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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C03693 it is the complementary color #3FC96C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C03693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C03693 shade: #C5368E, #D648A1, #E75AB4, #F86CC7 and #FF7EDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C03693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C03693 shade: #C03693, #AF2480, #9E126D, #8D005A and #7C0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C03693 shade: #BE3592, #BE356D, #BE3548 and #BE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C03693 shade: #BE3592, #BE35B7, #A135BE, #7C35BE and #5735BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C03693 shade matches the following richer shades: #BE3592, #D22299 and #E60EA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C03693 shade: #BE3592, #AB498B, #975D84, #83717D and #6F8576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C03693 shade: #A135BE, #BE35B8, #BE3593, #BE356E and #BE354A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C03693 shade: #7E2360, #9E2C79, #BE3592, #CD50A4 and #D670B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C03693 shade: #C03693, #BE7C35 and #35BEB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C03693 shade: #C03693, #93BE35 and #3593BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C03693 shade: #C03693, #BE7C35, #35BE61 and #3578BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C03693 shade: #C03693, #BEA535, #35BE61 and #354EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

Complementary color

CMYK 69 / 0 / 46 / 21

HEX #3FC96C

RGB 63 201 108

HSL 139.57, 0.56%, 0.52%

LAB 72.17, -56.96, 35.89

 

CMYK 0 / 73 / 28 / 23

HEX #C5368E

RGB 197 54 142

HSL 323.08, 0.57%, 0.49%

LAB 47.57, 63.46, -16.39

 

CMYK 0 / 66 / 25 / 16

HEX #D648A1

RGB 214 72 161

HSL 322.39, 0.63%, 0.56%

LAB 53.5, 63.82, -18.41

 

CMYK 0 / 61 / 22 / 9

HEX #E75AB4

RGB 231 90 180

HSL 321.7, 0.75%, 0.63%

LAB 59.52, 63.73, -20.01

 

CMYK 0 / 56 / 20 / 3

HEX #F86CC7

RGB 248 108 199

HSL 321, 0.91%, 0.7%

LAB 65.6, 63.38, -21.33

 

CMYK 0 / 51 / 15 / 0

HEX #FF7EDA

RGB 255 126 218

HSL 317.21, 1%, 0.75%

LAB 70.35, 59.94, -24.61

 

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

CMYK 0 / 79 / 27 / 31

HEX #AF2480

RGB 175 36 128

HSL 320.29, 0.66%, 0.41%

LAB 41.11, 61.78, -18.1

 

CMYK 0 / 89 / 31 / 38

HEX #9E126D

RGB 158 18 109

HSL 321, 0.8%, 0.35%

LAB 35.61, 59.69, -14.93

 

CMYK 0 / 100 / 36 / 45

HEX #8D005A

RGB 141 0 90

HSL 321.7, 1%, 0.28%

LAB 30.4, 56.48, -10.92

 

CMYK 0 / 100 / 43 / 51

HEX #7C0047

RGB 124 0 71

HSL 325.65, 1%, 0.24%

LAB 25.98, 50.68, -5.29

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 72 / 43 / 25

HEX #BE356D

RGB 190 53 109

HSL 335.47, 0.56%, 0.48%

LAB 45.08, 58.24, -0.13

 

CMYK 0 / 72 / 62 / 25

HEX #BE3548

RGB 190 53 72

HSL 351.68, 0.56%, 0.48%

LAB 44.18, 55.22, 21.49

 

CMYK 0 / 72 / 72 / 25

HEX #BE3535

RGB 190 53 53

HSL 0, 0.56%, 0.48%

LAB 43.87, 54.19, 32.57

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 72 / 4 / 25

HEX #BE35B7

RGB 190 53 183

HSL 303.07, 0.56%, 0.48%

LAB 48.15, 67.87, -39.93

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 35 / 72 / 0 / 25

HEX #7C35BE

RGB 124 53 190

HSL 271.09, 0.56%, 0.48%

LAB 38.81, 55.48, -59.55

 

CMYK 54 / 72 / 0 / 25

HEX #5735BE

RGB 87 53 190

HSL 254.89, 0.56%, 0.48%

LAB 34.58, 49.13, -66.63

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 84 / 27 / 18

HEX #D22299

RGB 210 34 153

HSL 319.43, 0.72%, 0.48%

LAB 48.44, 73.3, -21.46

 

