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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 132 195 it is the complementary color RGB 130 123 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 132 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 132 195 shade: RGB 130 132 190, RGB 147 150 209, RGB 164 168 228, RGB 181 186 247 and RGB 198 204 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 132 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 108 114 176, RGB 91 96 157, RGB 74 78 138 and RGB 57 60 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 137 125 195, RGB 156 125 195, RGB 175 125 195 and RGB 194 125 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 132 195 shade: RGB 125 132 195 and RGB 125 125 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 132 195 shade matches the following richer shades: RGB 125 132 195, RGB 110 120 210, RGB 95 108 226 and RGB 79 96 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 141 144 180, RGB 156 157 165, RGB 171 169 149 and RGB 186 181 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 132 195 shade: RGB 125 169 195, RGB 125 151 195, RGB 125 132 195, RGB 137 125 195 and RGB 155 125 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 132 195 shade: RGB 75 84 163, RGB 97 105 182, RGB 125 132 195, RGB 154 159 208 and RGB 182 186 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 195 125 188 and RGB 160 195 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 195 125 132 and RGB 132 195 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 195 125 188, RGB 195 188 125 and RGB 125 195 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 132 195 shade: RGB 125 132 195, RGB 195 125 167, RGB 195 188 125 and RGB 125 195 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

Complementary color

CMYK 0 / 5 / 54 / 49

HEX #827B3C

RGB 130 123 60

HSL 54, 0.37%, 0.37%

LAB 50.96, -6.35, 35.01

 

CMYK 32 / 31 / 0 / 25

HEX #8284BE

RGB 130 132 190

HSL 238, 0.32%, 0.63%

LAB 57.04, 12.83, -30.52

 

CMYK 30 / 28 / 0 / 18

HEX #9396D1

RGB 147 150 209

HSL 237.1, 0.4%, 0.7%

LAB 63.85, 12.3, -30.56

 

CMYK 28 / 26 / 0 / 11

HEX #A4A8E4

RGB 164 168 228

HSL 236.25, 0.54%, 0.77%

LAB 70.52, 11.83, -30.63

 

CMYK 27 / 25 / 0 / 3

HEX #B5BAF7

RGB 181 186 247

HSL 235.45, 0.8%, 0.84%

LAB 77.08, 11.4, -30.74

 

CMYK 22 / 20 / 0 / 0

HEX #C6CCFF

RGB 198 204 255

HSL 233.68, 1%, 0.89%

LAB 83.13, 8.5, -25.63

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 39 / 35 / 0 / 31

HEX #6C72B0

RGB 108 114 176

HSL 234.71, 0.3%, 0.56%

LAB 49.93, 13.42, -33.7

 

CMYK 42 / 39 / 0 / 38

HEX #5B609D

RGB 91 96 157

HSL 235.45, 0.27%, 0.49%

LAB 42.8, 14.23, -33.83

 

CMYK 46 / 43 / 0 / 46

HEX #4A4E8A

RGB 74 78 138

HSL 236.25, 0.3%, 0.42%

LAB 35.48, 15.22, -34.03

 

CMYK 52 / 50 / 0 / 53

HEX #393C77

RGB 57 60 119

HSL 237.1, 0.35%, 0.35%

LAB 27.94, 16.48, -34.32

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 30 / 36 / 0 / 24

HEX #897DC3

RGB 137 125 195

HSL 250.29, 0.37%, 0.63%

LAB 56.01, 20.3, -34.93

 

CMYK 20 / 36 / 0 / 24

HEX #9C7DC3

RGB 156 125 195

HSL 266.57, 0.37%, 0.63%

LAB 57.73, 25.99, -32.12

 

CMYK 10 / 36 / 0 / 24

HEX #AF7DC3

RGB 175 125 195

HSL 282.86, 0.37%, 0.63%

LAB 59.64, 31.9, -29.01

 

CMYK 1 / 36 / 0 / 24

HEX #C27DC3

RGB 194 125 195

HSL 299.14, 0.37%, 0.63%

LAB 61.72, 37.91, -25.62

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 36 / 36 / 0 / 24

HEX #7D7DC3

RGB 125 125 195

HSL 240, 0.37%, 0.63%

LAB 55.04, 16.87, -36.52

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 48 / 43 / 0 / 18

HEX #6E78D2

RGB 110 120 210

HSL 234, 0.53%, 0.63%

LAB 53.39, 20.34, -47.73

 

CMYK 58 / 52 / 0 / 11

HEX #5F6CE2

RGB 95 108 226

HSL 234.05, 0.69%, 0.63%

LAB 50.27, 29.53, -61.81

 

