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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D50B93 it is the complementary color #2AF46C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D50B93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D50B93 shade: #DA0B8E, #EB1DA1, #FC2FB4, #FF41C7 and #FF53DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D50B93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D50B93 shade: #D50B93, #C40080, #B3006D, #A2005A and #910047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D50B93 shade: #D50B93, #D50B5C, #D50B26 and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D50B93 shade: #D50B93, #D50BC9, #AA0BD5, #730BD5 and #3D0BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D50B93 shade matches the following richer shades: #D50B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D50B93 shade: #D50B93, #C31D8C, #B02F86, #9E4180 and #8C537A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D50B93 shade: #A90BD5, #D50BCB, #D50B95, #D50B5F and #D50B29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D50B93 shade: #86075D, #AD0978, #D50B93, #F216AA and #F43EB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D50B93 shade: #D50B93, #D5730B and #0BD5C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D50B93 shade: #D50B93, #95D50B and #0B95D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D50B93 shade: #D50B93, #D5730B, #0BD54B and #0B6CD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D50B93 shade: #D50B93, #D5B00B, #0BD54B and #0B30D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

Complementary color

CMYK 83 / 0 / 56 / 4

HEX #2AF46C

RGB 42 244 108

HSL 139.6, 0.9%, 0.56%

LAB 85.14, -74.13, 51.77

 

CMYK 0 / 95 / 35 / 15

HEX #DA0B8E

RGB 218 11 142

HSL 322.03, 0.9%, 0.45%

LAB 48.38, 77.13, -14.81

 

CMYK 0 / 88 / 31 / 8

HEX #EB1DA1

RGB 235 29 161

HSL 321.55, 0.84%, 0.52%

LAB 53.07, 80.47, -18.72

 

CMYK 0 / 81 / 29 / 1

HEX #FC2FB4

RGB 252 47 180

HSL 321.07, 0.97%, 0.59%

LAB 58.06, 82.78, -21.94

 

CMYK 0 / 75 / 22 / 0

HEX #FF41C7

RGB 255 65 199

HSL 317.68, 1%, 0.63%

LAB 60.93, 81.1, -28.41

 

CMYK 0 / 67 / 15 / 0

HEX #FF53DA

RGB 255 83 218

HSL 312.91, 1%, 0.66%

LAB 63.76, 77.82, -34.77

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 100 / 35 / 23

HEX #C40080

RGB 196 0 128

HSL 320.82, 1%, 0.38%

LAB 43.2, 72.12, -14.54

 

CMYK 0 / 100 / 39 / 30

HEX #B3006D

RGB 179 0 109

HSL 323.46, 1%, 0.35%

LAB 39.05, 66.66, -9.3

 

CMYK 0 / 100 / 44 / 36

HEX #A2005A

RGB 162 0 90

HSL 326.67, 1%, 0.32%

LAB 34.84, 61.16, -3.81

 

CMYK 0 / 100 / 51 / 43

HEX #910047

RGB 145 0 71

HSL 330.62, 1%, 0.28%

LAB 30.58, 55.61, 2

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 95 / 57 / 16

HEX #D50B5C

RGB 213 11 92

HSL 335.94, 0.9%, 0.44%

LAB 45.85, 71.9, 12.11

 

CMYK 0 / 95 / 82 / 16

HEX #D50B26

RGB 213 11 38

HSL 351.98, 0.9%, 0.44%

LAB 44.98, 69.5, 43.63

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 95 / 6 / 16

HEX #D50BC9

RGB 213 11 201

HSL 303.56, 0.9%, 0.44%

LAB 50.22, 83.25, -46.87

 

CMYK 20 / 95 / 0 / 16

HEX #AA0BD5

RGB 170 11 213

HSL 287.23, 0.9%, 0.44%

LAB 43.64, 78.41, -64.76

 

CMYK 46 / 95 / 0 / 16

HEX #730BD5

RGB 115 11 213

HSL 270.89, 0.9%, 0.44%

LAB 35.38, 71.92, -78.62

 

CMYK 71 / 95 / 0 / 16

HEX #3D0BD5

RGB 61 11 213

HSL 254.85, 0.9%, 0.44%

LAB 29.5, 68.27, -88.54

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 85 / 28 / 24

HEX #C31D8C

RGB 195 29 140

HSL 319.88, 0.74%, 0.44%

LAB 44.76, 69.5, -19.51

 