CMYK 0 / 94 / 30 / 10

HEX #E60EA0

RGB 230 14 160

HSL 319.44, 0.89%, 0.48%

LAB 51.47, 81.16, -20.67

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 57 / 19 / 33

HEX #AB498B

RGB 171 73 139

HSL 319.59, 0.4%, 0.48%

LAB 46.02, 47.97, -17.33

 

CMYK 0 / 38 / 13 / 41

HEX #975D84

RGB 151 93 132

HSL 319.66, 0.24%, 0.48%

LAB 47.07, 29.65, -11.79

 

CMYK 0 / 14 / 5 / 49

HEX #83717D

RGB 131 113 125

HSL 320, 0.07%, 0.48%

LAB 49.64, 9.27, -4.01

 

CMYK 17 / 0 / 11 / 48

HEX #6F8576

RGB 111 133 118

HSL 139.09, 0.09%, 0.48%

LAB 53.45, -11.1, 5.45

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 72 / 3 / 25

HEX #BE35B8

RGB 190 53 184

HSL 302.63, 0.56%, 0.48%

LAB 48.2, 68.03, -40.43

 

CMYK 0 / 72 / 23 / 25

HEX #BE3593

RGB 190 53 147

HSL 318.83, 0.56%, 0.48%

LAB 46.45, 62.64, -21.24

 

CMYK 0 / 72 / 42 / 25

HEX #BE356E

RGB 190 53 110

HSL 335.04, 0.56%, 0.48%

LAB 45.11, 58.34, -0.7

 

CMYK 0 / 72 / 61 / 25

HEX #BE354A

RGB 190 53 74

HSL 350.8, 0.56%, 0.48%

LAB 44.22, 55.35, 20.31

 

CMYK 0 / 72 / 24 / 51

HEX #7E2360

RGB 126 35 96

HSL 319.78, 0.57%, 0.32%

LAB 30.6, 45.12, -14.8

 

CMYK 0 / 72 / 23 / 38

HEX #9E2C79

RGB 158 44 121

HSL 319.47, 0.56%, 0.4%

LAB 38.64, 54, -17.82

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 0 / 48 / 15 / 16

HEX #D670B5

RGB 214 112 181

HSL 319.41, 0.55%, 0.64%

LAB 60.98, 48.64, -18.59

 

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

CMYK 0 / 35 / 72 / 25

HEX #BE7C35

RGB 190 124 53

HSL 31.09, 0.56%, 0.48%

LAB 57.67, 19.38, 47.75

 

CMYK 72 / 0 / 6 / 25

HEX #35BEB3

RGB 53 190 179

HSL 175.18, 0.56%, 0.48%

LAB 70.06, -38.19, -4.94

 

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

CMYK 23 / 0 / 72 / 25

HEX #93BE35

RGB 147 190 53

HSL 78.83, 0.56%, 0.48%

LAB 71.75, -33.73, 60.8

 

CMYK 72 / 23 / 0 / 25

HEX #3593BE

RGB 53 147 190

HSL 198.83, 0.56%, 0.48%

LAB 57.41, -13.2, -30.26

 

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

CMYK 0 / 35 / 72 / 25

HEX #BE7C35

RGB 190 124 53

HSL 31.09, 0.56%, 0.48%

LAB 57.67, 19.38, 47.75

 

CMYK 72 / 0 / 49 / 25

HEX #35BE61

RGB 53 190 97

HSL 139.27, 0.56%, 0.48%

LAB 68.35, -56.39, 36.55

 

CMYK 72 / 37 / 0 / 25

HEX #3578BE

RGB 53 120 190

HSL 210.66, 0.56%, 0.48%

LAB 49.38, 2.51, -42.85

 

CMYK 0 / 72 / 23 / 25

HEX #C03693

RGB 192 54 147

HSL 319.57, 0.56%, 0.48%

LAB 46.91, 62.8, -20.49

 

CMYK 0 / 13 / 72 / 25

HEX #BEA535

RGB 190 165 53

HSL 49.05, 0.56%, 0.48%

LAB 68.1, -3.01, 58.33

 

CMYK 72 / 0 / 49 / 25

HEX #35BE61

RGB 53 190 97

HSL 139.27, 0.56%, 0.48%

LAB 68.35, -56.39, 36.55

 

CMYK 72 / 59 / 0 / 25

HEX #354EBE

RGB 53 78 190

HSL 229.05, 0.56%, 0.48%

LAB 37.7, 29.31, -61.62

 

Description

Color code: HEX #C03693 | qconv.com Color code: HEX #C03693 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 54 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 54 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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