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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E820 it is the complementary color #3C17DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E820 shade: #C8E81B, #D9FA2E, #EAFF41, #FBFF54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E820 shade: #C3E820, #B2D60D, #A1C400, #90B200 and #7FA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E820 shade: #C3E721, #E7D621, #E7A121, #E76C21 and #E73621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E820 shade: #C3E721, #8DE721, #58E721, #22E721 and #21E755

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E820 shade matches the following richer shades: #C3E721 and #CFFB0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E820 shade: #C3E721, #B6D335, #AAC049, #9DAC5C and #919870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E820 shade: #E7A221, #E7D721, #C3E721, #8EE721 and #59E721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E820 shade: #89A511, #A9CA15, #C3E721, #CDEB46 and #D7EF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E820 shade: #C3E820, #21E76D and #BC21E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E820 shade: #C3E820, #21C3E7 and #E721C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E820 shade: #C3E820, #21E76D, #4521E7 and #E7219B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E820 shade: #C3E820, #21E7A8, #4521E7 and #E72160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

Complementary color

CMYK 73 / 90 / 0 / 13

HEX #3C17DF

RGB 60 23 223

HSL 251.1, 0.81%, 0.48%

LAB 31.58, 68.02, -90.85

 

CMYK 14 / 0 / 88 / 9

HEX #C8E81B

RGB 200 232 27

HSL 69.37, 0.82%, 0.51%

LAB 87.03, -32.89, 82.35

 

CMYK 13 / 0 / 82 / 2

HEX #D9FA2E

RGB 217 250 46

HSL 69.71, 0.95%, 0.58%

LAB 93.15, -33.87, 84.15

 

CMYK 8 / 0 / 75 / 0

HEX #EAFF41

RGB 234 255 65

HSL 66.63, 1%, 0.63%

LAB 95.74, -28.74, 81.83

 

CMYK 2 / 0 / 67 / 0

HEX #FBFF54

RGB 251 255 84

HSL 61.4, 1%, 0.66%

LAB 97.09, -21.07, 77.26

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

CMYK 17 / 0 / 94 / 16

HEX #B2D60D

RGB 178 214 13

HSL 70.75, 0.89%, 0.45%

LAB 80.51, -33.7, 78.45

 

CMYK 18 / 0 / 100 / 23

HEX #A1C400

RGB 161 196 0

HSL 70.71, 1%, 0.38%

LAB 74.23, -32.45, 74.43

 

CMYK 19 / 0 / 100 / 30

HEX #90B200

RGB 144 178 0

HSL 71.46, 1%, 0.35%

LAB 67.85, -31.04, 69.12

 

CMYK 21 / 0 / 100 / 37

HEX #7FA000

RGB 127 160 0

HSL 72.38, 1%, 0.31%

LAB 61.35, -29.61, 63.71

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 0 / 7 / 86 / 9

HEX #E7D621

RGB 231 214 33

HSL 54.85, 0.8%, 0.52%

LAB 84.58, -11.22, 80.26

 

CMYK 0 / 30 / 86 / 9

HEX #E7A121

RGB 231 161 33

HSL 38.79, 0.8%, 0.52%

LAB 71.27, 16.31, 69.46

 

CMYK 0 / 53 / 86 / 9

HEX #E76C21

RGB 231 108 33

HSL 22.73, 0.8%, 0.52%

LAB 59.73, 43.83, 60.04

 

CMYK 0 / 77 / 86 / 9

HEX #E73621

RGB 231 54 33

HSL 6.36, 0.8%, 0.52%

LAB 51.54, 65.72, 53.3

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 39 / 0 / 86 / 9

HEX #8DE721

RGB 141 231 33

HSL 87.27, 0.8%, 0.52%

LAB 83.4, -54.28, 76.89

 

CMYK 62 / 0 / 86 / 9

HEX #58E721

RGB 88 231 33

HSL 103.33, 0.8%, 0.52%

LAB 81.48, -69.18, 74.47

 

CMYK 85 / 0 / 86 / 9

HEX #22E721

RGB 34 231 33

HSL 119.7, 0.8%, 0.52%

LAB 80.52, -77.45, 73.26

 

CMYK 86 / 0 / 63 / 9

HEX #21E755

RGB 33 231 85

HSL 135.76, 0.8%, 0.52%

LAB 80.81, -73.7, 56.77

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 18 / 0 / 95 / 2

HEX #CFFB0D

RGB 207 251 13

HSL 71.09, 0.97%, 0.52%

LAB 92.7, -38.91, 88.72

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 14 / 0 / 75 / 17

HEX #B6D335

RGB 182 211 53

HSL 71.01, 0.64%, 0.52%

LAB 80.06, -29.54, 69.6

 

