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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76FAE it is the complementary color #289051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76FAE shade: #DC6FA9, #ED81BC, #FE93CF, #FFA5E2 and #FFB7F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76FAE shade: #D76FAE, #C65D9B, #B54B88, #A43975 and #932762

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76FAE shade: #D76EAE, #D76E92, #D76E75 and #D76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76FAE shade: #D76EAE, #D76ECA, #C86ED7, #AC6ED7 and #8F6ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76FAE shade matches the following richer shades: #D76EAE, #E660B1 and #F551B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76FAE shade: #D76EAE, #C87DAB, #B98CA7, #AA9BA4 and #9CAAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76FAE shade: #C76ED7, #D76ECB, #D76EAF, #D76E93 and #D76E77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76FAE shade: #BF3488, #CE4E9C, #D76EAE, #E08FC0 and #E9AFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76FAE shade: #D76FAE, #D7AB6E and #6ED7D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76FAE shade: #D76FAE, #AFD76E and #6EAFD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76FAE shade: #D76FAE, #D7AB6E, #6ED796 and #6E9AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76FAE shade: #D76FAE, #D7CB6E, #6ED796 and #6E7BD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

Complementary color

CMYK 72 / 0 / 44 / 44

HEX #289051

RGB 40 144 81

HSL 143.65, 0.57%, 0.36%

LAB 52.94, -44.02, 25.19

 

CMYK 0 / 50 / 23 / 14

HEX #DC6FA9

RGB 220 111 169

HSL 328.07, 0.61%, 0.65%

LAB 61.18, 49.27, -11.35

 

CMYK 0 / 46 / 21 / 7

HEX #ED81BC

RGB 237 129 188

HSL 327.22, 0.75%, 0.72%

LAB 67.53, 48.52, -12.37

 

CMYK 0 / 42 / 19 / 0

HEX #FE93CF

RGB 254 147 207

HSL 326.36, 0.98%, 0.79%

LAB 73.83, 47.75, -13.26

 

CMYK 0 / 35 / 11 / 0

HEX #FFA5E2

RGB 255 165 226

HSL 319.33, 1%, 0.82%

LAB 78.26, 41.81, -16.97

 

CMYK 0 / 28 / 4 / 0

HEX #FFB7F5

RGB 255 183 245

HSL 308.33, 1%, 0.86%

LAB 82.76, 35.62, -20.4

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 0 / 53 / 22 / 22

HEX #C65D9B

RGB 198 93 155

HSL 324.57, 0.48%, 0.57%

LAB 54.24, 49.09, -13.98

 

CMYK 0 / 59 / 25 / 29

HEX #B54B88

RGB 181 75 136

HSL 325.47, 0.42%, 0.5%

LAB 47.79, 49.66, -12.69

 

CMYK 0 / 65 / 29 / 36

HEX #A43975

RGB 164 57 117

HSL 326.36, 0.48%, 0.43%

LAB 41.38, 49.99, -11.06

 

CMYK 0 / 73 / 33 / 42

HEX #932762

RGB 147 39 98

HSL 327.22, 0.58%, 0.36%

LAB 35.07, 49.83, -8.92

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAE

RGB 215 110 174

HSL 323.43, 0.57%, 0.64%

LAB 60.48, 48.89, -15.34

 

CMYK 0 / 49 / 32 / 16

HEX #D76E92

RGB 215 110 146

HSL 339.43, 0.57%, 0.64%

LAB 59.59, 45.04, -0.52

 

CMYK 0 / 49 / 46 / 16

HEX #D76E75

RGB 215 110 117

HSL 356, 0.57%, 0.64%

LAB 58.87, 41.76, 15.24

 

CMYK 0 / 49 / 49 / 16

HEX #D76E6E

RGB 215 110 110

HSL 0, 0.57%, 0.64%

LAB 58.72, 41.08, 19.08

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAE

RGB 215 110 174

HSL 323.43, 0.57%, 0.64%

LAB 60.48, 48.89, -15.34

 

CMYK 0 / 49 / 6 / 16

HEX #D76ECA

RGB 215 110 202

HSL 307.43, 0.57%, 0.64%

LAB 61.54, 53.35, -29.65

 

CMYK 7 / 49 / 0 / 16

HEX #C86ED7

RGB 200 110 215

HSL 291.43, 0.57%, 0.64%

LAB 60.19, 51.4, -39.22

 

CMYK 20 / 49 / 0 / 16

HEX #AC6ED7

RGB 172 110 215

HSL 275.43, 0.57%, 0.64%

LAB 56.91, 43.63, -44.62

 

CMYK 33 / 49 / 0 / 16

HEX #8F6ED7

RGB 143 110 215

HSL 258.86, 0.57%, 0.64%

LAB 53.92, 35.89, -49.55

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAE

RGB 215 110 174

HSL 323.43, 0.57%, 0.64%

LAB 60.48, 48.89, -15.34

 

CMYK 0 / 58 / 23 / 10

HEX #E660B1

RGB 230 96 177

HSL 323.73, 0.73%, 0.64%

LAB 60.22, 60.47, -17.25

 

