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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 80 164 it is the complementary color RGB 50 175 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 80 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 80 164 shade: RGB 210 80 159, RGB 227 98 178, RGB 244 116 197, RGB 255 134 216 and RGB 255 152 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 80 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 80 164 shade: RGB 205 80 164, RGB 188 62 145, RGB 171 44 126, RGB 154 26 107 and RGB 137 8 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 80 164 shade: RGB 205 79 164, RGB 205 79 130, RGB 205 79 96 and RGB 205 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 80 164 shade: RGB 205 79 164, RGB 205 79 198, RGB 179 79 205, RGB 145 79 205 and RGB 111 79 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 80 164 shade matches the following richer shades: RGB 205 79 164, RGB 223 61 170 and RGB 241 43 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 80 164 shade: RGB 205 79 164, RGB 187 98 158, RGB 169 116 151, RGB 151 134 145 and RGB 133 152 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 80 164 shade: RGB 178 79 205, RGB 205 79 199, RGB 205 79 165, RGB 205 79 132 and RGB 205 79 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 80 164 shade: RGB 158 44 121, RGB 190 53 145, RGB 205 79 164, RGB 214 112 181 and RGB 223 144 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 80 164 shade: RGB 205 80 164, RGB 205 144 79 and RGB 79 205 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 80 164 shade: RGB 205 80 164, RGB 165 205 79 and RGB 79 165 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 80 164 shade: RGB 205 80 164, RGB 205 144 79, RGB 79 205 119 and RGB 79 140 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 80 164 shade: RGB 205 80 164, RGB 205 182 79, RGB 79 205 119 and RGB 79 103 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

Complementary color

CMYK 71 / 0 / 48 / 31

HEX #32AF5B

RGB 50 175 91

HSL 139.68, 0.56%, 0.44%

LAB 63.42, -52.39, 33.37

 

CMYK 0 / 62 / 24 / 18

HEX #D2509F

RGB 210 80 159

HSL 323.54, 0.59%, 0.57%

LAB 53.97, 59.2, -16.57

 

CMYK 0 / 57 / 22 / 11

HEX #E362B2

RGB 227 98 178

HSL 322.79, 0.7%, 0.64%

LAB 60.14, 58.83, -17.98

 

CMYK 0 / 52 / 19 / 4

HEX #F474C5

RGB 244 116 197

HSL 322.03, 0.85%, 0.71%

LAB 66.33, 58.29, -19.14

 

CMYK 0 / 47 / 15 / 0

HEX #FF86D8

RGB 255 134 216

HSL 319.34, 1%, 0.76%

LAB 71.74, 55.83, -21.38

 

CMYK 0 / 40 / 8 / 0

HEX #FF98EB

RGB 255 152 235

HSL 311.65, 1%, 0.8%

LAB 75.89, 49.92, -25.46

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 0 / 67 / 23 / 26

HEX #BC3E91

RGB 188 62 145

HSL 320.48, 0.5%, 0.49%

LAB 47.21, 58.53, -18.89

 

CMYK 0 / 74 / 26 / 33

HEX #AB2C7E

RGB 171 44 126

HSL 321.26, 0.59%, 0.42%

LAB 41.16, 58.08, -16.85

 

CMYK 0 / 83 / 31 / 40

HEX #9A1A6B

RGB 154 26 107

HSL 322.03, 0.71%, 0.35%

LAB 35.34, 56.77, -14.13

 

CMYK 0 / 94 / 36 / 46

HEX #890858

RGB 137 8 88

HSL 322.79, 0.89%, 0.28%

LAB 29.9, 54.12, -10.45

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 61 / 37 / 20

HEX #CD4F82

RGB 205 79 130

HSL 335.71, 0.56%, 0.56%

LAB 52.04, 54.55, -2.36

 

CMYK 0 / 61 / 53 / 20

HEX #CD4F60

RGB 205 79 96

HSL 351.9, 0.56%, 0.56%

LAB 51.17, 51.22, 16.75

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 13 / 61 / 0 / 20

HEX #B34FCD

RGB 179 79 205

HSL 287.62, 0.56%, 0.56%

LAB 51.36, 58.94, -47.67

 

CMYK 29 / 61 / 0 / 20

HEX #914FCD

RGB 145 79 205

HSL 271.43, 0.56%, 0.56%

LAB 47, 50.9, -54.9

 

CMYK 46 / 61 / 0 / 20

HEX #6F4FCD

RGB 111 79 205

HSL 255.24, 0.56%, 0.56%

LAB 43.33, 43.49, -61.01

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 73 / 24 / 13

HEX #DF3DAA

RGB 223 61 170

HSL 319.63, 0.72%, 0.56%

LAB 53.95, 71.16, -22.86

 

