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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C31D8D it is the complementary color #3CE272. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C31D8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C31D8D shade: #C81D88, #D92F9B, #EA41AE, #FB53C1 and #FF65D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C31D8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C31D8D shade: #C31D8D, #B20B7A, #A10067, #900054 and #7F0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C31D8D shade: #C31D8D, #C31D60, #C31D33 and #C31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C31D8D shade: #C31D8D, #C31DB9, #9F1DC3, #721DC3 and #461DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C31D8D shade matches the following richer shades: #C31D8D and #D50B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C31D8D shade: #C31D8D, #B12F86, #9E4180, #8C537A and #7A6573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C31D8D shade: #9F1DC3, #C31DBA, #C31D8E, #C31D62 and #C31D36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C31D8D shade: #7B1259, #9F1773, #C31D8D, #DF2AA4 and #E44EB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C31D8D shade: #C31D8D, #C3721D and #1DC3B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C31D8D shade: #C31D8D, #8EC31D and #1D8EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C31D8D shade: #C31D8D, #C3721D, #1DC351 and #1D6DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C31D8D shade: #C31D8D, #C3A41D, #1DC351 and #1D3BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

Complementary color

CMYK 73 / 0 / 50 / 11

HEX #3CE272

RGB 60 226 114

HSL 139.52, 0.74%, 0.56%

LAB 79.94, -65.33, 42.7

 

CMYK 0 / 86 / 32 / 22

HEX #C81D88

RGB 200 29 136

HSL 322.46, 0.75%, 0.45%

LAB 45.55, 70.17, -15.8

 

CMYK 0 / 78 / 29 / 15

HEX #D92F9B

RGB 217 47 155

HSL 321.88, 0.69%, 0.52%

LAB 50.86, 72.04, -18.83

 

CMYK 0 / 72 / 26 / 8

HEX #EA41AE

RGB 234 65 174

HSL 321.3, 0.8%, 0.59%

LAB 56.42, 73.07, -21.25

 

CMYK 0 / 67 / 23 / 2

HEX #FB53C1

RGB 251 83 193

HSL 320.71, 0.95%, 0.65%

LAB 62.12, 73.52, -23.21

 

CMYK 0 / 60 / 17 / 0

HEX #FF65D4

RGB 255 101 212

HSL 316.75, 1%, 0.7%

LAB 66, 70.12, -27.94

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 94 / 31 / 30

HEX #B20B7A

RGB 178 11 122

HSL 320.12, 0.88%, 0.37%

LAB 39.76, 66.6, -16.39

 

CMYK 0 / 100 / 36 / 37

HEX #A10067

RGB 161 0 103

HSL 321.61, 1%, 0.32%

LAB 35.12, 62.19, -11.79

 

CMYK 0 / 100 / 42 / 44

HEX #900054

RGB 144 0 84

HSL 325, 1%, 0.28%

LAB 30.81, 56.54, -6.31

 

CMYK 0 / 100 / 49 / 50

HEX #7F0041

RGB 127 0 65

HSL 329.29, 1%, 0.25%

LAB 26.43, 50.82, -0.48

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 85 / 51 / 24

HEX #C31D60

RGB 195 29 96

HSL 335.78, 0.74%, 0.44%

LAB 43.25, 65.21, 5.43

 

CMYK 0 / 85 / 74 / 24

HEX #C31D33

RGB 195 29 51

HSL 352.05, 0.74%, 0.44%

LAB 42.34, 62.55, 32.23

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 85 / 5 / 24

HEX #C31DB9

RGB 195 29 185

HSL 303.61, 0.74%, 0.44%

LAB 46.95, 75.4, -42.95

 

CMYK 18 / 85 / 0 / 24

HEX #9F1DC3

RGB 159 29 195

HSL 286.99, 0.74%, 0.44%

LAB 41.52, 70.67, -57.85

 

CMYK 42 / 85 / 0 / 24

HEX #721DC3

RGB 114 29 195

HSL 270.72, 0.74%, 0.44%

LAB 34.79, 64.03, -69.1

 

CMYK 64 / 85 / 0 / 24

HEX #461DC3

RGB 70 29 195

HSL 254.82, 0.74%, 0.44%

LAB 29.72, 59.34, -77.65

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 73 / 24 / 31

HEX #B12F86

RGB 177 47 134

HSL 319.85, 0.58%, 0.44%

LAB 42.92, 59.65, -18.98

 

