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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BE1AD it is the complementary color #C41E52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BE1AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BE1AD shade: #40E1A8, #51F3BB, #62FFCE, #73FFE1 and #84FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BE1AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BE1AD shade: #3BE1AD, #2ACF9A, #19BD87, #08AB74 and #009961

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BE1AD shade: #3CE0AD, #3CE081, #3CE055, #50E03C and #7DE03C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BE1AD shade: #3CE0AD, #3CE0D9, #3CBBE0, #3C8FE0 and #3C63E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BE1AD shade matches the following richer shades: #3CE0AD and #2AF2B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BE1AD shade: #3CE0AD, #4FCEA6, #61BC9F, #73AA99 and #859892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BE1AD shade: #3CE055, #3CE081, #3CE0AC, #3CE0D8 and #3CBDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BE1AD shade: #1BAF81, #20D39B, #3CE0AD, #60E6BC and #84EBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BE1AD shade: #3BE1AD, #3C50E0 and #E06B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BE1AD shade: #3BE1AD, #AC3CE0 and #E0AC3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BE1AD shade: #3BE1AD, #3C50E0, #E03C70 and #E0CD3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BE1AD shade: #3BE1AD, #5A3CE0, #E03C70 and #C2E03C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

Complementary color

CMYK 0 / 85 / 58 / 23

HEX #C41E52

RGB 196 30 82

HSL 341.2, 0.73%, 0.44%

LAB 43.17, 64.24, 14.13

 

CMYK 72 / 0 / 25 / 12

HEX #40E1A8

RGB 64 225 168

HSL 158.76, 0.73%, 0.57%

LAB 80.61, -54.3, 16.18

 

CMYK 67 / 0 / 23 / 5

HEX #51F3BB

RGB 81 243 187

HSL 159.26, 0.87%, 0.64%

LAB 86.72, -54.76, 14.91

 

CMYK 62 / 0 / 19 / 0

HEX #62FFCE

RGB 98 255 206

HSL 161.27, 1%, 0.69%

LAB 91.04, -52.61, 11.27

 

CMYK 55 / 0 / 12 / 0

HEX #73FFE1

RGB 115 255 225

HSL 167.14, 1%, 0.73%

LAB 91.95, -45.1, 2.83

 

CMYK 48 / 0 / 4 / 0

HEX #84FFF4

RGB 132 255 244

HSL 174.63, 1%, 0.76%

LAB 93, -37.1, -5.41

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 80 / 0 / 26 / 19

HEX #2ACF9A

RGB 42 207 154

HSL 160.73, 0.66%, 0.49%

LAB 74.48, -52.99, 14.94

 

CMYK 87 / 0 / 29 / 26

HEX #19BD87

RGB 25 189 135

HSL 160.24, 0.77%, 0.42%

LAB 68.28, -51.82, 16.46

 

CMYK 95 / 0 / 32 / 33

HEX #08AB74

RGB 8 171 116

HSL 159.75, 0.91%, 0.35%

LAB 62.03, -50.19, 18.15

 

CMYK 100 / 0 / 37 / 40

HEX #009961

RGB 0 153 97

HSL 158.04, 1%, 0.3%

LAB 55.73, -47.99, 20.02

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AD

RGB 60 224 173

HSL 161.34, 0.73%, 0.56%

LAB 80.34, -53.3, 13.16

 

CMYK 73 / 0 / 42 / 12

HEX #3CE081

RGB 60 224 129

HSL 145.24, 0.73%, 0.56%

LAB 79.53, -62.21, 34.8

 

CMYK 73 / 0 / 62 / 12

HEX #3CE055

RGB 60 224 85

HSL 129.15, 0.73%, 0.56%

LAB 79, -68.45, 54.83

 

CMYK 64 / 0 / 73 / 12

HEX #50E03C

RGB 80 224 60

HSL 112.68, 0.73%, 0.56%

LAB 79.24, -67.15, 64.88

 

CMYK 44 / 0 / 73 / 12

HEX #7DE03C

RGB 125 224 60

HSL 96.22, 0.73%, 0.56%

LAB 80.74, -55.45, 66.87

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AD

RGB 60 224 173

HSL 161.34, 0.73%, 0.56%

LAB 80.34, -53.3, 13.16

 

CMYK 73 / 0 / 3 / 12

HEX #3CE0D9

RGB 60 224 217

HSL 177.44, 0.73%, 0.56%

LAB 81.45, -42.1, -8.56

 

CMYK 73 / 17 / 0 / 12

HEX #3CBBE0

RGB 60 187 224

HSL 193.54, 0.73%, 0.56%

LAB 70.79, -22.36, -28.44

 

CMYK 73 / 36 / 0 / 12

HEX #3C8FE0

RGB 60 143 224

HSL 209.63, 0.73%, 0.56%

LAB 58.03, 1.88, -48.38

 

CMYK 73 / 56 / 0 / 12

HEX #3C63E0

RGB 60 99 224

HSL 225.73, 0.73%, 0.56%

LAB 46, 29.07, -67.69

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AD

RGB 60 224 173

HSL 161.34, 0.73%, 0.56%

LAB 80.34, -53.3, 13.16

 