CMYK 0 / 73 / 24 / 31

HEX #B02F86

RGB 176 47 134

HSL 319.53, 0.58%, 0.44%

LAB 42.74, 59.4, -19.26

 

CMYK 0 / 59 / 19 / 38

HEX #9E4180

RGB 158 65 128

HSL 319.35, 0.42%, 0.44%

LAB 42.17, 46.12, -16.73

 

CMYK 0 / 41 / 13 / 45

HEX #8C537A

RGB 140 83 122

HSL 318.95, 0.26%, 0.44%

LAB 43.01, 29.65, -12.01

 

CMYK 21 / 95 / 0 / 16

HEX #A90BD5

RGB 169 11 213

HSL 286.93, 0.9%, 0.44%

LAB 43.48, 78.27, -65.03

 

CMYK 0 / 95 / 5 / 16

HEX #D50BCB

RGB 213 11 203

HSL 302.97, 0.9%, 0.44%

LAB 50.33, 83.53, -47.84

 

CMYK 0 / 95 / 30 / 16

HEX #D50B95

RGB 213 11 149

HSL 319.01, 0.9%, 0.44%

LAB 47.69, 76.82, -20.16

 

CMYK 0 / 95 / 55 / 16

HEX #D50B5F

RGB 213 11 95

HSL 335.05, 0.9%, 0.44%

LAB 45.92, 72.1, 10.34

 

CMYK 0 / 95 / 81 / 16

HEX #D50B29

RGB 213 11 41

HSL 351.09, 0.9%, 0.44%

LAB 45.01, 69.58, 42.01

 

CMYK 0 / 95 / 31 / 47

HEX #86075D

RGB 134 7 93

HSL 319.37, 0.9%, 0.28%

LAB 29.44, 54.16, -14.49

 

CMYK 0 / 95 / 31 / 32

HEX #AD0978

RGB 173 9 120

HSL 319.39, 0.9%, 0.36%

LAB 38.61, 65.53, -16.99

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 0 / 75 / 24 / 4

HEX #F43EB9

RGB 244 62 185

HSL 319.45, 0.89%, 0.6%

LAB 58.21, 77.72, -24.73

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 46 / 95 / 16

HEX #D5730B

RGB 213 115 11

HSL 30.89, 0.9%, 0.44%

LAB 58.44, 32.77, 63.89

 

CMYK 95 / 0 / 8 / 16

HEX #0BD5C4

RGB 11 213 196

HSL 174.95, 0.9%, 0.44%

LAB 77.07, -46.58, -3.88

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 30 / 0 / 95 / 16

HEX #95D50B

RGB 149 213 11

HSL 79.01, 0.9%, 0.44%

LAB 78.46, -44.57, 76.3

 

CMYK 95 / 30 / 0 / 16

HEX #0B95D5

RGB 11 149 213

HSL 199.01, 0.9%, 0.44%

LAB 58.39, -9.53, -41.72

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 46 / 95 / 16

HEX #D5730B

RGB 213 115 11

HSL 30.89, 0.9%, 0.44%

LAB 58.44, 32.77, 63.89

 

CMYK 95 / 0 / 65 / 16

HEX #0BD54B

RGB 11 213 75

HSL 139.01, 0.9%, 0.44%

LAB 74.93, -70.72, 54.35

 

CMYK 95 / 49 / 0 / 16

HEX #0B6CD5

RGB 11 108 213

HSL 211.19, 0.9%, 0.44%

LAB 46.45, 15.34, -60.77

 

CMYK 0 / 95 / 31 / 16

HEX #D50B93

RGB 213 11 147

HSL 319.6, 0.9%, 0.44%

LAB 47.61, 76.61, -19.09

 

CMYK 0 / 17 / 95 / 16

HEX #D5B00B

RGB 213 176 11

HSL 49.01, 0.9%, 0.44%

LAB 73.04, 0.13, 74.25

 

CMYK 95 / 0 / 65 / 16

HEX #0BD54B

RGB 11 213 75

HSL 139.01, 0.9%, 0.44%

LAB 74.93, -70.72, 54.35

 

CMYK 95 / 77 / 0 / 16

HEX #0B30D5

RGB 11 48 213

HSL 229.01, 0.9%, 0.44%

LAB 31.78, 53.01, -84.8

 

Description

Color code: HEX #D50B93 | qconv.com Color code: HEX #D50B93 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 11 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 11 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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