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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD945A it is the complementary color #426BA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD945A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD945A shade: #C29455, #D3A668, #E4B87B, #F5CA8E and #FFDCA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD945A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD945A shade: #BD945A, #AC8247, #9B7034, #8A5E21 and #794C0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD945A shade: #BD945A, #BD7A5A, #BD5F5A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD945A shade: #BD945A, #BDAF5A, #B1BD5A, #96BD5A and #7CBD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD945A shade matches the following richer shades: #BD945A, #D09748, #E29B35 and #F59E23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD945A shade: #BD945A, #AB916D, #988E80, #858B92 and #7387A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD945A shade: #BD5F5A, #BD7A5A, #BD945A, #BDAE5A and #B2BD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD945A shade: #8D6A38, #AB8044, #BD945A, #C9A778 and #D5BA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD945A shade: #BD945A, #70BD5A and #6C5ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD945A shade: #BD945A, #5ABD94 and #945ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD945A shade: #BD945A, #70BD5A, #5A84BD and #A85ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD945A shade: #BD945A, #5ABD63, #5A84BD and #BD5AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

Complementary color

CMYK 60 / 35 / 0 / 35

HEX #426BA5

RGB 66 107 165

HSL 215.15, 0.43%, 0.45%

LAB 44.79, 3.89, -35.54

 

CMYK 0 / 24 / 56 / 24

HEX #C29455

RGB 194 148 85

HSL 34.68, 0.47%, 0.55%

LAB 64.41, 10.01, 39.63

 

CMYK 0 / 21 / 51 / 17

HEX #D3A668

RGB 211 166 104

HSL 34.77, 0.55%, 0.62%

LAB 70.95, 9.03, 38.24

 

CMYK 0 / 19 / 46 / 11

HEX #E4B87B

RGB 228 184 123

HSL 34.86, 0.66%, 0.69%

LAB 77.4, 8.19, 36.9

 

CMYK 0 / 18 / 42 / 4

HEX #F5CA8E

RGB 245 202 142

HSL 34.95, 0.84%, 0.76%

LAB 83.76, 7.46, 35.64

 

CMYK 0 / 14 / 37 / 0

HEX #FFDCA1

RGB 255 220 161

HSL 37.66, 1%, 0.82%

LAB 89.4, 4.13, 33.49

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 24 / 59 / 33

HEX #AC8247

RGB 172 130 71

HSL 35.05, 0.42%, 0.48%

LAB 57.26, 9.35, 37.77

 

CMYK 0 / 28 / 66 / 39

HEX #9B7034

RGB 155 112 52

HSL 34.95, 0.5%, 0.41%

LAB 50.46, 10.6, 39.21

 

CMYK 0 / 32 / 76 / 46

HEX #8A5E21

RGB 138 94 33

HSL 34.86, 0.61%, 0.34%

LAB 43.53, 12.13, 40.48

 

CMYK 0 / 37 / 88 / 53

HEX #794C0E

RGB 121 76 14

HSL 34.77, 0.79%, 0.26%

LAB 36.49, 14.03, 41.03

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 35 / 52 / 26

HEX #BD7A5A

RGB 189 122 90

HSL 19.39, 0.43%, 0.55%

LAB 57.54, 22.67, 28.25

 

CMYK 0 / 50 / 52 / 26

HEX #BD5F5A

RGB 189 95 90

HSL 3.03, 0.43%, 0.55%

LAB 51.54, 37.24, 20.39

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 7 / 52 / 26

HEX #BDAF5A

RGB 189 175 90

HSL 51.52, 0.43%, 0.55%

LAB 71.02, -6.22, 44.91

 

CMYK 6 / 0 / 52 / 26

HEX #B1BD5A

RGB 177 189 90

HSL 67.27, 0.43%, 0.55%

LAB 73.86, -18.41, 48.01

 

CMYK 21 / 0 / 52 / 26

HEX #96BD5A

RGB 150 189 90

HSL 83.64, 0.43%, 0.55%

LAB 71.97, -29.12, 45.32

 

CMYK 34 / 0 / 52 / 26

HEX #7CBD5A

RGB 124 189 90

HSL 99.39, 0.43%, 0.55%

LAB 70.47, -38.61, 43.16

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 27 / 65 / 18

HEX #D09748

RGB 208 151 72

HSL 34.85, 0.59%, 0.55%

LAB 66.53, 13.42, 48.96

 

CMYK 0 / 31 / 77 / 11

HEX #E29B35

RGB 226 155 53

HSL 35.38, 0.75%, 0.55%

LAB 69.38, 17.99, 60.86

 

