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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C36931 it is the complementary color #3C96CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C36931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C36931 shade: #C8692C, #D97B3F, #EA8D52, #FB9F65 and #FFB178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C36931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C36931 shade: #C36931, #B2571E, #A1450B, #903300 and #7F2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C36931 shade: #C36930, #C34130 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C36931 shade: #C36930, #C39030, #C3B830, #A7C330 and #7FC330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C36931 shade matches the following richer shades: #C36930, #D7641D and #EB6009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C36931 shade: #C36930, #B06D44, #9C7258, #88776C and #747B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C36931 shade: #C33046, #C34230, #C36930, #C39030 and #C3B730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C36931 shade: #814520, #A25728, #C36930, #D27F4B and #DA966C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C36931 shade: #C36931, #6EC330 and #3033C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C36931 shade: #C36931, #30C369 and #6930C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C36931 shade: #C36931, #6EC330, #308BC3 and #8630C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C36931 shade: #C36931, #42C330, #308BC3 and #B230C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

Complementary color

CMYK 71 / 27 / 0 / 19

HEX #3C96CE

RGB 60 150 206

HSL 203.01, 0.6%, 0.52%

LAB 59.19, -8.44, -36.48

 

CMYK 0 / 48 / 78 / 22

HEX #C8692C

RGB 200 105 44

HSL 23.46, 0.64%, 0.48%

LAB 54.62, 33.46, 49.23

 

CMYK 0 / 43 / 71 / 15

HEX #D97B3F

RGB 217 123 63

HSL 23.38, 0.67%, 0.55%

LAB 61.02, 31.74, 47.58

 

CMYK 0 / 40 / 65 / 8

HEX #EA8D52

RGB 234 141 82

HSL 23.29, 0.78%, 0.62%

LAB 67.39, 30.2, 45.85

 

CMYK 0 / 37 / 60 / 2

HEX #FB9F65

RGB 251 159 101

HSL 23.2, 0.95%, 0.69%

LAB 73.7, 28.81, 44.16

 

CMYK 0 / 31 / 53 / 0

HEX #FFB178

RGB 255 177 120

HSL 25.33, 1%, 0.74%

LAB 78.5, 22.44, 40.42

 

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

CMYK 0 / 51 / 83 / 30

HEX #B2571E

RGB 178 87 30

HSL 23.11, 0.71%, 0.41%

LAB 47.46, 33.46, 47.51

 

CMYK 0 / 57 / 93 / 37

HEX #A1450B

RGB 161 69 11

HSL 23.2, 0.87%, 0.34%

LAB 40.99, 35.44, 48.12

 

CMYK 0 / 65 / 100 / 44

HEX #903300

RGB 144 51 0

HSL 21.25, 1%, 0.28%

LAB 34.59, 37.44, 46.3

 

CMYK 0 / 74 / 100 / 50

HEX #7F2100

RGB 127 33 0

HSL 15.59, 1%, 0.25%

LAB 28.38, 39.08, 40.48

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 67 / 75 / 24

HEX #C34130

RGB 195 65 48

HSL 6.94, 0.6%, 0.48%

LAB 46.44, 50.92, 38.54

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 26 / 75 / 24

HEX #C39030

RGB 195 144 48

HSL 39.18, 0.6%, 0.48%

LAB 63.15, 10.32, 55.63

 

CMYK 0 / 6 / 75 / 24

HEX #C3B830

RGB 195 184 48

HSL 55.51, 0.6%, 0.48%

LAB 73.61, -10.99, 65.55

 

CMYK 14 / 0 / 75 / 24

HEX #A7C330

RGB 167 195 48

HSL 71.43, 0.6%, 0.48%

LAB 74.48, -28.3, 65.59

 

CMYK 35 / 0 / 75 / 24

HEX #7FC330

RGB 127 195 48

HSL 87.76, 0.6%, 0.48%

LAB 72.06, -43.75, 62.44

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 53 / 87 / 16

HEX #D7641D

RGB 215 100 29

HSL 22.9, 0.76%, 0.48%

LAB 55.74, 41.52, 57.21

 