CMYK 67 / 60 / 0 / 5

HEX #4F60F1

RGB 79 96 241

HSL 233.7, 0.85%, 0.63%

LAB 47.47, 39.29, -74.84

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 22 / 20 / 0 / 29

HEX #8D90B4

RGB 141 144 180

HSL 235.38, 0.21%, 0.63%

LAB 60.7, 6.77, -19.15

 

CMYK 5 / 5 / 0 / 35

HEX #9C9DA5

RGB 156 157 165

HSL 233.33, 0.05%, 0.63%

LAB 64.88, 1.22, -4.29

 

CMYK 0 / 1 / 13 / 33

HEX #ABA995

RGB 171 169 149

HSL 54.55, 0.12%, 0.63%

LAB 68.9, -2.82, 10.58

 

CMYK 0 / 3 / 28 / 27

HEX #BAB586

RGB 186 181 134

HSL 54.23, 0.27%, 0.63%

LAB 73.03, -5.72, 24.65

 

CMYK 36 / 13 / 0 / 24

HEX #7DA9C3

RGB 125 169 195

HSL 202.29, 0.37%, 0.63%

LAB 67.03, -8.28, -18.02

 

CMYK 36 / 23 / 0 / 24

HEX #7D97C3

RGB 125 151 195

HSL 217.71, 0.37%, 0.63%

LAB 62.03, 1.73, -25.67

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 30 / 36 / 0 / 24

HEX #897DC3

RGB 137 125 195

HSL 250.29, 0.37%, 0.63%

LAB 56.01, 20.3, -34.93

 

CMYK 21 / 36 / 0 / 24

HEX #9B7DC3

RGB 155 125 195

HSL 265.71, 0.37%, 0.63%

LAB 57.63, 25.68, -32.28

 

CMYK 54 / 48 / 0 / 36

HEX #4B54A3

RGB 75 84 163

HSL 233.86, 0.37%, 0.47%

LAB 38.69, 19.76, -44.01

 

CMYK 47 / 42 / 0 / 29

HEX #6169B6

RGB 97 105 182

HSL 234.35, 0.37%, 0.55%

LAB 47, 17.81, -41.85

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 26 / 24 / 0 / 18

HEX #9A9FD0

RGB 154 159 208

HSL 234.44, 0.36%, 0.71%

LAB 66.69, 9.03, -25.59

 

CMYK 18 / 16 / 0 / 13

HEX #B6BADD

RGB 182 186 221

HSL 233.85, 0.36%, 0.79%

LAB 76.24, 5.76, -17.97

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 0 / 36 / 4 / 24

HEX #C37DBC

RGB 195 125 188

HSL 306, 0.37%, 0.63%

LAB 61.57, 36.94, -21.89

 

CMYK 18 / 0 / 36 / 24

HEX #A0C37D

RGB 160 195 125

HSL 90, 0.37%, 0.63%

LAB 74.82, -24.03, 31.43

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 0 / 36 / 32 / 24

HEX #C37D84

RGB 195 125 132

HSL 354, 0.37%, 0.63%

LAB 59.83, 28.1, 7.58

 

CMYK 32 / 0 / 36 / 24

HEX #84C37D

RGB 132 195 125

HSL 114, 0.37%, 0.63%

LAB 73.17, -33.86, 28.95

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 0 / 36 / 4 / 24

HEX #C37DBC

RGB 195 125 188

HSL 306, 0.37%, 0.63%

LAB 61.57, 36.94, -21.89

 

CMYK 0 / 4 / 36 / 24

HEX #C3BC7D

RGB 195 188 125

HSL 54, 0.37%, 0.63%

LAB 75.48, -6.97, 32.79

 

CMYK 36 / 0 / 32 / 24

HEX #7DC384

RGB 125 195 132

HSL 126, 0.37%, 0.63%

LAB 72.93, -34.98, 24.89

 

CMYK 36 / 32 / 0 / 24

HEX #7D84C3

RGB 125 132 195

HSL 234, 0.37%, 0.63%

LAB 56.88, 12.74, -33.64

 

CMYK 0 / 36 / 14 / 24

HEX #C37DA7

RGB 195 125 167

HSL 324, 0.37%, 0.63%

LAB 60.83, 33.29, -11.04

 

CMYK 0 / 4 / 36 / 24

HEX #C3BC7D

RGB 195 188 125

HSL 54, 0.37%, 0.63%

LAB 75.48, -6.97, 32.79

 

CMYK 36 / 0 / 22 / 24

HEX #7DC399

RGB 125 195 153

HSL 144, 0.37%, 0.63%

LAB 73.34, -31.14, 14.25

 

Description

Color code: RGB 125 132 195 | qconv.com Color code: RGB 125 132 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 132 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 132 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 32 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 32% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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