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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE615D it is the complementary color #419EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE615D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE615D shade: #C36158, #D4736B, #E5857E, #F69791 and #FFA9A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE615D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE615D shade: #BE615D, #AD4F4A, #9C3D37, #8B2B24 and #7A1911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE615D shade: #BD5E5A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE615D shade: #BD5E5A, #BD795A, #BD945A, #BDAE5A and #B1BD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE615D shade matches the following richer shades: #BD5E5A, #D04D48, #E23C35 and #F52B23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE615D shade: #BD5E5A, #AB706D, #988180, #859292 and #73A3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE615D shade: #BD5A8C, #BD5A71, #BD5E5A, #BD785A and #BD925A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE615D shade: #8D3B38, #AB4844, #BD5E5A, #C97B78 and #D59895

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE615D shade: #BE615D, #A6BD5A and #5A7FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE615D shade: #BE615D, #5ABD5E and #5E5ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE615D shade: #BE615D, #A6BD5A, #5ABABD and #715ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE615D shade: #BE615D, #88BD5A, #5ABABD and #8F5ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

Complementary color

CMYK 60 / 2 / 0 / 36

HEX #419EA2

RGB 65 158 162

HSL 182.47, 0.43%, 0.45%

LAB 60.06, -25.9, -10.32

 

CMYK 0 / 50 / 55 / 24

HEX #C36158

RGB 195 97 88

HSL 5.05, 0.47%, 0.55%

LAB 52.79, 38.31, 23.38

 

CMYK 0 / 46 / 50 / 17

HEX #D4736B

RGB 212 115 107

HSL 4.57, 0.55%, 0.63%

LAB 59.27, 37.11, 21.47

 

CMYK 0 / 42 / 45 / 10

HEX #E5857E

RGB 229 133 126

HSL 4.08, 0.66%, 0.7%

LAB 65.7, 35.99, 19.82

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 0 / 34 / 36 / 0

HEX #FFA9A4

RGB 255 169 164

HSL 3.3, 1%, 0.82%

LAB 77.47, 31.05, 15.63

 

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

CMYK 0 / 54 / 57 / 32

HEX #AD4F4A

RGB 173 79 74

HSL 3.03, 0.4%, 0.48%

LAB 45.59, 38.05, 21.57

 

CMYK 0 / 61 / 65 / 39

HEX #9C3D37

RGB 156 61 55

HSL 3.56, 0.48%, 0.41%

LAB 39.04, 39.24, 24.1

 

CMYK 0 / 69 / 74 / 45

HEX #8B2B24

RGB 139 43 36

HSL 4.08, 0.59%, 0.34%

LAB 32.58, 40.25, 27.19

 

CMYK 0 / 80 / 86 / 52

HEX #7A1911

RGB 122 25 17

HSL 4.57, 0.76%, 0.27%

LAB 26.37, 40.74, 30.83

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 36 / 52 / 26

HEX #BD795A

RGB 189 121 90

HSL 18.79, 0.43%, 0.55%

LAB 57.3, 23.23, 27.95

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 8 / 52 / 26

HEX #BDAE5A

RGB 189 174 90

HSL 50.91, 0.43%, 0.55%

LAB 70.75, -5.7, 44.6

 

CMYK 6 / 0 / 52 / 26

HEX #B1BD5A

RGB 177 189 90

HSL 67.27, 0.43%, 0.55%

LAB 73.86, -18.41, 48.01

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 63 / 65 / 18

HEX #D04D48

RGB 208 77 72

HSL 2.21, 0.59%, 0.55%

LAB 50.9, 51.43, 30.68

 

CMYK 0 / 73 / 77 / 11

HEX #E23C35

RGB 226 60 53

HSL 2.43, 0.75%, 0.55%

LAB 51.45, 62.89, 42.85

 

CMYK 0 / 82 / 86 / 4

HEX #F52B23

RGB 245 43 35

HSL 2.29, 0.91%, 0.55%

LAB 53.23, 72.56, 54.9

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 35 / 36 / 33

HEX #AB706D

RGB 171 112 109

HSL 2.9, 0.27%, 0.55%

LAB 53.33, 23, 11.31

 

CMYK 0 / 15 / 16 / 40

HEX #988180

RGB 152 129 128

HSL 2.5, 0.1%, 0.55%

LAB 56.02, 8.61, 3.8

 

