 

CMYK 14 / 0 / 36 / 24

HEX #A8C37D

RGB 168 195 125

HSL 83.14, 0.37%, 0.63%

LAB 75.35, -21.04, 32.23

 

CMYK 0 / 25 / 36 / 24

HEX #C3937D

RGB 195 147 125

HSL 18.86, 0.37%, 0.63%

LAB 64.92, 15.09, 18.67

 

CMYK 0 / 33 / 48 / 18

HEX #D28D6E

RGB 210 141 110

HSL 18.6, 0.53%, 0.63%

LAB 64.86, 22.73, 27.19

 

CMYK 0 / 40 / 58 / 11

HEX #E2875F

RGB 226 135 95

HSL 18.32, 0.69%, 0.63%

LAB 65.22, 31.04, 36.21

 

CMYK 0 / 46 / 67 / 5

HEX #F1814F

RGB 241 129 79

HSL 18.52, 0.85%, 0.63%

LAB 65.72, 38.99, 45.69

 

CMYK 0 / 25 / 36 / 24

HEX #C3937D

RGB 195 147 125

HSL 18.86, 0.37%, 0.63%

LAB 64.92, 15.09, 18.67

 

CMYK 0 / 15 / 22 / 29

HEX #B4998D

RGB 180 153 141

HSL 18.46, 0.21%, 0.63%

LAB 65.29, 8.09, 10.01

 

CMYK 0 / 4 / 5 / 35

HEX #A59E9C

RGB 165 158 156

HSL 13.33, 0.05%, 0.63%

LAB 65.63, 2.17, 1.94

 

CMYK 13 / 4 / 0 / 33

HEX #95A4AB

RGB 149 164 171

HSL 199.09, 0.12%, 0.63%

LAB 66.43, -3.8, -5.42

 

CMYK 28 / 9 / 0 / 27

HEX #86AABA

RGB 134 170 186

HSL 198.46, 0.27%, 0.63%

LAB 67.55, -8.46, -12.2

 

CMYK 0 / 36 / 27 / 24

HEX #C37D8E

RGB 195 125 142

HSL 345.43, 0.37%, 0.63%

LAB 60.09, 29.46, 2.2

 

CMYK 0 / 34 / 36 / 24

HEX #C3807D

RGB 195 128 125

HSL 2.57, 0.37%, 0.63%

LAB 60.36, 25.56, 12.33

 

CMYK 0 / 25 / 36 / 24

HEX #C3927D

RGB 195 146 125

HSL 18, 0.37%, 0.63%

LAB 64.68, 15.64, 18.33

 

CMYK 0 / 15 / 36 / 24

HEX #C3A57D

RGB 195 165 125

HSL 34.29, 0.37%, 0.63%

LAB 69.46, 5.26, 24.83

 

CMYK 0 / 6 / 36 / 24

HEX #C3B77D

RGB 195 183 125

HSL 49.71, 0.37%, 0.63%

LAB 74.16, -4.35, 31.06

 

CMYK 0 / 37 / 54 / 36

HEX #A3664B

RGB 163 102 75

HSL 18.41, 0.37%, 0.47%

LAB 49.25, 21.63, 25.45

 

CMYK 0 / 32 / 47 / 29

HEX #B67B61

RGB 182 123 97

HSL 18.35, 0.37%, 0.55%

LAB 57.05, 19.92, 23.52

 

CMYK 0 / 25 / 36 / 24

HEX #C3937D

RGB 195 147 125

HSL 18.86, 0.37%, 0.63%

LAB 64.92, 15.09, 18.67

 

CMYK 0 / 18 / 26 / 18

HEX #D0AA9A

RGB 208 170 154

HSL 17.78, 0.36%, 0.71%

LAB 72.56, 11.48, 13.47

 

CMYK 0 / 12 / 18 / 13

HEX #DDC2B6

RGB 221 194 182

HSL 18.46, 0.36%, 0.79%

LAB 80.37, 7.64, 9.53

 

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

CMYK 18 / 0 / 36 / 24

HEX #A0C37D

RGB 160 195 125

HSL 90, 0.37%, 0.63%

LAB 74.82, -24.03, 31.43

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

CMYK 36 / 0 / 25 / 24

HEX #7DC392

RGB 125 195 146

HSL 138, 0.37%, 0.63%

LAB 73.2, -32.48, 17.81

 

CMYK 25 / 36 / 0 / 24

HEX #927DC3

RGB 146 125 195

HSL 258, 0.37%, 0.63%

LAB 56.8, 22.96, -33.64

 

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

CMYK 18 / 0 / 36 / 24

HEX #A0C37D

RGB 160 195 125

HSL 90, 0.37%, 0.63%

LAB 74.82, -24.03, 31.43

 

CMYK 36 / 11 / 0 / 24

HEX #7DAEC3

RGB 125 174 195

HSL 198, 0.37%, 0.63%

LAB 68.44, -10.98, -15.9

 

CMYK 18 / 36 / 0 / 24

HEX #A07DC3

RGB 160 125 195

HSL 270, 0.37%, 0.63%

LAB 58.11, 27.22, -31.49

 

CMYK 0 / 25 / 36 / 24

HEX #C3927C

RGB 195 146 124

HSL 18.59, 0.37%, 0.63%

LAB 64.66, 15.52, 18.86

 

CMYK 29 / 0 / 36 / 24

HEX #8BC37D

RGB 139 195 125

HSL 108, 0.37%, 0.63%

LAB 73.55, -31.51, 29.52

 

CMYK 36 / 11 / 0 / 24

HEX #7DAEC3

RGB 125 174 195

HSL 198, 0.37%, 0.63%

LAB 68.44, -10.98, -15.9

 

CMYK 7 / 36 / 0 / 24

HEX #B57DC3

RGB 181 125 195

HSL 288, 0.37%, 0.63%

LAB 60.28, 33.79, -27.97

 

Description

Color code: HEX #C3927C | qconv.com Color code: HEX #C3927C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 146 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 146 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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