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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9B96 it is the complementary color #416469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE9B96 shade: #C39B91, #D4ADA4, #E5BFB7, #F6D1CA and #FFE3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE9B96 shade: #BE9B96, #AD8983, #9C7770, #8B655D and #7A534A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE9B96 shade: #BF9B96 and #BF9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE9B96 shade: #BF9B96, #BFA696, #BFB196, #BFBC96 and #B6BF96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE9B96 shade matches the following richer shades: #BF9B96, #CC9189, #DA877B, #E77D6D and #F57260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE9B96 shade: #BF9B96, #B1A5A4, #A3B0B1, #96BABF and #88C4CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE9B96 shade: #BF96A7, #BF969C, #BF9B96, #BFA696 and #BFB096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE9B96 shade: #9F6B63, #AF837D, #BF9B96, #CEB4B0 and #DECCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE9B96 shade: #BE9B96, #B2BF96 and #96A2BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE9B96 shade: #BE9B96, #96BF9B and #9B96BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE9B96 shade: #BE9B96, #B2BF96, #96BABF and #A396BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE9B96 shade: #BE9B96, #A6BF96, #96BABF and #AF96BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

Complementary color

CMYK 38 / 5 / 0 / 59

HEX #416469

RGB 65 100 105

HSL 187.5, 0.24%, 0.33%

LAB 40.01, -11.14, -6.83

 

CMYK 0 / 21 / 26 / 24

HEX #C39B91

RGB 195 155 145

HSL 12, 0.29%, 0.67%

LAB 67.34, 13.37, 10.9

 

CMYK 0 / 18 / 23 / 17

HEX #D4ADA4

RGB 212 173 164

HSL 11.25, 0.36%, 0.74%

LAB 73.91, 12.82, 9.97

 

CMYK 0 / 17 / 20 / 10

HEX #E5BFB7

RGB 229 191 183

HSL 10.43, 0.47%, 0.81%

LAB 80.37, 12.32, 9.09

 

CMYK 0 / 15 / 18 / 4

HEX #F6D1CA

RGB 246 209 202

HSL 9.55, 0.71%, 0.88%

LAB 86.73, 11.86, 8.27

 

CMYK 0 / 11 / 13 / 0

HEX #FFE3DD

RGB 255 227 221

HSL 10.59, 1%, 0.93%

LAB 92.32, 8.64, 6.42

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 0 / 21 / 24 / 32

HEX #AD8983

RGB 173 137 131

HSL 8.57, 0.2%, 0.6%

LAB 60.26, 12.76, 8.43

 

CMYK 0 / 24 / 28 / 39

HEX #9C7770

RGB 156 119 112

HSL 9.55, 0.18%, 0.53%

LAB 53.42, 13.4, 9.43

 

CMYK 0 / 27 / 33 / 45

HEX #8B655D

RGB 139 101 93

HSL 10.43, 0.2%, 0.45%

LAB 46.43, 14.15, 10.55

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 21 / 21 / 25

HEX #BF9696

RGB 191 150 150

HSL 0, 0.24%, 0.67%

LAB 65.82, 15.34, 5.88

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 13 / 21 / 25

HEX #BFA696

RGB 191 166 150

HSL 23.41, 0.24%, 0.67%

LAB 69.86, 6.56, 11.63

 

CMYK 0 / 7 / 21 / 25

HEX #BFB196

RGB 191 177 150

HSL 39.51, 0.24%, 0.67%

LAB 72.71, 0.62, 15.64

 

CMYK 0 / 2 / 21 / 25

HEX #BFBC96

RGB 191 188 150

HSL 55.61, 0.24%, 0.67%

LAB 75.6, -5.22, 19.65

 

CMYK 5 / 0 / 21 / 25

HEX #B6BF96

RGB 182 191 150

HSL 73.17, 0.24%, 0.67%

LAB 75.7, -10.18, 19.68

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 29 / 33 / 20

HEX #CC9189

RGB 204 145 137

HSL 7.16, 0.4%, 0.67%

LAB 65.67, 21.25, 13.14

 

CMYK 0 / 38 / 44 / 15

HEX #DA877B

RGB 218 135 123

HSL 7.58, 0.56%, 0.67%

LAB 64.69, 30.44, 19.9

 

CMYK 0 / 46 / 53 / 9

HEX #E77D6D

RGB 231 125 109

HSL 7.87, 0.72%, 0.67%

LAB 63.97, 39.3, 27.06

 

CMYK 0 / 53 / 61 / 4

HEX #F57260

RGB 245 114 96

HSL 7.25, 0.88%, 0.67%

LAB 63.58, 48.92, 34.18

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 7 / 7 / 31

HEX #B1A5A4

RGB 177 165 164

HSL 4.62, 0.08%, 0.67%

LAB 68.71, 4.16, 2.07

 