CMYK 0 / 36 / 86 / 4

HEX #F59E23

RGB 245 158 35

HSL 35.14, 0.91%, 0.55%

LAB 72.22, 23.87, 70.36

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 15 / 36 / 33

HEX #AB916D

RGB 171 145 109

HSL 34.84, 0.27%, 0.55%

LAB 61.67, 4.45, 22.74

 

CMYK 0 / 7 / 16 / 40

HEX #988E80

RGB 152 142 128

HSL 35, 0.1%, 0.55%

LAB 59.51, 1.25, 8.79

 

CMYK 9 / 5 / 0 / 43

HEX #858B92

RGB 133 139 146

HSL 212.31, 0.06%, 0.55%

LAB 57.59, -0.74, -4.49

 

CMYK 30 / 18 / 0 / 35

HEX #7387A5

RGB 115 135 165

HSL 216, 0.22%, 0.55%

LAB 55.78, 0.04, -18.26

 

CMYK 0 / 50 / 52 / 26

HEX #BD5F5A

RGB 189 95 90

HSL 3.03, 0.43%, 0.55%

LAB 51.54, 37.24, 20.39

 

CMYK 0 / 35 / 52 / 26

HEX #BD7A5A

RGB 189 122 90

HSL 19.39, 0.43%, 0.55%

LAB 57.54, 22.67, 28.25

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 8 / 52 / 26

HEX #BDAE5A

RGB 189 174 90

HSL 50.91, 0.43%, 0.55%

LAB 70.75, -5.7, 44.6

 

CMYK 6 / 0 / 52 / 26

HEX #B2BD5A

RGB 178 189 90

HSL 66.67, 0.43%, 0.55%

LAB 73.93, -18, 48.12

 

CMYK 0 / 25 / 60 / 45

HEX #8D6A38

RGB 141 106 56

HSL 35.29, 0.43%, 0.39%

LAB 47.31, 8.01, 33.08

 

CMYK 0 / 25 / 60 / 33

HEX #AB8044

RGB 171 128 68

HSL 34.95, 0.43%, 0.47%

LAB 56.6, 9.8, 38.52

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 0 / 17 / 40 / 21

HEX #C9A778

RGB 201 167 120

HSL 34.81, 0.43%, 0.63%

LAB 70.46, 6.01, 28.96

 

CMYK 0 / 13 / 30 / 16

HEX #D5BA95

RGB 213 186 149

HSL 34.69, 0.43%, 0.71%

LAB 76.94, 4.16, 22.33

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 41 / 0 / 52 / 26

HEX #70BD5A

RGB 112 189 90

HSL 106.67, 0.43%, 0.55%

LAB 69.88, -42.6, 42.32

 

CMYK 43 / 52 / 0 / 26

HEX #6C5ABD

RGB 108 90 189

HSL 250.91, 0.43%, 0.55%

LAB 44.48, 31.79, -49.89

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 52 / 0 / 22 / 26

HEX #5ABD94

RGB 90 189 148

HSL 155.15, 0.43%, 0.55%

LAB 69.97, -38.82, 11.99

 

CMYK 22 / 52 / 0 / 26

HEX #945ABD

RGB 148 90 189

HSL 275.15, 0.43%, 0.55%

LAB 48.61, 42.08, -43.06

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 41 / 0 / 52 / 26

HEX #70BD5A

RGB 112 189 90

HSL 106.67, 0.43%, 0.55%

LAB 69.88, -42.6, 42.32

 

CMYK 52 / 30 / 0 / 26

HEX #5A84BD

RGB 90 132 189

HSL 214.55, 0.43%, 0.55%

LAB 54.4, 1.94, -34.27

 

CMYK 11 / 52 / 0 / 26

HEX #A85ABD

RGB 168 90 189

HSL 287.27, 0.43%, 0.55%

LAB 51.05, 47.56, -39.05

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 52 / 0 / 48 / 26

HEX #5ABD63

RGB 90 189 99

HSL 125.45, 0.43%, 0.55%

LAB 69.09, -47.84, 36.69

 

CMYK 52 / 30 / 0 / 26

HEX #5A84BD

RGB 90 132 189

HSL 214.55, 0.43%, 0.55%

LAB 54.4, 1.94, -34.27

 

CMYK 0 / 52 / 4 / 26

HEX #BD5AB5

RGB 189 90 181

HSL 304.85, 0.43%, 0.55%

LAB 53.46, 51.98, -30.45

 

Description

Color code: HEX #BD945A | qconv.com Color code: HEX #BD945A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 148 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 148 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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