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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E23A it is the complementary color #3C1DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E23A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E23A shade: #C8E235, #D9F448, #EAFF5B, #FBFF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E23A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E23A shade: #C3E23A, #B2D027, #A1BE14, #90AC01 and #7F9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E23A shade: #C3E13B, #E1D33B, #E1A63B, #E17A3B and #E14D3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E23A shade: #C3E13B, #96E13B, #69E13B, #3CE13B and #3BE167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E23A shade matches the following richer shades: #C3E13B and #CEF329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E23A shade: #C3E13B, #B7CF4D, #ACBD60, #A0AB72 and #959984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E23A shade: #E1A73B, #E1D33B, #C3E13B, #97E13B and #6AE13B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E23A shade: #94B01A, #B3D41F, #C3E13B, #CEE75F and #D9EC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E23A shade: #C3E23A, #3BE17B and #BD3BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E23A shade: #C3E23A, #3BC3E1 and #E13BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E23A shade: #C3E23A, #3BE17B, #5A3BE1 and #E13BA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E23A shade: #C3E23A, #3BE1AD, #5A3BE1 and #E13B70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

Complementary color

CMYK 70 / 85 / 0 / 23

HEX #3C1DC5

RGB 60 29 197

HSL 251.07, 0.74%, 0.44%

LAB 29.08, 59.13, -79.9

 

CMYK 12 / 0 / 77 / 11

HEX #C8E235

RGB 200 226 53

HSL 69.02, 0.75%, 0.55%

LAB 85.47, -29.32, 75.06

 

CMYK 11 / 0 / 70 / 4

HEX #D9F448

RGB 217 244 72

HSL 69.42, 0.89%, 0.62%

LAB 91.65, -30.06, 75.27

 

CMYK 8 / 0 / 64 / 0

HEX #EAFF5B

RGB 234 255 91

HSL 67.68, 1%, 0.68%

LAB 95.9, -27.42, 73.05

 

CMYK 2 / 0 / 57 / 0

HEX #FBFF6E

RGB 251 255 110

HSL 61.66, 1%, 0.72%

LAB 97.29, -19.49, 67.24

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

CMYK 14 / 0 / 81 / 18

HEX #B2D027

RGB 178 208 39

HSL 70.65, 0.68%, 0.48%

LAB 78.88, -30.32, 72.44

 

CMYK 15 / 0 / 89 / 25

HEX #A1BE14

RGB 161 190 20

HSL 70.24, 0.81%, 0.41%

LAB 72.53, -29.34, 70.69

 

CMYK 16 / 0 / 99 / 33

HEX #90AC01

RGB 144 172 1

HSL 69.82, 0.99%, 0.34%

LAB 66.09, -28.17, 67.67

 

CMYK 18 / 0 / 100 / 40

HEX #7F9A00

RGB 127 154 0

HSL 70.52, 1%, 0.3%

LAB 59.55, -26.72, 62.35

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 0 / 6 / 74 / 12

HEX #E1D33B

RGB 225 211 59

HSL 54.94, 0.73%, 0.56%

LAB 83.4, -11.43, 71.95

 

CMYK 0 / 26 / 74 / 12

HEX #E1A63B

RGB 225 166 59

HSL 38.67, 0.73%, 0.56%

LAB 71.96, 11.94, 60.95

 

CMYK 0 / 46 / 74 / 12

HEX #E17A3B

RGB 225 122 59

HSL 22.77, 0.73%, 0.56%

LAB 61.86, 35.29, 50.72

 

CMYK 0 / 66 / 74 / 12

HEX #E14D3B

RGB 225 77 59

HSL 6.51, 0.73%, 0.56%

LAB 53.63, 56.51, 41.91

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 33 / 0 / 74 / 12

HEX #96E13B

RGB 150 225 59

HSL 87.11, 0.73%, 0.56%

LAB 82.19, -47.63, 69.02

 

CMYK 53 / 0 / 74 / 12

HEX #69E13B

RGB 105 225 59

HSL 103.37, 0.73%, 0.56%

LAB 80.27, -61.65, 66.5

 

CMYK 73 / 0 / 74 / 12

HEX #3CE13B

RGB 60 225 59

HSL 119.64, 0.73%, 0.56%

LAB 79.11, -71.15, 64.96

 