CMYK 8 / 1 / 0 / 31

HEX #A3B0B1

RGB 163 176 177

HSL 184.29, 0.08%, 0.67%

LAB 70.88, -4.32, -2.08

 

CMYK 21 / 3 / 0 / 25

HEX #96BABF

RGB 150 186 191

HSL 187.32, 0.24%, 0.67%

LAB 73.13, -10.93, -6.53

 

CMYK 34 / 4 / 0 / 20

HEX #88C4CD

RGB 136 196 205

HSL 187.83, 0.41%, 0.67%

LAB 75.53, -16.99, -10.67

 

CMYK 0 / 21 / 13 / 25

HEX #BF96A7

RGB 191 150 167

HSL 335.12, 0.24%, 0.67%

LAB 66.27, 18.08, -3.01

 

CMYK 0 / 21 / 18 / 25

HEX #BF969C

RGB 191 150 156

HSL 351.22, 0.24%, 0.67%

LAB 65.97, 16.27, 2.73

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 13 / 21 / 25

HEX #BFA696

RGB 191 166 150

HSL 23.41, 0.24%, 0.67%

LAB 69.86, 6.56, 11.63

 

CMYK 0 / 8 / 21 / 25

HEX #BFB096

RGB 191 176 150

HSL 38.05, 0.24%, 0.67%

LAB 72.45, 1.15, 15.27

 

CMYK 0 / 33 / 38 / 38

HEX #9F6B63

RGB 159 107 99

HSL 8, 0.24%, 0.51%

LAB 50.44, 19.73, 12.93

 

CMYK 0 / 25 / 29 / 31

HEX #AF837D

RGB 175 131 125

HSL 7.2, 0.24%, 0.59%

LAB 58.81, 16.05, 9.83

 

CMYK 0 / 19 / 21 / 25

HEX #BF9B96

RGB 191 155 150

HSL 7.32, 0.24%, 0.67%

LAB 67.07, 12.58, 7.66

 

CMYK 0 / 13 / 15 / 19

HEX #CEB4B0

RGB 206 180 176

HSL 8, 0.23%, 0.75%

LAB 75.39, 8.66, 5.46

 

CMYK 0 / 8 / 9 / 13

HEX #DECCC9

RGB 222 204 201

HSL 8.57, 0.24%, 0.83%

LAB 83.41, 5.76, 3.75

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 7 / 0 / 21 / 25

HEX #B2BF96

RGB 178 191 150

HSL 79.02, 0.24%, 0.67%

LAB 75.41, -11.66, 19.23

 

CMYK 21 / 15 / 0 / 25

HEX #96A2BF

RGB 150 162 191

HSL 222.44, 0.24%, 0.67%

LAB 66.59, 2.07, -16.33

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 21 / 0 / 19 / 25

HEX #96BF9B

RGB 150 191 155

HSL 127.32, 0.24%, 0.67%

LAB 73.62, -20.79, 13.76

 

CMYK 19 / 21 / 0 / 25

HEX #9B96BF

RGB 155 150 191

HSL 247.32, 0.24%, 0.67%

LAB 63.79, 10.42, -20.54

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 7 / 0 / 21 / 25

HEX #B2BF96

RGB 178 191 150

HSL 79.02, 0.24%, 0.67%

LAB 75.41, -11.66, 19.23

 

CMYK 21 / 3 / 0 / 25

HEX #96BABF

RGB 150 186 191

HSL 187.32, 0.24%, 0.67%

LAB 73.13, -10.93, -6.53

 

CMYK 15 / 21 / 0 / 25

HEX #A396BF

RGB 163 150 191

HSL 259.02, 0.24%, 0.67%

LAB 64.45, 13.02, -19.47

 

CMYK 0 / 18 / 21 / 25

HEX #BE9B96

RGB 190 155 150

HSL 7.5, 0.24%, 0.67%

LAB 66.97, 12.2, 7.51

 

CMYK 13 / 0 / 21 / 25

HEX #A6BF96

RGB 166 191 150

HSL 96.59, 0.24%, 0.67%

LAB 74.55, -16.05, 17.91

 

CMYK 21 / 3 / 0 / 25

HEX #96BABF

RGB 150 186 191

HSL 187.32, 0.24%, 0.67%

LAB 73.13, -10.93, -6.53

 

CMYK 8 / 21 / 0 / 25

HEX #AF96BF

RGB 175 150 191

HSL 276.59, 0.24%, 0.67%

LAB 65.51, 16.99, -17.77

 

Description

Color code: HEX #BE9B96 | qconv.com Color code: HEX #BE9B96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 155 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 155 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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