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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 87 218 it is the complementary color RGB 48 168 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 87 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 87 218 shade: RGB 212 87 213, RGB 229 105 232, RGB 246 123 251, RGB 255 141 255 and RGB 255 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 87 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 190 69 199, RGB 173 51 180, RGB 156 33 161 and RGB 139 15 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 218 87 194, RGB 218 87 158, RGB 218 87 123 and RGB 218 87 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 172 87 218, RGB 136 87 218, RGB 101 87 218 and RGB 87 87 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 87 218 shade matches the following richer shades: RGB 207 87 218, RGB 221 71 234 and RGB 234 54 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 193 104 201, RGB 179 120 185, RGB 166 137 168 and RGB 152 153 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 87 218 shade: RGB 135 87 218, RGB 170 87 218, RGB 205 87 218, RGB 218 87 196 and RGB 218 87 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 87 218 shade: RGB 171 40 183, RGB 197 53 210, RGB 207 87 218, RGB 216 121 225 and RGB 226 155 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 218 100 87 and RGB 87 218 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 218 205 87 and RGB 87 218 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 218 100 87, RGB 100 218 87 and RGB 87 205 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 87 218 shade: RGB 207 87 218, RGB 218 139 87, RGB 100 218 87 and RGB 87 166 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

Complementary color

CMYK 71 / 0 / 78 / 34

HEX #30A825

RGB 48 168 37

HSL 114.96, 0.64%, 0.4%

LAB 60.58, -56.57, 53.93

 

CMYK 0 / 59 / 0 / 16

HEX #D457D5

RGB 212 87 213

HSL 299.52, 0.6%, 0.59%

LAB 57.67, 65, -41.94

 

CMYK 1 / 55 / 0 / 9

HEX #E569E8

RGB 229 105 232

HSL 298.58, 0.73%, 0.66%

LAB 63.83, 64.68, -42.76

 

CMYK 2 / 51 / 0 / 2

HEX #F67BFB

RGB 246 123 251

HSL 297.66, 0.94%, 0.73%

LAB 69.98, 64.19, -43.42

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 5 / 65 / 0 / 22

HEX #BE45C7

RGB 190 69 199

HSL 295.85, 0.54%, 0.53%

LAB 51.07, 64.71, -44.6

 

CMYK 4 / 72 / 0 / 29

HEX #AD33B4

RGB 173 51 180

HSL 296.74, 0.56%, 0.45%

LAB 45.01, 64.32, -43.33

 

CMYK 3 / 80 / 0 / 37

HEX #9C21A1

RGB 156 33 161

HSL 297.66, 0.66%, 0.38%

LAB 39.12, 63.18, -41.58

 

CMYK 2 / 89 / 0 / 44

HEX #8B0F8E

RGB 139 15 142

HSL 298.58, 0.81%, 0.31%

LAB 33.53, 60.86, -39.11

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 0 / 60 / 11 / 15

HEX #DA57C2

RGB 218 87 194

HSL 310.99, 0.64%, 0.6%

LAB 57.67, 63.47, -31.06

 

CMYK 0 / 60 / 28 / 15

HEX #DA579E

RGB 218 87 158

HSL 327.48, 0.64%, 0.6%

LAB 56.28, 58.39, -12.37

 

CMYK 0 / 60 / 44 / 15

HEX #DA577B

RGB 218 87 123

HSL 343.51, 0.64%, 0.6%

LAB 55.23, 54.4, 6.68

 

CMYK 0 / 60 / 60 / 15

HEX #DA5758

RGB 218 87 88

HSL 359.54, 0.64%, 0.6%

LAB 54.48, 51.45, 26.25

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 21 / 60 / 0 / 15

HEX #AC57DA

RGB 172 87 218

HSL 278.93, 0.64%, 0.6%

LAB 52.56, 56.16, -53.22

 

CMYK 38 / 60 / 0 / 15

HEX #8857DA

RGB 136 87 218

HSL 262.44, 0.64%, 0.6%

LAB 48.4, 47.88, -60.13

 

CMYK 54 / 60 / 0 / 15

HEX #6557DA

RGB 101 87 218

HSL 246.41, 0.64%, 0.6%

LAB 45.14, 40.77, -65.56

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 6 / 70 / 0 / 8

HEX #DD47EA

RGB 221 71 234

HSL 295.21, 0.8%, 0.6%

LAB 57.86, 76.79, -53.38

 

CMYK 7 / 78 / 0 / 2

HEX #EA36FB

RGB 234 54 251

HSL 294.82, 0.96%, 0.6%

LAB 59.06, 87.12, -60.83

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 4 / 48 / 0 / 21

HEX #C168C9

RGB 193 104 201

HSL 295.05, 0.47%, 0.6%

LAB 57.52, 49.79, -35.56

 