CMYK 9 / 0 / 0 / 43

HEX #859292

RGB 133 146 146

HSL 180, 0.06%, 0.55%

LAB 59.54, -4.66, -1.61

 

CMYK 30 / 1 / 0 / 35

HEX #73A3A5

RGB 115 163 165

HSL 182.4, 0.22%, 0.55%

LAB 63.8, -15.45, -6.2

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 52 / 40 / 26

HEX #BD5A71

RGB 189 90 113

HSL 346.06, 0.43%, 0.55%

LAB 51.06, 42.13, 6.07

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 37 / 52 / 26

HEX #BD785A

RGB 189 120 90

HSL 18.18, 0.43%, 0.55%

LAB 57.07, 23.78, 27.65

 

CMYK 0 / 23 / 52 / 26

HEX #BD925A

RGB 189 146 90

HSL 33.94, 0.43%, 0.55%

LAB 63.44, 9.41, 35.71

 

CMYK 0 / 58 / 60 / 45

HEX #8D3B38

RGB 141 59 56

HSL 2.12, 0.43%, 0.39%

LAB 36.13, 34.64, 19.26

 

CMYK 0 / 58 / 60 / 33

HEX #AB4844

RGB 171 72 68

HSL 2.33, 0.43%, 0.47%

LAB 43.81, 40.34, 22.81

 

CMYK 0 / 50 / 52 / 26

HEX #BD5E5A

RGB 189 94 90

HSL 2.42, 0.43%, 0.55%

LAB 51.34, 37.76, 20.12

 

CMYK 0 / 39 / 40 / 21

HEX #C97B78

RGB 201 123 120

HSL 2.22, 0.43%, 0.63%

LAB 59.83, 30.01, 14.57

 

CMYK 0 / 29 / 30 / 16

HEX #D59895

RGB 213 152 149

HSL 2.81, 0.43%, 0.71%

LAB 68.59, 22.47, 10.69

 

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

CMYK 12 / 0 / 52 / 26

HEX #A6BD5A

RGB 166 189 90

HSL 73.94, 0.43%, 0.55%

LAB 73.05, -22.85, 46.86

 

CMYK 52 / 33 / 0 / 26

HEX #5A7FBD

RGB 90 127 189

HSL 217.58, 0.43%, 0.55%

LAB 52.98, 4.91, -36.49

 

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

CMYK 52 / 0 / 50 / 26

HEX #5ABD5E

RGB 90 189 94

HSL 122.42, 0.43%, 0.55%

LAB 69.02, -48.56, 39.1

 

CMYK 50 / 52 / 0 / 26

HEX #5E5ABD

RGB 94 90 189

HSL 242.42, 0.43%, 0.55%

LAB 43.31, 28.57, -51.84

 

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

CMYK 12 / 0 / 52 / 26

HEX #A6BD5A

RGB 166 189 90

HSL 73.94, 0.43%, 0.55%

LAB 73.05, -22.85, 46.86

 

CMYK 52 / 2 / 0 / 26

HEX #5ABABD

RGB 90 186 189

HSL 181.82, 0.43%, 0.55%

LAB 70.15, -27.32, -10.18

 

CMYK 40 / 52 / 0 / 26

HEX #715ABD

RGB 113 90 189

HSL 253.94, 0.43%, 0.55%

LAB 44.94, 33, -49.14

 

CMYK 0 / 49 / 51 / 25

HEX #BE615D

RGB 190 97 93

HSL 2.47, 0.43%, 0.55%

LAB 52.16, 36.85, 19.48

 

CMYK 28 / 0 / 52 / 26

HEX #88BD5A

RGB 136 189 90

HSL 92.12, 0.43%, 0.55%

LAB 71.12, -34.36, 44.11

 

CMYK 52 / 2 / 0 / 26

HEX #5ABABD

RGB 90 186 189

HSL 181.82, 0.43%, 0.55%

LAB 70.15, -27.32, -10.18

 

CMYK 24 / 52 / 0 / 26

HEX #8F5ABD

RGB 143 90 189

HSL 272.12, 0.43%, 0.55%

LAB 48.04, 40.74, -44.01

 

Description

Color code: HEX #BE615D | qconv.com Color code: HEX #BE615D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 97 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 97 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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