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Color name
RGB 145 152 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 152 112 it is the complementary color RGB 110 103 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 152 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 152 112 shade: RGB 150 152 107, RGB 167 170 126, RGB 184 188 145, RGB 201 206 164 and RGB 218 224 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 152 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 152 112 shade: RGB 145 152 112, RGB 128 134 93, RGB 111 116 74, RGB 94 98 55 and RGB 77 80 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 152 112 shade: RGB 145 152 113, RGB 152 148 113, RGB 152 137 113, RGB 152 127 113 and RGB 152 116 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 152 112 shade: RGB 145 152 113, RGB 134 152 113, RGB 124 152 113, RGB 113 152 113 and RGB 113 152 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 152 112 shade matches the following richer shades: RGB 145 152 113, RGB 158 171 93, RGB 171 191 73, RGB 183 211 53 and RGB 196 231 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 152 112 shade: RGB 145 152 113, RGB 132 132 132, RGB 119 112 152, RGB 106 92 172 and RGB 93 72 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 152 112 shade: RGB 152 137 113, RGB 152 148 113, RGB 145 152 113, RGB 135 152 113 and RGB 124 152 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 152 112 shade: RGB 100 105 76, RGB 123 129 94, RGB 145 152 113, RGB 163 169 136 and RGB 182 186 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 152 112 shade: RGB 145 152 112, RGB 113 152 127 and RGB 143 113 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 152 112 shade: RGB 145 152 112, RGB 113 145 152 and RGB 152 113 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 152 112 shade: RGB 145 152 112, RGB 113 152 127, RGB 119 113 152 and RGB 152 113 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 152 112 shade: RGB 145 152 112, RGB 113 152 139, RGB 119 113 152 and RGB 152 113 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

Complementary color

CMYK 23 / 28 / 0 / 44

HEX #6E678F

RGB 110 103 143

HSL 250.5, 0.16%, 0.48%

LAB 45.63, 11.79, -20.96

 

CMYK 1 / 0 / 30 / 40

HEX #96986B

RGB 150 152 107

HSL 62.67, 0.18%, 0.51%

LAB 61.66, -8.25, 23.5

 

CMYK 2 / 0 / 26 / 33

HEX #A7AA7E

RGB 167 170 126

HSL 64.09, 0.21%, 0.58%

LAB 68.37, -8.45, 22.39

 

CMYK 2 / 0 / 23 / 26

HEX #B8BC91

RGB 184 188 145

HSL 65.58, 0.24%, 0.65%

LAB 74.95, -8.61, 21.35

 

CMYK 2 / 0 / 20 / 19

HEX #C9CEA4

RGB 201 206 164

HSL 67.14, 0.3%, 0.73%

LAB 81.42, -8.75, 20.37

 

CMYK 3 / 0 / 18 / 12

HEX #DAE0B7

RGB 218 224 183

HSL 68.78, 0.4%, 0.8%

LAB 87.79, -8.87, 19.43

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 4 / 0 / 31 / 47

HEX #80865D

RGB 128 134 93

HSL 68.78, 0.18%, 0.45%

LAB 54.48, -9.39, 21.39

 

CMYK 4 / 0 / 36 / 55

HEX #6F744A

RGB 111 116 74

HSL 67.14, 0.22%, 0.37%

LAB 47.45, -9.2, 22.61

 

CMYK 4 / 0 / 44 / 62

HEX #5E6237

RGB 94 98 55

HSL 65.58, 0.28%, 0.3%

LAB 40.23, -8.93, 23.91

 

CMYK 4 / 0 / 55 / 69

HEX #4D5024

RGB 77 80 36

HSL 64.09, 0.38%, 0.23%

LAB 32.79, -8.53, 25.26

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 0 / 3 / 26 / 40

HEX #989471

RGB 152 148 113

HSL 53.85, 0.16%, 0.52%

LAB 60.82, -4.41, 19.08

 

CMYK 0 / 10 / 26 / 40

HEX #988971

RGB 152 137 113

HSL 36.92, 0.16%, 0.52%

LAB 57.81, 1.69, 14.94

 

CMYK 0 / 16 / 26 / 40

HEX #987F71

RGB 152 127 113

HSL 21.54, 0.16%, 0.52%

LAB 55.12, 7.35, 11.19

 

CMYK 0 / 24 / 26 / 40

HEX #987471

RGB 152 116 113

HSL 4.62, 0.16%, 0.52%

LAB 52.24, 13.67, 7.12

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 12 / 0 / 26 / 40

HEX #869871

RGB 134 152 113

HSL 87.69, 0.16%, 0.52%

LAB 60.53, -13.67, 18.45

 

CMYK 18 / 0 / 26 / 40

HEX #7C9871

RGB 124 152 113

HSL 103.08, 0.16%, 0.52%

LAB 59.83, -17.45, 17.38

 

CMYK 26 / 0 / 26 / 40

HEX #719871

RGB 113 152 113

HSL 120, 0.16%, 0.52%

LAB 59.12, -21.44, 16.29

 

CMYK 26 / 0 / 20 / 40

HEX #71987A

RGB 113 152 122

HSL 133.85, 0.16%, 0.52%

LAB 59.32, -19.75, 11.51

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 8 / 0 / 46 / 33

HEX #9EAB5D

RGB 158 171 93

HSL 70, 0.32%, 0.52%

LAB 67.42, -16.72, 38.46

 

