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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A534A it is the complementary color #85ACB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A534A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A534A shade: #7F5345, #906558, #A1776B, #B2897E and #C39B91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A534A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A534A shade: #7A534A, #694137, #582F24, #471D11 and #360B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A534A shade: #785249 and #784949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A534A shade: #785249, #785E49, #786B49, #787749 and #6B7849

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A534A shade matches the following richer shades: #785249, #874839, #973E2A, #A7341A and #B62B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A534A shade: #785249, #685C59, #586569, #496F78 and #397988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A534A shade: #784959, #78494D, #785249, #785E49 and #786A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A534A shade: #442F2A, #5E4039, #785249, #916359 and #A6786E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A534A shade: #7A534A, #667849 and #495378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A534A shade: #7A534A, #497852 and #524978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A534A shade: #7A534A, #667849, #496F78 and #5B4978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A534A shade: #7A534A, #587849, #496F78 and #694978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

Complementary color

CMYK 27 / 5 / 0 / 29

HEX #85ACB5

RGB 133 172 181

HSL 191.25, 0.24%, 0.62%

LAB 67.89, -11.02, -8.92

 

CMYK 0 / 35 / 46 / 50

HEX #7F5345

RGB 127 83 69

HSL 14.48, 0.3%, 0.38%

LAB 39.8, 16.59, 15.71

 

CMYK 0 / 30 / 39 / 44

HEX #906558

RGB 144 101 88

HSL 13.93, 0.24%, 0.45%

LAB 46.9, 15.58, 14.28

 

CMYK 0 / 26 / 34 / 37

HEX #A1776B

RGB 161 119 107

HSL 13.33, 0.22%, 0.53%

LAB 53.85, 14.73, 13.03

 

CMYK 0 / 23 / 29 / 30

HEX #B2897E

RGB 178 137 126

HSL 12.69, 0.25%, 0.6%

LAB 60.66, 14.01, 11.91

 

CMYK 0 / 21 / 26 / 24

HEX #C39B91

RGB 195 155 145

HSL 12, 0.29%, 0.67%

LAB 67.34, 13.37, 10.9

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 0 / 38 / 48 / 59

HEX #694137

RGB 105 65 55

HSL 12, 0.31%, 0.31%

LAB 31.94, 16.12, 13.34

 

CMYK 0 / 47 / 59 / 65

HEX #582F24

RGB 88 47 36

HSL 12.69, 0.42%, 0.24%

LAB 24.43, 17.45, 15.21

 

CMYK 0 / 59 / 76 / 72

HEX #471D11

RGB 71 29 17

HSL 13.33, 0.61%, 0.17%

LAB 16.79, 19.08, 17.49

 

CMYK 0 / 80 / 100 / 79

HEX #360B00

RGB 54 11 0

HSL 12.22, 1%, 0.11%

LAB 9.19, 20.67, 14.25

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 39 / 39 / 53

HEX #784949

RGB 120 73 73

HSL 0, 0.24%, 0.38%

LAB 36.44, 20.04, 8.47

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 22 / 39 / 53

HEX #785E49

RGB 120 94 73

HSL 26.81, 0.24%, 0.38%

LAB 41.97, 7.43, 16.08

 

CMYK 0 / 11 / 39 / 53

HEX #786B49

RGB 120 107 73

HSL 43.4, 0.24%, 0.38%

LAB 45.62, -0.26, 20.94

 

CMYK 0 / 1 / 39 / 53

HEX #787749

RGB 120 119 73

HSL 58.72, 0.24%, 0.38%

LAB 49.09, -7.13, 25.45

 

CMYK 11 / 0 / 39 / 53

HEX #6B7849

RGB 107 120 73

HSL 76.6, 0.24%, 0.38%

LAB 48.31, -13.25, 24.23

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 47 / 58 / 47

HEX #874839

RGB 135 72 57

HSL 11.54, 0.41%, 0.38%

LAB 37.99, 25.22, 20.85

 

CMYK 0 / 59 / 72 / 41

HEX #973E2A

RGB 151 62 42

HSL 11.01, 0.56%, 0.38%

LAB 38.18, 36.06, 30.61

 

CMYK 0 / 69 / 84 / 35

HEX #A7341A

RGB 167 52 26

HSL 11.06, 0.73%, 0.38%

LAB 39.15, 45.92, 41.14

 

CMYK 0 / 76 / 95 / 29

HEX #B62B0A

RGB 182 43 10

HSL 11.51, 0.9%, 0.38%

LAB 40.73, 53.92, 50.08

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 12 / 14 / 59

HEX #685C59

RGB 104 92 89

HSL 12, 0.08%, 0.38%

LAB 40.11, 4.28, 3.49

 