CMYK 3 / 35 / 0 / 27

HEX #B378B9

RGB 179 120 185

HSL 294.46, 0.32%, 0.6%

LAB 58.53, 33.92, -25

 

CMYK 1 / 18 / 0 / 34

HEX #A689A8

RGB 166 137 168

HSL 296.13, 0.15%, 0.6%

LAB 60.63, 16.6, -12.23

 

CMYK 1 / 0 / 1 / 40

HEX #989998

RGB 152 153 152

HSL 120, 0%, 0.6%

LAB 63.11, -0.55, 0.39

 

CMYK 38 / 60 / 0 / 15

HEX #8757DA

RGB 135 87 218

HSL 261.98, 0.64%, 0.6%

LAB 48.3, 47.66, -60.3

 

CMYK 22 / 60 / 0 / 15

HEX #AA57DA

RGB 170 87 218

HSL 278.02, 0.64%, 0.6%

LAB 52.31, 55.69, -53.63

 

CMYK 6 / 60 / 0 / 15

HEX #CD57DA

RGB 205 87 218

HSL 294.05, 0.64%, 0.6%

LAB 56.94, 64.15, -46

 

CMYK 0 / 60 / 10 / 15

HEX #DA57C4

RGB 218 87 196

HSL 310.08, 0.64%, 0.6%

LAB 57.76, 63.78, -32.07

 

CMYK 0 / 60 / 26 / 15

HEX #DA57A1

RGB 218 87 161

HSL 326.11, 0.64%, 0.6%

LAB 56.38, 58.77, -13.97

 

CMYK 7 / 78 / 0 / 28

HEX #AB28B7

RGB 171 40 183

HSL 294.97, 0.64%, 0.44%

LAB 43.65, 67.9, -47.29

 

CMYK 6 / 75 / 0 / 18

HEX #C535D2

RGB 197 53 210

HSL 295.03, 0.64%, 0.52%

LAB 50.77, 73.74, -51.33

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 4 / 46 / 0 / 12

HEX #D879E1

RGB 216 121 225

HSL 294.81, 0.63%, 0.68%

LAB 64.73, 52.25, -37.57

 

CMYK 3 / 33 / 0 / 9

HEX #E29BE9

RGB 226 155 233

HSL 294.62, 0.64%, 0.76%

LAB 73.22, 39.04, -28.75

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 0 / 54 / 60 / 15

HEX #DA6457

RGB 218 100 87

HSL 5.95, 0.64%, 0.6%

LAB 56.79, 45.28, 29.79

 

CMYK 60 / 0 / 30 / 15

HEX #57DA99

RGB 87 218 153

HSL 150.23, 0.64%, 0.6%

LAB 78.73, -50.81, 21.52

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 0 / 6 / 60 / 15

HEX #DACD57

RGB 218 205 87

HSL 54.05, 0.64%, 0.6%

LAB 81.43, -9.81, 58.86

 

CMYK 60 / 0 / 6 / 15

HEX #57DACD

RGB 87 218 205

HSL 174.05, 0.64%, 0.6%

LAB 79.94, -38.78, -4.33

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 0 / 54 / 60 / 15

HEX #DA6457

RGB 218 100 87

HSL 5.95, 0.64%, 0.6%

LAB 56.79, 45.28, 29.79

 

CMYK 54 / 0 / 60 / 15

HEX #64DA57

RGB 100 218 87

HSL 114.05, 0.64%, 0.6%

LAB 78.19, -58, 53.33

 

CMYK 60 / 6 / 0 / 15

HEX #57CDDA

RGB 87 205 218

HSL 185.95, 0.64%, 0.6%

LAB 76.53, -29.14, -16.39

 

CMYK 5 / 60 / 0 / 15

HEX #CF57DA

RGB 207 87 218

HSL 294.96, 0.64%, 0.6%

LAB 57.22, 64.64, -45.54

 

CMYK 0 / 36 / 60 / 15

HEX #DA8B57

RGB 218 139 87

HSL 23.82, 0.64%, 0.6%

LAB 65.01, 25.1, 39.97

 

CMYK 54 / 0 / 60 / 15

HEX #64DA57

RGB 100 218 87

HSL 114.05, 0.64%, 0.6%

LAB 78.19, -58, 53.33

 

CMYK 60 / 24 / 0 / 15

HEX #57A6DA

RGB 87 166 218

HSL 203.82, 0.64%, 0.6%

LAB 65.25, -8.94, -33.65

 

Description

Color code: RGB 207 87 218 | qconv.com Color code: RGB 207 87 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 87 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 87 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 60 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 60% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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