CMYK 74 / 0 / 54 / 12

HEX #3BE167

RGB 59 225 103

HSL 135.9, 0.73%, 0.56%

LAB 79.48, -66.71, 47.34

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 15 / 0 / 83 / 5

HEX #CEF329

RGB 206 243 41

HSL 70.99, 0.89%, 0.56%

LAB 90.5, -35.18, 82.71

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 12 / 0 / 63 / 19

HEX #B7CF4D

RGB 183 207 77

HSL 71.08, 0.58%, 0.56%

LAB 79.17, -25.85, 59.87

 

CMYK 9 / 0 / 49 / 26

HEX #ACBD60

RGB 172 189 96

HSL 70.97, 0.41%, 0.56%

LAB 73.55, -19.86, 44.67

 

CMYK 6 / 0 / 33 / 33

HEX #A0AB72

RGB 160 171 114

HSL 71.58, 0.25%, 0.56%

LAB 67.88, -13.38, 28.12

 

CMYK 3 / 0 / 14 / 40

HEX #959984

RGB 149 153 132

HSL 71.43, 0.09%, 0.56%

LAB 62.37, -5.31, 10.55

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 0 / 6 / 74 / 12

HEX #E1D33B

RGB 225 211 59

HSL 54.94, 0.73%, 0.56%

LAB 83.4, -11.43, 71.95

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 33 / 0 / 74 / 12

HEX #97E13B

RGB 151 225 59

HSL 86.75, 0.73%, 0.56%

LAB 82.24, -47.28, 69.09

 

CMYK 53 / 0 / 74 / 12

HEX #6AE13B

RGB 106 225 59

HSL 103.01, 0.73%, 0.56%

LAB 80.31, -61.38, 66.54

 

CMYK 16 / 0 / 85 / 31

HEX #94B01A

RGB 148 176 26

HSL 71.2, 0.74%, 0.4%

LAB 67.59, -27.92, 65.05

 

CMYK 16 / 0 / 85 / 17

HEX #B3D41F

RGB 179 212 31

HSL 70.94, 0.74%, 0.48%

LAB 80.05, -32.02, 75.31

 

CMYK 13 / 0 / 74 / 12

HEX #C3E13B

RGB 195 225 59

HSL 70.84, 0.73%, 0.56%

LAB 84.88, -30.6, 72.54

 

CMYK 11 / 0 / 59 / 9

HEX #CEE75F

RGB 206 231 95

HSL 71.03, 0.74%, 0.64%

LAB 87.53, -26.86, 61.87

 

CMYK 8 / 0 / 44 / 7

HEX #D9EC83

RGB 217 236 131

HSL 70.86, 0.73%, 0.72%

LAB 90.04, -21.78, 48.6

 

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

CMYK 74 / 0 / 45 / 12

HEX #3BE17B

RGB 59 225 123

HSL 143.13, 0.73%, 0.56%

LAB 79.73, -63.71, 38.05

 

CMYK 16 / 74 / 0 / 12

HEX #BD3BE1

RGB 189 59 225

HSL 286.99, 0.73%, 0.56%

LAB 51.13, 72.87, -59.36

 

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

CMYK 74 / 13 / 0 / 12

HEX #3BC3E1

RGB 59 195 225

HSL 190.84, 0.73%, 0.56%

LAB 73.15, -26.2, -25.36

 

CMYK 0 / 74 / 13 / 12

HEX #E13BC3

RGB 225 59 195

HSL 310.84, 0.73%, 0.56%

LAB 55.15, 75.56, -35.49

 

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

CMYK 74 / 0 / 45 / 12

HEX #3BE17B

RGB 59 225 123

HSL 143.13, 0.73%, 0.56%

LAB 79.73, -63.71, 38.05

 

CMYK 60 / 74 / 0 / 12

HEX #5A3BE1

RGB 90 59 225

HSL 251.2, 0.73%, 0.56%

LAB 39.14, 56.59, -79.41

 

CMYK 0 / 74 / 28 / 12

HEX #E13BA2

RGB 225 59 162

HSL 322.77, 0.73%, 0.56%

LAB 53.75, 71.31, -18.43

 

CMYK 14 / 0 / 74 / 11

HEX #C3E23A

RGB 195 226 58

HSL 71.07, 0.74%, 0.56%

LAB 85.15, -31.11, 73.11

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 60 / 74 / 0 / 12

HEX #5A3BE1

RGB 90 59 225

HSL 251.2, 0.73%, 0.56%

LAB 39.14, 56.59, -79.41

 

CMYK 0 / 74 / 50 / 12

HEX #E13B70

RGB 225 59 112

HSL 340.84, 0.73%, 0.56%

LAB 52.18, 66.33, 9.07

 

Description

Color code: HEX #C3E23A | qconv.com Color code: HEX #C3E23A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 226 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 226 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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