CMYK 10 / 0 / 62 / 25

HEX #ABBF49

RGB 171 191 73

HSL 70.17, 0.48%, 0.52%

LAB 73.8, -23.23, 55.53

 

CMYK 13 / 0 / 75 / 17

HEX #B7D335

RGB 183 211 53

HSL 70.63, 0.64%, 0.52%

LAB 80.13, -29.14, 69.69

 

CMYK 15 / 0 / 86 / 9

HEX #C4E721

RGB 196 231 33

HSL 70.61, 0.8%, 0.52%

LAB 86.5, -33.89, 80.74

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 22 / 26 / 0 / 40

HEX #777098

RGB 119 112 152

HSL 250.5, 0.16%, 0.52%

LAB 49.22, 11.57, -20.7

 

CMYK 38 / 47 / 0 / 33

HEX #6A5CAC

RGB 106 92 172

HSL 250.5, 0.33%, 0.52%

LAB 43.8, 25.17, -41.05

 

CMYK 52 / 63 / 0 / 25

HEX #5D48C0

RGB 93 72 192

HSL 250.5, 0.49%, 0.52%

LAB 39.19, 40.18, -60.26

 

CMYK 0 / 10 / 26 / 40

HEX #988971

RGB 152 137 113

HSL 36.92, 0.16%, 0.52%

LAB 57.81, 1.69, 14.94

 

CMYK 0 / 3 / 26 / 40

HEX #989471

RGB 152 148 113

HSL 53.85, 0.16%, 0.52%

LAB 60.82, -4.41, 19.08

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 11 / 0 / 26 / 40

HEX #879871

RGB 135 152 113

HSL 86.15, 0.16%, 0.52%

LAB 60.6, -13.28, 18.57

 

CMYK 18 / 0 / 26 / 40

HEX #7C9871

RGB 124 152 113

HSL 103.08, 0.16%, 0.52%

LAB 59.83, -17.45, 17.38

 

CMYK 5 / 0 / 28 / 59

HEX #64694C

RGB 100 105 76

HSL 70.34, 0.16%, 0.35%

LAB 43.26, -7.35, 15.71

 

CMYK 5 / 0 / 27 / 49

HEX #7B815E

RGB 123 129 94

HSL 70.29, 0.16%, 0.44%

LAB 52.64, -8.53, 18.28

 

CMYK 5 / 0 / 26 / 40

HEX #919871

RGB 145 152 113

HSL 70.77, 0.16%, 0.52%

LAB 61.37, -9.38, 19.73

 

CMYK 4 / 0 / 20 / 34

HEX #A3A988

RGB 163 169 136

HSL 70.91, 0.16%, 0.6%

LAB 67.98, -7.95, 16.35

 

CMYK 2 / 0 / 14 / 27

HEX #B6BAA0

RGB 182 186 160

HSL 69.23, 0.16%, 0.68%

LAB 74.57, -5.98, 12.72

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 26 / 0 / 16 / 40

HEX #71987F

RGB 113 152 127

HSL 141.54, 0.16%, 0.52%

LAB 59.43, -18.76, 8.85

 

CMYK 6 / 26 / 0 / 40

HEX #8F7198

RGB 143 113 152

HSL 286.15, 0.16%, 0.52%

LAB 51.74, 19.13, -16.65

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 26 / 5 / 0 / 40

HEX #719198

RGB 113 145 152

HSL 190.77, 0.16%, 0.52%

LAB 58.06, -9.47, -7.37

 

CMYK 0 / 26 / 5 / 40

HEX #987191

RGB 152 113 145

HSL 310.77, 0.16%, 0.52%

LAB 52.43, 20.91, -11.41

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 26 / 0 / 16 / 40

HEX #71987F

RGB 113 152 127

HSL 141.54, 0.16%, 0.52%

LAB 59.43, -18.76, 8.85

 

CMYK 22 / 26 / 0 / 40

HEX #777198

RGB 119 113 152

HSL 249.23, 0.16%, 0.52%

LAB 49.5, 10.97, -20.28

 

CMYK 0 / 26 / 10 / 40

HEX #987189

RGB 152 113 137

HSL 323.08, 0.16%, 0.52%

LAB 52.17, 19.42, -7.11

 

CMYK 5 / 0 / 26 / 40

HEX #919870

RGB 145 152 112

HSL 70.5, 0.16%, 0.52%

LAB 61.35, -9.53, 20.26

 

CMYK 26 / 0 / 9 / 40

HEX #71988B

RGB 113 152 139

HSL 160, 0.16%, 0.52%

LAB 59.74, -16.24, 2.49

 

CMYK 22 / 26 / 0 / 40

HEX #777198

RGB 119 113 152

HSL 249.23, 0.16%, 0.52%

LAB 49.5, 10.97, -20.28

 

CMYK 0 / 26 / 17 / 40

HEX #98717E

RGB 152 113 126

HSL 340, 0.16%, 0.52%

LAB 51.83, 17.49, -1.13

 

Description

Color code: RGB 145 152 112 | qconv.com Color code: RGB 145 152 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 152 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 152 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 26 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 26% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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