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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C15DA0 it is the complementary color #3EA25F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C15DA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C15DA0 shade: #C65D9B, #D76FAE, #E881C1, #F993D4 and #FFA5E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C15DA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C15DA0 shade: #C15DA0, #B04B8D, #9F397A, #8E2767 and #7D1554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C15DA0 shade: #C15C9F, #C15C84, #C15C69 and #C15C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C15DA0 shade: #C15C9F, #C15CBB, #AC5CC1, #905CC1 and #755CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C15DA0 shade matches the following richer shades: #C15C9F, #D34AA6, #E538AC and #F725B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C15DA0 shade: #C15C9F, #AF6E99, #9C8093, #8A928D and #78A487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C15DA0 shade: #AB5CC1, #C15CBC, #C15CA1, #C15C86 and #C15C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C15DA0 shade: #933775, #B1438C, #C15C9F, #CC7AB1 and #D798C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C15DA0 shade: #C15DA0, #C1905C and #5CC1B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C15DA0 shade: #C15DA0, #A1C15C and #5CA1C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C15DA0 shade: #C15DA0, #C1905C, #5CC17C and #5C8DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C15DA0 shade: #C15DA0, #C1AE5C, #5CC17C and #5C6EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

Complementary color

CMYK 62 / 0 / 41 / 36

HEX #3EA25F

RGB 62 162 95

HSL 139.8, 0.45%, 0.44%

LAB 59.61, -44.34, 26.43

 

CMYK 0 / 53 / 22 / 22

HEX #C65D9B

RGB 198 93 155

HSL 324.57, 0.48%, 0.57%

LAB 54.24, 49.09, -13.98

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 0 / 44 / 17 / 9

HEX #E881C1

RGB 232 129 193

HSL 322.72, 0.69%, 0.71%

LAB 67.06, 47.65, -15.95

 

CMYK 0 / 41 / 15 / 2

HEX #F993D4

RGB 249 147 212

HSL 321.76, 0.89%, 0.78%

LAB 73.39, 46.89, -16.74

 

CMYK 0 / 35 / 9 / 0

HEX #FFA5E7

RGB 255 165 231

HSL 316, 1%, 0.82%

LAB 78.43, 42.62, -19.43

 

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

CMYK 0 / 57 / 20 / 31

HEX #B04B8D

RGB 176 75 141

HSL 320.79, 0.4%, 0.49%

LAB 47.22, 48.85, -16.65

 

CMYK 0 / 64 / 23 / 38

HEX #9F397A

RGB 159 57 122

HSL 321.76, 0.47%, 0.42%

LAB 40.74, 49.19, -15.21

 

CMYK 0 / 73 / 27 / 44

HEX #8E2767

RGB 142 39 103

HSL 322.72, 0.57%, 0.35%

LAB 34.36, 49.05, -13.29

 

CMYK 0 / 83 / 33 / 51

HEX #7D1554

RGB 125 21 84

HSL 323.65, 0.71%, 0.29%

LAB 28.21, 48.01, -10.61

 

CMYK 0 / 52 / 18 / 24

HEX #C15C9F

RGB 193 92 159

HSL 320.2, 0.45%, 0.56%

LAB 53.49, 48.6, -17.54

 

CMYK 0 / 52 / 32 / 24

HEX #C15C84

RGB 193 92 132

HSL 336.24, 0.45%, 0.56%

LAB 52.57, 44.8, -2.98

 

CMYK 0 / 52 / 46 / 24

HEX #C15C69

RGB 193 92 105

HSL 352.28, 0.45%, 0.56%

LAB 51.85, 41.69, 12.04

 

CMYK 0 / 52 / 52 / 24

HEX #C15C5C

RGB 193 92 92

HSL 0, 0.45%, 0.56%

LAB 51.57, 40.46, 19.36

 

CMYK 0 / 52 / 18 / 24

HEX #C15C9F

RGB 193 92 159

HSL 320.2, 0.45%, 0.56%

LAB 53.49, 48.6, -17.54

 

CMYK 0 / 52 / 3 / 24

HEX #C15CBB

RGB 193 92 187

HSL 303.56, 0.45%, 0.56%

LAB 54.64, 53.19, -32.04

 

CMYK 11 / 52 / 0 / 24

HEX #AC5CC1

RGB 172 92 193

HSL 287.52, 0.45%, 0.56%

LAB 52.15, 48.45, -39.59

 

CMYK 25 / 52 / 0 / 24

HEX #905CC1

RGB 144 92 193

HSL 270.89, 0.45%, 0.56%

LAB 48.8, 40.84, -45.1

 

CMYK 39 / 52 / 0 / 24

HEX #755CC1

RGB 117 92 193

HSL 254.85, 0.45%, 0.56%

LAB 46.02, 33.91, -49.7

 

CMYK 0 / 52 / 18 / 24

HEX #C15C9F

RGB 193 92 159

HSL 320.2, 0.45%, 0.56%

LAB 53.49, 48.6, -17.54

 

CMYK 0 / 65 / 21 / 17

HEX #D34AA6

RGB 211 74 166

HSL 319.71, 0.61%, 0.56%

LAB 53.49, 62.88, -21.39

 

CMYK 0 / 76 / 25 / 10

HEX #E538AC

RGB 229 56 172

HSL 319.77, 0.77%, 0.56%

LAB 54.52, 74.37, -23.07

 

CMYK 0 / 85 / 28 / 3

HEX #F725B2

RGB 247 37 178

HSL 319.71, 0.93%, 0.56%

LAB 56.4, 83.48, -23.41

 