CMYK 0 / 67 / 27 / 4

HEX #F551B4

RGB 245 81 180

HSL 323.78, 0.89%, 0.64%

LAB 60.42, 71.07, -18.45

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAE

RGB 215 110 174

HSL 323.43, 0.57%, 0.64%

LAB 60.48, 48.89, -15.34

 

CMYK 0 / 38 / 15 / 22

HEX #C87DAB

RGB 200 125 171

HSL 323.2, 0.41%, 0.64%

LAB 61.56, 35.67, -12.18

 

CMYK 0 / 24 / 10 / 27

HEX #B98CA7

RGB 185 140 167

HSL 324, 0.24%, 0.64%

LAB 63.23, 21.47, -7.58

 

CMYK 0 / 9 / 4 / 33

HEX #AA9BA4

RGB 170 155 164

HSL 324, 0.08%, 0.64%

LAB 65.49, 7.13, -2.7

 

CMYK 8 / 0 / 5 / 33

HEX #9CAAA1

RGB 156 170 161

HSL 141.43, 0.08%, 0.64%

LAB 68.31, -6.66, 2.95

 

CMYK 7 / 49 / 0 / 16

HEX #C76ED7

RGB 199 110 215

HSL 290.86, 0.57%, 0.64%

LAB 60.07, 51.12, -39.42

 

CMYK 0 / 49 / 6 / 16

HEX #D76ECB

RGB 215 110 203

HSL 306.86, 0.57%, 0.64%

LAB 61.58, 53.52, -30.15

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAF

RGB 215 110 175

HSL 322.86, 0.57%, 0.64%

LAB 60.51, 49.04, -15.86

 

CMYK 0 / 49 / 32 / 16

HEX #D76E93

RGB 215 110 147

HSL 338.86, 0.57%, 0.64%

LAB 59.62, 45.17, -1.05

 

CMYK 0 / 49 / 45 / 16

HEX #D76E77

RGB 215 110 119

HSL 354.86, 0.57%, 0.64%

LAB 58.91, 41.96, 14.15

 

CMYK 0 / 73 / 29 / 25

HEX #BF3488

RGB 191 52 136

HSL 323.74, 0.57%, 0.48%

LAB 46.06, 61.84, -15.17

 

CMYK 0 / 62 / 24 / 19

HEX #CE4E9C

RGB 206 78 156

HSL 323.44, 0.57%, 0.56%

LAB 52.92, 58.5, -16.46

 

CMYK 0 / 49 / 19 / 16

HEX #D76EAE

RGB 215 110 174

HSL 323.43, 0.57%, 0.64%

LAB 60.48, 48.89, -15.34

 

CMYK 0 / 36 / 14 / 12

HEX #E08FC0

RGB 224 143 192

HSL 323.7, 0.57%, 0.72%

LAB 68.97, 37.6, -12.61

 

CMYK 0 / 25 / 10 / 9

HEX #E9AFD2

RGB 233 175 210

HSL 323.79, 0.57%, 0.8%

LAB 77.66, 26.56, -9.42

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 0 / 20 / 49 / 16

HEX #D7AB6E

RGB 215 171 110

HSL 34.86, 0.57%, 0.64%

LAB 72.69, 8.56, 37.39

 

CMYK 49 / 0 / 1 / 16

HEX #6ED7D5

RGB 110 215 213

HSL 178.86, 0.57%, 0.64%

LAB 80.02, -30.82, -8.4

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 19 / 0 / 49 / 16

HEX #AFD76E

RGB 175 215 110

HSL 82.86, 0.57%, 0.64%

LAB 81.2, -29.88, 47.2

 

CMYK 49 / 19 / 0 / 16

HEX #6EAFD7

RGB 110 175 215

HSL 202.86, 0.57%, 0.64%

LAB 68.67, -9.91, -26.64

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 0 / 20 / 49 / 16

HEX #D7AB6E

RGB 215 171 110

HSL 34.86, 0.57%, 0.64%

LAB 72.69, 8.56, 37.39

 

CMYK 49 / 0 / 30 / 16

HEX #6ED796

RGB 110 215 150

HSL 142.86, 0.57%, 0.64%

LAB 78.53, -44.91, 22.93

 

CMYK 49 / 28 / 0 / 16

HEX #6E9AD7

RGB 110 154 215

HSL 214.86, 0.57%, 0.64%

LAB 62.79, 1.78, -35.73

 

CMYK 0 / 48 / 19 / 16

HEX #D76FAE

RGB 215 111 174

HSL 323.65, 0.57%, 0.64%

LAB 60.67, 48.39, -15.04

 

CMYK 0 / 6 / 49 / 16

HEX #D7CB6E

RGB 215 203 110

HSL 53.14, 0.57%, 0.64%

LAB 80.9, -8.21, 47.52

 

CMYK 49 / 0 / 30 / 16

HEX #6ED796

RGB 110 215 150

HSL 142.86, 0.57%, 0.64%

LAB 78.53, -44.91, 22.93

 

CMYK 49 / 43 / 0 / 16

HEX #6E7BD7

RGB 110 123 215

HSL 232.57, 0.57%, 0.64%

LAB 54.44, 20.05, -48.88

 

Description

Color code: HEX #D76FAE | qconv.com Color code: HEX #D76FAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 111 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 111 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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