CMYK 0 / 59 / 19 / 38

HEX #9E4180

RGB 158 65 128

HSL 319.35, 0.42%, 0.44%

LAB 42.17, 46.12, -16.73

 

CMYK 0 / 41 / 13 / 45

HEX #8C537A

RGB 140 83 122

HSL 318.95, 0.26%, 0.44%

LAB 43.01, 29.65, -12.01

 

CMYK 0 / 17 / 6 / 52

HEX #7A6573

RGB 122 101 115

HSL 320, 0.09%, 0.44%

LAB 45.2, 10.99, -4.7

 

CMYK 18 / 85 / 0 / 24

HEX #9F1DC3

RGB 159 29 195

HSL 286.99, 0.74%, 0.44%

LAB 41.52, 70.67, -57.85

 

CMYK 0 / 85 / 5 / 24

HEX #C31DBA

RGB 195 29 186

HSL 303.25, 0.74%, 0.44%

LAB 47.01, 75.55, -43.44

 

CMYK 0 / 85 / 27 / 24

HEX #C31D8E

RGB 195 29 142

HSL 319.16, 0.74%, 0.44%

LAB 44.85, 69.73, -20.6

 

CMYK 0 / 85 / 50 / 24

HEX #C31D62

RGB 195 29 98

HSL 335.06, 0.74%, 0.44%

LAB 43.3, 65.37, 4.25

 

CMYK 0 / 85 / 72 / 24

HEX #C31D36

RGB 195 29 54

HSL 350.96, 0.74%, 0.44%

LAB 42.38, 62.68, 30.47

 

CMYK 0 / 85 / 28 / 52

HEX #7B1259

RGB 123 18 89

HSL 319.43, 0.74%, 0.28%

LAB 27.75, 48.93, -14.65

 

CMYK 0 / 86 / 28 / 38

HEX #9F1773

RGB 159 23 115

HSL 319.41, 0.75%, 0.36%

LAB 36.41, 59.63, -17.48

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 81 / 26 / 13

HEX #DF2AA4

RGB 223 42 164

HSL 319.56, 0.74%, 0.52%

LAB 51.86, 75.69, -22.54

 

CMYK 0 / 66 / 21 / 11

HEX #E44EB3

RGB 228 78 179

HSL 319.6, 0.74%, 0.6%

LAB 57.27, 67.6, -22.93

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 42 / 85 / 24

HEX #C3721D

RGB 195 114 29

HSL 30.72, 0.74%, 0.44%

LAB 55.81, 26.08, 56.09

 

CMYK 85 / 0 / 7 / 24

HEX #1DC3B5

RGB 29 195 181

HSL 174.94, 0.74%, 0.44%

LAB 71.3, -42.18, -4.24

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 27 / 0 / 85 / 24

HEX #8EC31D

RGB 142 195 29

HSL 79.16, 0.74%, 0.44%

LAB 72.81, -39.01, 68.67

 

CMYK 85 / 27 / 0 / 24

HEX #1D8EC3

RGB 29 142 195

HSL 199.16, 0.74%, 0.44%

LAB 55.63, -11.21, -35.89

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 42 / 85 / 24

HEX #C3721D

RGB 195 114 29

HSL 30.72, 0.74%, 0.44%

LAB 55.81, 26.08, 56.09

 

CMYK 85 / 0 / 58 / 24

HEX #1DC351

RGB 29 195 81

HSL 138.8, 0.74%, 0.44%

LAB 69.39, -63.37, 45.44

 

CMYK 85 / 44 / 0 / 24

HEX #1D6DC3

RGB 29 109 195

HSL 211.08, 0.74%, 0.44%

LAB 45.82, 8.59, -51.44

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8D

RGB 195 29 141

HSL 319.52, 0.74%, 0.44%

LAB 44.81, 69.61, -20.06

 

CMYK 0 / 16 / 85 / 24

HEX #C3A41D

RGB 195 164 29

HSL 48.8, 0.74%, 0.44%

LAB 68.2, -1.15, 66.42

 

CMYK 85 / 0 / 58 / 24

HEX #1DC351

RGB 29 195 81

HSL 138.8, 0.74%, 0.44%

LAB 69.39, -63.37, 45.44

 

CMYK 85 / 70 / 0 / 24

HEX #1D3BC3

RGB 29 59 195

HSL 229.16, 0.74%, 0.44%

LAB 32.55, 41.04, -73.05

 

Description

Color code: HEX #C31D8D | qconv.com Color code: HEX #C31D8D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 29 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 29 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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