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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C267CA it is the complementary color #3D9835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C267CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C267CA shade: #C767C5, #D879D8, #E98BEB, #FA9DFE and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C267CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C267CA shade: #C267CA, #B155B7, #A043A4, #8F3191 and #7E1F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C267CA shade: #C268C9, #C968B7, #C9689D, #C96882 and #C96868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C267CA shade: #C268C9, #A768C9, #8D68C9, #7268C9 and #6868C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C267CA shade matches the following richer shades: #C268C9, #CF57DA, #DD47EA and #EB36FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C267CA shade: #C268C9, #B478B9, #A689A8, #989998 and #8AAA87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C267CA shade: #8D68C9, #A768C9, #C168C9, #C968B8 and #C9689D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C267CA shade: #9C3AA5, #B549BF, #C268C9, #CE86D4 and #DAA5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C267CA shade: #C267CA, #C97368 and #68C99A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C267CA shade: #C267CA, #C9C168 and #68C9C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C267CA shade: #C267CA, #C97368, #70C968 and #68BEC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C267CA shade: #C267CA, #C99068, #70C968 and #68A1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

Complementary color

CMYK 60 / 0 / 65 / 40

HEX #3D9835

RGB 61 152 53

HSL 115.15, 0.48%, 0.4%

LAB 55.79, -46.68, 42.84

 

CMYK 0 / 48 / 1 / 22

HEX #C767C5

RGB 199 103 197

HSL 301.25, 0.46%, 0.59%

LAB 57.92, 51.28, -32.6

 

CMYK 0 / 44 / 0 / 15

HEX #D879D8

RGB 216 121 216

HSL 300, 0.55%, 0.66%

LAB 64.35, 50.6, -33.15

 

CMYK 1 / 41 / 0 / 8

HEX #E98BEB

RGB 233 139 235

HSL 298.75, 0.71%, 0.73%

LAB 70.72, 49.88, -33.63

 

CMYK 2 / 38 / 0 / 0

HEX #FA9DFE

RGB 250 157 254

HSL 297.53, 0.98%, 0.81%

LAB 77.04, 49.15, -34.04

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 3 / 54 / 0 / 28

HEX #B155B7

RGB 177 85 183

HSL 296.33, 0.4%, 0.53%

LAB 50.99, 51.39, -35.58

 

CMYK 2 / 59 / 0 / 36

HEX #A043A4

RGB 160 67 164

HSL 297.53, 0.42%, 0.45%

LAB 44.47, 51.84, -34.84

 

CMYK 1 / 66 / 0 / 43

HEX #8F3191

RGB 143 49 145

HSL 298.75, 0.49%, 0.38%

LAB 37.99, 51.95, -33.81

 

CMYK 0 / 75 / 0 / 51

HEX #7E1F7E

RGB 126 31 126

HSL 300, 0.61%, 0.31%

LAB 31.63, 51.39, -32.32

 

CMYK 3 / 48 / 0 / 21

HEX #C268C9

RGB 194 104 201

HSL 295.67, 0.47%, 0.6%

LAB 57.64, 50.08, -35.35

 

CMYK 0 / 48 / 9 / 21

HEX #C968B7

RGB 201 104 183

HSL 311.13, 0.47%, 0.6%

LAB 57.79, 48.95, -24.77

 

CMYK 0 / 48 / 22 / 21

HEX #C9689D

RGB 201 104 157

HSL 327.22, 0.47%, 0.6%

LAB 56.83, 44.87, -11.2

 

CMYK 0 / 48 / 35 / 21

HEX #C96882

RGB 201 104 130

HSL 343.92, 0.47%, 0.6%

LAB 56.02, 41.24, 3.36

 

CMYK 0 / 48 / 48 / 21

HEX #C96868

RGB 201 104 104

HSL 0, 0.47%, 0.6%

LAB 55.4, 38.4, 17.7

 

CMYK 3 / 48 / 0 / 21

HEX #C268C9

RGB 194 104 201

HSL 295.67, 0.47%, 0.6%

LAB 57.64, 50.08, -35.35

 

CMYK 17 / 48 / 0 / 21

HEX #A768C9

RGB 167 104 201

HSL 278.97, 0.47%, 0.6%

LAB 54.38, 42.4, -40.7

 

CMYK 30 / 48 / 0 / 21

HEX #8D68C9

RGB 141 104 201

HSL 262.89, 0.47%, 0.6%

LAB 51.59, 35.22, -45.3

 

CMYK 43 / 48 / 0 / 21

HEX #7268C9

RGB 114 104 201

HSL 246.19, 0.47%, 0.6%

LAB 49.12, 28.29, -49.37

 

CMYK 48 / 48 / 0 / 21

HEX #6868C9

RGB 104 104 201

HSL 240, 0.47%, 0.6%

LAB 48.34, 25.92, -50.67

 

CMYK 3 / 48 / 0 / 21

HEX #C268C9

RGB 194 104 201

HSL 295.67, 0.47%, 0.6%

LAB 57.64, 50.08, -35.35

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 6 / 70 / 0 / 8

HEX #DD47EA

RGB 221 71 234

HSL 295.21, 0.8%, 0.6%

LAB 57.86, 76.79, -53.38

 

