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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C005AB it is the complementary color #3FFA54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C005AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C005AB shade: #C505A6, #D617B9, #E729CC, #F83BDF and #FF4DF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C005AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C005AB shade: #C005AB, #AF0098, #9E0085, #8D0072 and #7C005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C005AB shade: #C104AC, #C10479, #C10446, #C10413 and #C10404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C005AB shade: #C104AC, #A404C1, #7104C1, #3E04C1 and #0B04C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C005AB shade matches the following richer shades: #C104AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C005AB shade: #C104AC, #B115A0, #A12593, #913587 and #81457A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C005AB shade: #7004C1, #A204C1, #C104AF, #C1047C and #C1044A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C005AB shade: #710265, #990388, #C104AC, #EA06D0 and #F920E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C005AB shade: #C005AB, #C13D04 and #04C189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C005AB shade: #C005AB, #AFC104 and #04AFC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C005AB shade: #C005AB, #C13D04, #04C117 and #0489C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C005AB shade: #C005AB, #C17604, #04C117 and #0450C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

Complementary color

CMYK 75 / 0 / 66 / 2

HEX #3FFA54

RGB 63 250 84

HSL 126.74, 0.95%, 0.61%

LAB 87.03, -76.28, 64.1

 

CMYK 0 / 97 / 16 / 23

HEX #C505A6

RGB 197 5 166

HSL 309.69, 0.95%, 0.4%

LAB 45.26, 76.22, -34.36

 

CMYK 0 / 89 / 14 / 16

HEX #D617B9

RGB 214 23 185

HSL 309.11, 0.81%, 0.46%

LAB 49.99, 79.96, -37.92

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 0 / 76 / 10 / 3

HEX #F83BDF

RGB 248 59 223

HSL 307.94, 0.93%, 0.6%

LAB 60.26, 84.37, -43.14

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF2

RGB 255 77 242

HSL 304.38, 1%, 0.65%

LAB 64.14, 83.28, -47.56

 

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

CMYK 0 / 100 / 13 / 31

HEX #AF0098

RGB 175 0 152

HSL 307.89, 1%, 0.34%

LAB 40.21, 70.83, -34.18

 

CMYK 0 / 100 / 16 / 38

HEX #9E0085

RGB 158 0 133

HSL 309.49, 1%, 0.31%

LAB 35.91, 65.14, -29.53

 

CMYK 0 / 100 / 19 / 45

HEX #8D0072

RGB 141 0 114

HSL 311.49, 1%, 0.28%

LAB 31.53, 59.34, -24.7

 

CMYK 0 / 100 / 23 / 51

HEX #7C005F

RGB 124 0 95

HSL 314.03, 1%, 0.24%

LAB 27.05, 53.42, -19.67

 

CMYK 0 / 98 / 11 / 24

HEX #C104AC

RGB 193 4 172

HSL 306.67, 0.96%, 0.39%

LAB 44.81, 76.37, -38.71

 

CMYK 0 / 98 / 37 / 24

HEX #C10479

RGB 193 4 121

HSL 322.86, 0.96%, 0.39%

LAB 42.47, 70.41, -11.38

 

CMYK 0 / 98 / 64 / 24

HEX #C10446

RGB 193 4 70

HSL 339.05, 0.96%, 0.39%

LAB 41, 66.51, 18.68

 

CMYK 0 / 98 / 90 / 24

HEX #C10413

RGB 193 4 19

HSL 355.24, 0.96%, 0.39%

LAB 40.36, 64.76, 47.56

 

CMYK 0 / 98 / 98 / 24

HEX #C10404

RGB 193 4 4

HSL 0, 0.96%, 0.39%

LAB 40.3, 64.59, 53.07

 

CMYK 0 / 98 / 11 / 24

HEX #C104AC

RGB 193 4 172

HSL 306.67, 0.96%, 0.39%

LAB 44.81, 76.37, -38.71

 

CMYK 15 / 98 / 0 / 24

HEX #A404C1

RGB 164 4 193

HSL 290.79, 0.96%, 0.39%

LAB 40.94, 74.82, -57.57

 

CMYK 41 / 98 / 0 / 24

HEX #7104C1

RGB 113 4 193

HSL 274.6, 0.96%, 0.39%

LAB 32.81, 68.44, -71.2

 

CMYK 68 / 98 / 0 / 24

HEX #3E04C1

RGB 62 4 193

HSL 258.41, 0.96%, 0.39%

LAB 26.62, 64.69, -81.62

 

CMYK 94 / 98 / 0 / 24

HEX #0B04C1

RGB 11 4 193

HSL 242.22, 0.96%, 0.39%

LAB 23.7, 63.4, -86.58

 

CMYK 0 / 98 / 11 / 24

HEX #C104AC

RGB 193 4 172

HSL 306.67, 0.96%, 0.39%

LAB 44.81, 76.37, -38.71

 

CMYK 0 / 98 / 11 / 24

HEX #C104AC

RGB 193 4 172

HSL 306.67, 0.96%, 0.39%

LAB 44.81, 76.37, -38.71

 