CMYK 0 / 59 / 96 / 8

HEX #EB6009

RGB 235 96 9

HSL 23.1, 0.93%, 0.48%

LAB 58.08, 50.61, 65.64

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 38 / 61 / 31

HEX #B06D44

RGB 176 109 68

HSL 22.78, 0.44%, 0.48%

LAB 52.49, 22.62, 33.78

 

CMYK 0 / 27 / 44 / 39

HEX #9C7258

RGB 156 114 88

HSL 22.94, 0.28%, 0.48%

LAB 51.62, 13.14, 20.9

 

CMYK 0 / 13 / 21 / 47

HEX #88776C

RGB 136 119 108

HSL 23.57, 0.11%, 0.48%

LAB 51.28, 4.68, 8.46

 

CMYK 9 / 4 / 0 / 50

HEX #747B80

RGB 116 123 128

HSL 205, 0.05%, 0.48%

LAB 51.2, -1.54, -3.63

 

CMYK 0 / 75 / 64 / 24

HEX #C33046

RGB 195 48 70

HSL 351.02, 0.6%, 0.48%

LAB 44.46, 58.34, 23.26

 

CMYK 0 / 66 / 75 / 24

HEX #C34230

RGB 195 66 48

HSL 7.35, 0.6%, 0.48%

LAB 46.59, 50.5, 38.71

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 26 / 75 / 24

HEX #C39030

RGB 195 144 48

HSL 39.18, 0.6%, 0.48%

LAB 63.15, 10.32, 55.63

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 47 / 75 / 49

HEX #814520

RGB 129 69 32

HSL 22.89, 0.6%, 0.32%

LAB 36.04, 22.58, 32.83

 

CMYK 0 / 46 / 75 / 36

HEX #A25728

RGB 162 87 40

HSL 23.11, 0.6%, 0.4%

LAB 45.15, 27.17, 39.79

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 40 / 64 / 18

HEX #D27F4B

RGB 210 127 75

HSL 23.11, 0.6%, 0.56%

LAB 61.12, 27.44, 41.37

 

CMYK 0 / 31 / 50 / 15

HEX #DA966C

RGB 218 150 108

HSL 22.91, 0.6%, 0.64%

LAB 67.87, 20.9, 32.37

 

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

CMYK 44 / 0 / 75 / 24

HEX #6EC330

RGB 110 195 48

HSL 94.69, 0.6%, 0.48%

LAB 71.25, -49.54, 61.38

 

CMYK 75 / 74 / 0 / 24

HEX #3033C3

RGB 48 51 195

HSL 238.78, 0.6%, 0.48%

LAB 31.66, 47.15, -74.48

 

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

CMYK 75 / 0 / 46 / 24

HEX #30C369

RGB 48 195 105

HSL 143.27, 0.6%, 0.48%

LAB 69.95, -57.62, 34.52

 

CMYK 46 / 75 / 0 / 24

HEX #6930C3

RGB 105 48 195

HSL 263.27, 0.6%, 0.48%

LAB 36.09, 55.69, -67.01

 

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

CMYK 44 / 0 / 75 / 24

HEX #6EC330

RGB 110 195 48

HSL 94.69, 0.6%, 0.48%

LAB 71.25, -49.54, 61.38

 

CMYK 75 / 29 / 0 / 24

HEX #308BC3

RGB 48 139 195

HSL 202.86, 0.6%, 0.48%

LAB 55.11, -7.61, -36.69

 

CMYK 31 / 75 / 0 / 24

HEX #8630C3

RGB 134 48 195

HSL 275.1, 0.6%, 0.48%

LAB 39.79, 60.56, -60.83

 

CMYK 0 / 46 / 75 / 24

HEX #C36931

RGB 195 105 49

HSL 23.01, 0.6%, 0.48%

LAB 53.95, 31.63, 45.98

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 75 / 29 / 0 / 24

HEX #308BC3

RGB 48 139 195

HSL 202.86, 0.6%, 0.48%

LAB 55.11, -7.61, -36.69

 

CMYK 9 / 75 / 0 / 24

HEX #B230C3

RGB 178 48 195

HSL 293.06, 0.6%, 0.48%

LAB 46.34, 68.94, -49.93

 

Description

Color code: HEX #C36931 | qconv.com Color code: HEX #C36931 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 105 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 105 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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