CMYK 0 / 82 / 27 / 5

HEX #F12BB0

RGB 241 43 176

HSL 319.7, 0.88%, 0.56%

LAB 55.65, 80.8, -23.49

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 48 / 16 / 27

HEX #BB629E

RGB 187 98 158

HSL 319.55, 0.4%, 0.56%

LAB 53.78, 43.52, -16.58

 

CMYK 0 / 31 / 11 / 34

HEX #A97497

RGB 169 116 151

HSL 320.38, 0.24%, 0.56%

LAB 55.24, 26.4, -10.51

 

CMYK 0 / 11 / 4 / 41

HEX #978691

RGB 151 134 145

HSL 321.18, 0.08%, 0.56%

LAB 57.73, 8.44, -3.54

 

CMYK 13 / 0 / 9 / 40

HEX #85988B

RGB 133 152 139

HSL 138.95, 0.08%, 0.56%

LAB 61.05, -9.38, 4.56

 

CMYK 13 / 61 / 0 / 20

HEX #B24FCD

RGB 178 79 205

HSL 287.14, 0.56%, 0.56%

LAB 51.23, 58.7, -47.9

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC7

RGB 205 79 199

HSL 302.86, 0.56%, 0.56%

LAB 54.76, 64.27, -38.62

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA5

RGB 205 79 165

HSL 319.05, 0.56%, 0.56%

LAB 53.26, 59.03, -21.24

 

CMYK 0 / 61 / 36 / 20

HEX #CD4F84

RGB 205 79 132

HSL 334.76, 0.56%, 0.56%

LAB 52.1, 54.78, -3.46

 

CMYK 0 / 61 / 52 / 20

HEX #CD4F62

RGB 205 79 98

HSL 350.95, 0.56%, 0.56%

LAB 51.21, 51.39, 15.62

 

CMYK 0 / 72 / 23 / 38

HEX #9E2C79

RGB 158 44 121

HSL 319.47, 0.56%, 0.4%

LAB 38.64, 54, -17.82

 

CMYK 0 / 72 / 24 / 25

HEX #BE3591

RGB 190 53 145

HSL 319.71, 0.56%, 0.48%

LAB 46.36, 62.38, -20.16

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 48 / 15 / 16

HEX #D670B5

RGB 214 112 181

HSL 319.41, 0.55%, 0.64%

LAB 60.98, 48.64, -18.59

 

CMYK 0 / 35 / 12 / 13

HEX #DF90C5

RGB 223 144 197

HSL 319.75, 0.55%, 0.72%

LAB 69.23, 37.55, -15.01

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 0 / 30 / 61 / 20

HEX #CD904F

RGB 205 144 79

HSL 30.95, 0.56%, 0.56%

LAB 64.56, 16.41, 43.18

 

CMYK 61 / 0 / 5 / 20

HEX #4FCDC3

RGB 79 205 195

HSL 175.24, 0.56%, 0.56%

LAB 75.62, -36.83, -5.37

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 20 / 0 / 61 / 20

HEX #A5CD4F

RGB 165 205 79

HSL 79.05, 0.56%, 0.56%

LAB 77.42, -31.87, 56.78

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 0 / 30 / 61 / 20

HEX #CD904F

RGB 205 144 79

HSL 30.95, 0.56%, 0.56%

LAB 64.56, 16.41, 43.18

 

CMYK 61 / 0 / 42 / 20

HEX #4FCD77

RGB 79 205 119

HSL 139.05, 0.56%, 0.56%

LAB 73.97, -53.59, 32.71

 

CMYK 61 / 32 / 0 / 20

HEX #4F8CCD

RGB 79 140 205

HSL 210.95, 0.56%, 0.56%

LAB 56.91, 0.11, -39.45

 

CMYK 0 / 61 / 20 / 20

HEX #CD50A4

RGB 205 80 164

HSL 319.68, 0.56%, 0.56%

LAB 53.38, 58.46, -20.47

 

CMYK 0 / 11 / 61 / 20

HEX #CDB64F

RGB 205 182 79

HSL 49.05, 0.56%, 0.56%

LAB 74.19, -3.97, 54.11

 

CMYK 61 / 0 / 42 / 20

HEX #4FCD77

RGB 79 205 119

HSL 139.05, 0.56%, 0.56%

LAB 73.97, -53.59, 32.71

 

CMYK 61 / 50 / 0 / 20

HEX #4F67CD

RGB 79 103 205

HSL 228.57, 0.56%, 0.56%

LAB 46.67, 22.7, -55.73

 

Description

Color code: RGB 205 80 164 | qconv.com Color code: RGB 205 80 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 80 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 80 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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