CMYK 83 / 0 / 26 / 5

HEX #2AF2B4

RGB 42 242 180

HSL 161.4, 0.88%, 0.56%

LAB 85.65, -60.53, 16.94

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AD

RGB 60 224 173

HSL 161.34, 0.73%, 0.56%

LAB 80.34, -53.3, 13.16

 

CMYK 62 / 0 / 19 / 19

HEX #4FCEA6

RGB 79 206 166

HSL 161.1, 0.56%, 0.56%

LAB 75.18, -44.52, 9.61

 

CMYK 48 / 0 / 15 / 26

HEX #61BC9F

RGB 97 188 159

HSL 160.88, 0.4%, 0.56%

LAB 70.18, -34.21, 6.34

 

CMYK 32 / 0 / 10 / 33

HEX #73AA99

RGB 115 170 153

HSL 161.45, 0.24%, 0.56%

LAB 65.51, -21.86, 3.01

 

CMYK 13 / 0 / 4 / 40

HEX #859892

RGB 133 152 146

HSL 161.05, 0.08%, 0.56%

LAB 61.24, -7.97, 0.87

 

CMYK 73 / 0 / 62 / 12

HEX #3CE055

RGB 60 224 85

HSL 129.15, 0.73%, 0.56%

LAB 79, -68.45, 54.83

 

CMYK 73 / 0 / 42 / 12

HEX #3CE081

RGB 60 224 129

HSL 145.24, 0.73%, 0.56%

LAB 79.53, -62.21, 34.8

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AC

RGB 60 224 172

HSL 160.98, 0.73%, 0.56%

LAB 80.32, -53.53, 13.66

 

CMYK 73 / 0 / 4 / 12

HEX #3CE0D8

RGB 60 224 216

HSL 177.07, 0.73%, 0.56%

LAB 81.42, -42.38, -8.07

 

CMYK 73 / 16 / 0 / 12

HEX #3CBDE0

RGB 60 189 224

HSL 192.8, 0.73%, 0.56%

LAB 71.38, -23.38, -27.54

 

CMYK 85 / 0 / 26 / 31

HEX #1BAF81

RGB 27 175 129

HSL 161.35, 0.73%, 0.4%

LAB 63.74, -47.57, 13.4

 

CMYK 85 / 0 / 27 / 17

HEX #20D39B

RGB 32 211 155

HSL 161.23, 0.74%, 0.48%

LAB 75.61, -55.19, 15.98

 

CMYK 73 / 0 / 23 / 12

HEX #3CE0AD

RGB 60 224 173

HSL 161.34, 0.73%, 0.56%

LAB 80.34, -53.3, 13.16

 

CMYK 58 / 0 / 18 / 10

HEX #60E6BC

RGB 96 230 188

HSL 161.19, 0.73%, 0.64%

LAB 83.29, -46.54, 9.57

 

CMYK 44 / 0 / 14 / 8

HEX #84EBCB

RGB 132 235 203

HSL 161.36, 0.72%, 0.72%

LAB 86.32, -37.41, 6.21

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 73 / 64 / 0 / 12

HEX #3C50E0

RGB 60 80 224

HSL 232.68, 0.73%, 0.56%

LAB 41.34, 40.95, -75.29

 

CMYK 0 / 52 / 73 / 12

HEX #E06B3C

RGB 224 107 60

HSL 17.2, 0.73%, 0.56%

LAB 58.69, 42.55, 46.83

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 23 / 73 / 0 / 12

HEX #AC3CE0

RGB 172 60 224

HSL 280.98, 0.73%, 0.56%

LAB 48.74, 69.08, -62.77

 

CMYK 0 / 23 / 73 / 12

HEX #E0AC3C

RGB 224 172 60

HSL 40.98, 0.73%, 0.56%

LAB 73.34, 8.37, 61.88

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 73 / 64 / 0 / 12

HEX #3C50E0

RGB 60 80 224

HSL 232.68, 0.73%, 0.56%

LAB 41.34, 40.95, -75.29

 

CMYK 0 / 73 / 50 / 12

HEX #E03C70

RGB 224 60 112

HSL 340.98, 0.73%, 0.56%

LAB 52.12, 65.73, 8.96

 

CMYK 0 / 8 / 73 / 12

HEX #E0CD3C

RGB 224 205 60

HSL 53.05, 0.73%, 0.56%

LAB 81.75, -8.79, 70.02

 

CMYK 74 / 0 / 23 / 12

HEX #3BE1AD

RGB 59 225 173

HSL 161.2, 0.73%, 0.56%

LAB 80.63, -53.82, 13.56

 

CMYK 60 / 73 / 0 / 12

HEX #5A3CE0

RGB 90 60 224

HSL 250.98, 0.73%, 0.56%

LAB 39.22, 55.8, -78.7

 

CMYK 0 / 73 / 50 / 12

HEX #E03C70

RGB 224 60 112

HSL 340.98, 0.73%, 0.56%

LAB 52.12, 65.73, 8.96

 

CMYK 13 / 0 / 73 / 12

HEX #C2E03C

RGB 194 224 60

HSL 70.98, 0.73%, 0.56%

LAB 84.54, -30.49, 71.87

 

Description

Color code: HEX #3BE1AD | qconv.com Color code: HEX #3BE1AD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 225 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 225 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 23 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 23% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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