CMYK 16 / 4 / 0 / 59

HEX #586569

RGB 88 101 105

HSL 194.12, 0.09%, 0.38%

LAB 41.85, -4.01, -3.94

 

CMYK 39 / 8 / 0 / 53

HEX #496F78

RGB 73 111 120

HSL 191.49, 0.24%, 0.38%

LAB 44.44, -10.91, -9.26

 

CMYK 58 / 11 / 0 / 47

HEX #397988

RGB 57 121 136

HSL 191.39, 0.41%, 0.38%

LAB 47.39, -15.84, -14.4

 

CMYK 0 / 39 / 26 / 53

HEX #784959

RGB 120 73 89

HSL 339.57, 0.24%, 0.38%

LAB 36.89, 22.37, -0.96

 

CMYK 0 / 39 / 36 / 53

HEX #78494D

RGB 120 73 77

HSL 354.89, 0.24%, 0.38%

LAB 36.54, 20.58, 6.1

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 22 / 39 / 53

HEX #785E49

RGB 120 94 73

HSL 26.81, 0.24%, 0.38%

LAB 41.97, 7.43, 16.08

 

CMYK 0 / 12 / 39 / 53

HEX #786A49

RGB 120 106 73

HSL 42.13, 0.24%, 0.38%

LAB 45.33, 0.33, 20.56

 

CMYK 0 / 31 / 38 / 73

HEX #442F2A

RGB 68 47 42

HSL 11.54, 0.24%, 0.22%

LAB 21.69, 8.8, 7.01

 

CMYK 0 / 32 / 39 / 63

HEX #5E4039

RGB 94 64 57

HSL 11.35, 0.25%, 0.3%

LAB 30.26, 12.05, 9.52

 

CMYK 0 / 32 / 39 / 53

HEX #785249

RGB 120 82 73

HSL 11.49, 0.24%, 0.38%

LAB 38.74, 14.64, 11.67

 

CMYK 0 / 32 / 39 / 43

HEX #916359

RGB 145 99 89

HSL 10.71, 0.24%, 0.46%

LAB 46.53, 17.29, 13.19

 

CMYK 0 / 28 / 34 / 35

HEX #A6786E

RGB 166 120 110

HSL 10.71, 0.24%, 0.54%

LAB 54.73, 16.6, 12.59

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 15 / 0 / 39 / 53

HEX #667849

RGB 102 120 73

HSL 82.98, 0.24%, 0.38%

LAB 47.93, -15.34, 23.66

 

CMYK 39 / 31 / 0 / 53

HEX #495378

RGB 73 83 120

HSL 227.23, 0.24%, 0.38%

LAB 35.91, 6.1, -22.29

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 39 / 0 / 32 / 53

HEX #497852

RGB 73 120 82

HSL 131.49, 0.24%, 0.38%

LAB 46.26, -24.78, 15.95

 

CMYK 32 / 39 / 0 / 53

HEX #524978

RGB 82 73 120

HSL 251.49, 0.24%, 0.38%

LAB 33.81, 15.33, -25.52

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 15 / 0 / 39 / 53

HEX #667849

RGB 102 120 73

HSL 82.98, 0.24%, 0.38%

LAB 47.93, -15.34, 23.66

 

CMYK 39 / 8 / 0 / 53

HEX #496F78

RGB 73 111 120

HSL 191.49, 0.24%, 0.38%

LAB 44.44, -10.91, -9.26

 

CMYK 24 / 39 / 0 / 53

HEX #5B4978

RGB 91 73 120

HSL 262.98, 0.24%, 0.38%

LAB 34.69, 18.23, -24.06

 

CMYK 0 / 32 / 39 / 52

HEX #7A534A

RGB 122 83 74

HSL 11.25, 0.24%, 0.38%

LAB 39.27, 15.04, 11.83

 

CMYK 27 / 0 / 39 / 53

HEX #587849

RGB 88 120 73

HSL 100.85, 0.24%, 0.38%

LAB 46.96, -20.94, 22.21

 

CMYK 39 / 8 / 0 / 53

HEX #496F78

RGB 73 111 120

HSL 191.49, 0.24%, 0.38%

LAB 44.44, -10.91, -9.26

 

CMYK 13 / 39 / 0 / 53

HEX #694978

RGB 105 73 120

HSL 280.85, 0.24%, 0.38%

LAB 36.22, 22.9, -21.56

 

Description

Color code: HEX #7A534A | qconv.com Color code: HEX #7A534A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 83 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 83 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 39 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 39% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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