CMYK 0 / 52 / 18 / 24

HEX #C15C9F

RGB 193 92 159

HSL 320.2, 0.45%, 0.56%

LAB 53.49, 48.6, -17.54

 

CMYK 0 / 37 / 13 / 31

HEX #AF6E99

RGB 175 110 153

HSL 320.31, 0.29%, 0.56%

LAB 54.62, 32.22, -12.53

 

CMYK 0 / 18 / 6 / 39

HEX #9C8093

RGB 156 128 147

HSL 319.29, 0.12%, 0.56%

LAB 56.7, 14.1, -6.16

 

CMYK 5 / 0 / 3 / 43

HEX #8A928D

RGB 138 146 141

HSL 142.5, 0.04%, 0.56%

LAB 59.78, -3.89, 1.64

 

CMYK 27 / 0 / 18 / 36

HEX #78A487

RGB 120 164 135

HSL 140.45, 0.19%, 0.56%

LAB 63.58, -21, 10.31

 

CMYK 11 / 52 / 0 / 24

HEX #AB5CC1

RGB 171 92 193

HSL 286.93, 0.45%, 0.56%

LAB 52.02, 48.17, -39.8

 

CMYK 0 / 52 / 3 / 24

HEX #C15CBC

RGB 193 92 188

HSL 302.97, 0.45%, 0.56%

LAB 54.68, 53.37, -32.54

 

CMYK 0 / 52 / 17 / 24

HEX #C15CA1

RGB 193 92 161

HSL 319.01, 0.45%, 0.56%

LAB 53.56, 48.91, -18.59

 

CMYK 0 / 52 / 31 / 24

HEX #C15C86

RGB 193 92 134

HSL 335.05, 0.45%, 0.56%

LAB 52.63, 45.06, -4.08

 

CMYK 0 / 52 / 45 / 24

HEX #C15C6B

RGB 193 92 107

HSL 351.09, 0.45%, 0.56%

LAB 51.9, 41.9, 10.91

 

CMYK 0 / 63 / 20 / 42

HEX #933775

RGB 147 55 117

HSL 319.57, 0.46%, 0.4%

LAB 38.23, 45.77, -16.11

 

CMYK 0 / 62 / 21 / 31

HEX #B1438C

RGB 177 67 140

HSL 320.18, 0.45%, 0.48%

LAB 45.98, 52.65, -17.92

 

CMYK 0 / 52 / 18 / 24

HEX #C15C9F

RGB 193 92 159

HSL 320.2, 0.45%, 0.56%

LAB 53.49, 48.6, -17.54

 

CMYK 0 / 40 / 13 / 20

HEX #CC7AB1

RGB 204 122 177

HSL 319.76, 0.45%, 0.64%

LAB 61.59, 39.6, -15.49

 

CMYK 0 / 29 / 10 / 16

HEX #D798C2

RGB 215 152 194

HSL 320, 0.44%, 0.72%

LAB 70.03, 30.05, -12.22

 

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

CMYK 0 / 25 / 52 / 24

HEX #C1905C

RGB 193 144 92

HSL 30.89, 0.45%, 0.56%

LAB 63.39, 12.38, 34.68

 

CMYK 52 / 0 / 5 / 24

HEX #5CC1B8

RGB 92 193 184

HSL 174.65, 0.45%, 0.56%

LAB 72.15, -31.61, -4.48

 

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

CMYK 17 / 0 / 52 / 24

HEX #A1C15C

RGB 161 193 92

HSL 79.01, 0.45%, 0.56%

LAB 73.86, -26.58, 46.78

 

CMYK 52 / 17 / 0 / 24

HEX #5CA1C1

RGB 92 161 193

HSL 199.01, 0.45%, 0.56%

LAB 63.02, -12.81, -23.17

 

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

CMYK 0 / 25 / 52 / 24

HEX #C1905C

RGB 193 144 92

HSL 30.89, 0.45%, 0.56%

LAB 63.39, 12.38, 34.68

 

CMYK 52 / 0 / 36 / 24

HEX #5CC17C

RGB 92 193 124

HSL 139.01, 0.45%, 0.56%

LAB 70.78, -44.88, 25.99

 

CMYK 52 / 27 / 0 / 24

HEX #5C8DC1

RGB 92 141 193

HSL 210.89, 0.45%, 0.56%

LAB 57.25, -1.61, -32.09

 

CMYK 0 / 52 / 17 / 24

HEX #C15DA0

RGB 193 93 160

HSL 319.8, 0.45%, 0.56%

LAB 53.71, 48.26, -17.78

 

CMYK 0 / 10 / 52 / 24

HEX #C1AE5C

RGB 193 174 92

HSL 48.71, 0.45%, 0.56%

LAB 71.13, -3.84, 44.15

 

CMYK 52 / 0 / 36 / 24

HEX #5CC17C

RGB 92 193 124

HSL 139.01, 0.45%, 0.56%

LAB 70.78, -44.88, 25.99

 

CMYK 52 / 43 / 0 / 24

HEX #5C6EC1

RGB 92 110 193

HSL 229.31, 0.45%, 0.56%

LAB 48.61, 16.99, -45.69

 

Description

Color code: HEX #C15DA0 | qconv.com Color code: HEX #C15DA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 93 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 93 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 17 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 17% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - nav0.gif (73x32 pixe...
Link: http://midwifery.m.u-tokyo.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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