CMYK 6 / 78 / 0 / 2

HEX #EB36FB

RGB 235 54 251

HSL 295.13, 0.96%, 0.6%

LAB 59.22, 87.3, -60.57

 

CMYK 3 / 48 / 0 / 21

HEX #C268C9

RGB 194 104 201

HSL 295.67, 0.47%, 0.6%

LAB 57.64, 50.08, -35.35

 

CMYK 3 / 35 / 0 / 27

HEX #B478B9

RGB 180 120 185

HSL 295.38, 0.32%, 0.6%

LAB 58.64, 34.24, -24.82

 

CMYK 1 / 18 / 0 / 34

HEX #A689A8

RGB 166 137 168

HSL 296.13, 0.15%, 0.6%

LAB 60.63, 16.6, -12.23

 

CMYK 1 / 0 / 1 / 40

HEX #989998

RGB 152 153 152

HSL 120, 0%, 0.6%

LAB 63.11, -0.55, 0.39

 

CMYK 19 / 0 / 21 / 33

HEX #8AAA87

RGB 138 170 135

HSL 114.86, 0.17%, 0.6%

LAB 66.44, -17.88, 14.49

 

CMYK 30 / 48 / 0 / 21

HEX #8D68C9

RGB 141 104 201

HSL 262.89, 0.47%, 0.6%

LAB 51.59, 35.22, -45.3

 

CMYK 17 / 48 / 0 / 21

HEX #A768C9

RGB 167 104 201

HSL 278.97, 0.47%, 0.6%

LAB 54.38, 42.4, -40.7

 

CMYK 4 / 48 / 0 / 21

HEX #C168C9

RGB 193 104 201

HSL 295.05, 0.47%, 0.6%

LAB 57.52, 49.79, -35.56

 

CMYK 0 / 48 / 8 / 21

HEX #C968B8

RGB 201 104 184

HSL 310.52, 0.47%, 0.6%

LAB 57.83, 49.12, -25.28

 

CMYK 0 / 48 / 22 / 21

HEX #C9689D

RGB 201 104 157

HSL 327.22, 0.47%, 0.6%

LAB 56.83, 44.87, -11.2

 

CMYK 5 / 65 / 0 / 35

HEX #9C3AA5

RGB 156 58 165

HSL 294.95, 0.48%, 0.44%

LAB 42.48, 55.01, -38.63

 

CMYK 5 / 62 / 0 / 25

HEX #B549BF

RGB 181 73 191

HSL 294.92, 0.48%, 0.52%

LAB 49.92, 59.46, -41.88

 

CMYK 3 / 48 / 0 / 21

HEX #C268C9

RGB 194 104 201

HSL 295.67, 0.47%, 0.6%

LAB 57.64, 50.08, -35.35

 

CMYK 3 / 37 / 0 / 17

HEX #CE86D4

RGB 206 134 212

HSL 295.38, 0.48%, 0.68%

LAB 65.69, 40.06, -28.94

 

CMYK 2 / 26 / 0 / 13

HEX #DAA5DF

RGB 218 165 223

HSL 294.83, 0.48%, 0.76%

LAB 74.28, 29.24, -21.74

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 0 / 43 / 48 / 21

HEX #C97368

RGB 201 115 104

HSL 6.8, 0.47%, 0.6%

LAB 57.73, 32.61, 20.86

 

CMYK 48 / 0 / 23 / 21

HEX #68C99A

RGB 104 201 154

HSL 150.93, 0.47%, 0.6%

LAB 74.22, -39.5, 14.81

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 0 / 4 / 48 / 21

HEX #C9C168

RGB 201 193 104

HSL 55.05, 0.47%, 0.6%

LAB 77.02, -9.34, 45.48

 

CMYK 48 / 0 / 4 / 21

HEX #68C9C1

RGB 104 201 193

HSL 175.05, 0.47%, 0.6%

LAB 75.18, -30.52, -4.84

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 0 / 43 / 48 / 21

HEX #C97368

RGB 201 115 104

HSL 6.8, 0.47%, 0.6%

LAB 57.73, 32.61, 20.86

 

CMYK 44 / 0 / 48 / 21

HEX #70C968

RGB 112 201 104

HSL 115.05, 0.47%, 0.6%

LAB 73.69, -45.89, 40.13

 

CMYK 48 / 5 / 0 / 21

HEX #68BEC9

RGB 104 190 201

HSL 186.8, 0.47%, 0.6%

LAB 72.22, -23.02, -13.6

 

CMYK 4 / 49 / 0 / 21

HEX #C267CA

RGB 194 103 202

HSL 295.15, 0.48%, 0.6%

LAB 57.5, 50.77, -36.15

 

CMYK 0 / 28 / 48 / 21

HEX #C99068

RGB 201 144 104

HSL 24.74, 0.47%, 0.6%

LAB 64.45, 16.84, 29.75

 

CMYK 44 / 0 / 48 / 21

HEX #70C968

RGB 112 201 104

HSL 115.05, 0.47%, 0.6%

LAB 73.69, -45.89, 40.13

 

CMYK 48 / 20 / 0 / 21

HEX #68A1C9

RGB 104 161 201

HSL 204.74, 0.47%, 0.6%

LAB 63.88, -7.7, -26.28

 

Description

Color code: HEX #C267CA | qconv.com Color code: HEX #C267CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 103 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 103 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 49 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 49% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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