CMYK 11 / 0 / 62 / 25

HEX #AAC049

RGB 170 192 73

HSL 71.09, 0.49%, 0.52%

LAB 74.01, -24.13, 55.74

 

CMYK 9 / 0 / 47 / 33

HEX #9DAC5C

RGB 157 172 92

HSL 71.25, 0.33%, 0.52%

LAB 67.61, -17.74, 39.19

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 0 / 30 / 86 / 9

HEX #E7A221

RGB 231 162 33

HSL 39.09, 0.8%, 0.52%

LAB 71.51, 15.77, 69.66

 

CMYK 0 / 7 / 86 / 9

HEX #E7D721

RGB 231 215 33

HSL 55.15, 0.8%, 0.52%

LAB 84.84, -11.72, 80.47

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 39 / 0 / 86 / 9

HEX #8EE721

RGB 142 231 33

HSL 86.97, 0.8%, 0.52%

LAB 83.45, -53.95, 76.94

 

CMYK 61 / 0 / 86 / 9

HEX #59E721

RGB 89 231 33

HSL 103.03, 0.8%, 0.52%

LAB 81.5, -68.96, 74.5

 

CMYK 17 / 0 / 90 / 35

HEX #89A511

RGB 137 165 17

HSL 71.35, 0.81%, 0.36%

LAB 63.56, -27.48, 63.25

 

CMYK 16 / 0 / 90 / 21

HEX #A9CA15

RGB 169 202 21

HSL 70.94, 0.81%, 0.44%

LAB 76.52, -31.67, 73.97

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 13 / 0 / 70 / 8

HEX #CDEB46

RGB 205 235 70

HSL 70.91, 0.8%, 0.6%

LAB 88.37, -30.73, 72.46

 

CMYK 10 / 0 / 55 / 6

HEX #D7EF6C

RGB 215 239 108

HSL 70.99, 0.8%, 0.68%

LAB 90.44, -26.11, 59.67

 

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

CMYK 86 / 0 / 53 / 9

HEX #21E76D

RGB 33 231 109

HSL 143.03, 0.8%, 0.52%

LAB 81.06, -70.66, 46.38

 

CMYK 19 / 86 / 0 / 9

HEX #BC21E7

RGB 188 33 231

HSL 286.97, 0.8%, 0.52%

LAB 48.94, 80.85, -66.3

 

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

CMYK 86 / 16 / 0 / 9

HEX #21C3E7

RGB 33 195 231

HSL 190.91, 0.8%, 0.52%

LAB 72.97, -26.61, -28.92

 

CMYK 0 / 86 / 16 / 9

HEX #E721C3

RGB 231 33 195

HSL 310.91, 0.8%, 0.52%

LAB 54.04, 82.96, -37.15

 

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

CMYK 86 / 0 / 53 / 9

HEX #21E76D

RGB 33 231 109

HSL 143.03, 0.8%, 0.52%

LAB 81.06, -70.66, 46.38

 

CMYK 70 / 86 / 0 / 9

HEX #4521E7

RGB 69 33 231

HSL 250.91, 0.8%, 0.52%

LAB 34.24, 67.49, -90.99

 

CMYK 0 / 86 / 33 / 9

HEX #E7219B

RGB 231 33 155

HSL 323.03, 0.8%, 0.52%

LAB 52.33, 78.31, -16.36

 

CMYK 16 / 0 / 86 / 9

HEX #C3E820

RGB 195 232 32

HSL 71.1, 0.81%, 0.52%

LAB 86.71, -34.77, 81.08

 

CMYK 86 / 0 / 27 / 9

HEX #21E7A8

RGB 33 231 168

HSL 160.91, 0.8%, 0.52%

LAB 82, -59.75, 18.06

 

CMYK 70 / 86 / 0 / 9

HEX #4521E7

RGB 69 33 231

HSL 250.91, 0.8%, 0.52%

LAB 34.24, 67.49, -90.99

 

CMYK 0 / 86 / 58 / 9

HEX #E72160

RGB 231 33 96

HSL 340.91, 0.8%, 0.52%

LAB 50.59, 73.41, 16.74

 

Description

Color code: HEX #C3E820 | qconv.com Color code: HEX #C3E820 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 232 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 232 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 86% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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