CMYK 0 / 88 / 10 / 31

HEX #B115A0

RGB 177 21 160

HSL 306.54, 0.79%, 0.39%

LAB 41.88, 69.79, -36.36

 

CMYK 0 / 77 / 9 / 37

HEX #A12593

RGB 161 37 147

HSL 306.77, 0.63%, 0.39%

LAB 39.59, 60.85, -32.3

 

CMYK 0 / 63 / 7 / 43

HEX #913587

RGB 145 53 135

HSL 306.52, 0.46%, 0.39%

LAB 38.4, 48.99, -27.02

 

CMYK 0 / 47 / 5 / 49

HEX #81457A

RGB 129 69 122

HSL 307, 0.3%, 0.39%

LAB 38.43, 33.76, -19.15

 

CMYK 42 / 98 / 0 / 24

HEX #7004C1

RGB 112 4 193

HSL 274.29, 0.96%, 0.39%

LAB 32.66, 68.34, -71.44

 

CMYK 16 / 98 / 0 / 24

HEX #A204C1

RGB 162 4 193

HSL 290.16, 0.96%, 0.39%

LAB 40.6, 74.53, -58.14

 

CMYK 0 / 98 / 9 / 24

HEX #C104AF

RGB 193 4 175

HSL 305.71, 0.96%, 0.39%

LAB 44.97, 76.78, -40.23

 

CMYK 0 / 98 / 36 / 24

HEX #C1047C

RGB 193 4 124

HSL 321.9, 0.96%, 0.39%

LAB 42.58, 70.71, -13.07

 

CMYK 0 / 98 / 62 / 24

HEX #C1044A

RGB 193 4 74

HSL 337.78, 0.96%, 0.39%

LAB 41.09, 66.74, 16.25

 

CMYK 0 / 98 / 11 / 56

HEX #710265

RGB 113 2 101

HSL 306.49, 0.97%, 0.23%

LAB 25.24, 51.65, -26.6

 

CMYK 0 / 98 / 11 / 40

HEX #990388

RGB 153 3 136

HSL 306.8, 0.96%, 0.31%

LAB 35.23, 64.23, -32.53

 

CMYK 0 / 98 / 11 / 24

HEX #C104AC

RGB 193 4 172

HSL 306.67, 0.96%, 0.39%

LAB 44.81, 76.37, -38.71

 

CMYK 0 / 97 / 11 / 8

HEX #EA06D0

RGB 234 6 208

HSL 306.84, 0.95%, 0.47%

LAB 54.21, 88.15, -44.32

 

CMYK 0 / 87 / 10 / 2

HEX #F920E0

RGB 249 32 224

HSL 306.91, 0.95%, 0.55%

LAB 58.56, 90.26, -46.38

 

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

CMYK 0 / 68 / 98 / 24

HEX #C13D04

RGB 193 61 4

HSL 18.1, 0.96%, 0.39%

LAB 45.2, 50.85, 55.52

 

CMYK 98 / 0 / 29 / 24

HEX #04C189

RGB 4 193 137

HSL 162.22, 0.96%, 0.39%

LAB 69.45, -53.9, 16.99

 

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

CMYK 9 / 0 / 98 / 24

HEX #AFC104

RGB 175 193 4

HSL 65.71, 0.96%, 0.39%

LAB 74.36, -25.14, 74.54

 

CMYK 98 / 9 / 0 / 24

HEX #04AFC1

RGB 4 175 193

HSL 185.71, 0.96%, 0.39%

LAB 65.39, -30.42, -19.73

 

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

CMYK 0 / 68 / 98 / 24

HEX #C13D04

RGB 193 61 4

HSL 18.1, 0.96%, 0.39%

LAB 45.2, 50.85, 55.52

 

CMYK 98 / 0 / 88 / 24

HEX #04C117

RGB 4 193 23

HSL 126.03, 0.96%, 0.39%

LAB 68.19, -69.12, 64.38

 

CMYK 98 / 29 / 0 / 24

HEX #0489C1

RGB 4 137 193

HSL 197.78, 0.96%, 0.39%

LAB 53.78, -10.37, -37.68

 

CMYK 0 / 97 / 11 / 25

HEX #C005AB

RGB 192 5 171

HSL 306.74, 0.95%, 0.39%

LAB 44.6, 75.97, -38.46

 

CMYK 0 / 39 / 98 / 24

HEX #C17604

RGB 193 118 4

HSL 36.19, 0.96%, 0.39%

LAB 56.39, 22.61, 62.43

 

CMYK 98 / 0 / 88 / 24

HEX #04C117

RGB 4 193 23

HSL 126.03, 0.96%, 0.39%

LAB 68.19, -69.12, 64.38

 

CMYK 98 / 59 / 0 / 24

HEX #0450C1

RGB 4 80 193

HSL 215.87, 0.96%, 0.39%

LAB 37.14, 25.52, -64.36

 

Description

Color code: HEX #C005AB | qconv.com Color code: HEX #C005AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 5 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 5 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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