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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE572B it is the complementary color #41A8D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE572B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE572B shade: #C35726, #D46939, #E57B4C, #F68D5F and #FF9F72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE572B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE572B shade: #BE572B, #AD4518, #9C3305, #8B2100 and #7A0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE572B shade: #BF572B, #BF2F2B and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE572B shade: #BF572B, #BF7F2B, #BFA72B, #AFBF2B and #87BF2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE572B shade matches the following richer shades: #BF572B, #D25018 and #E54805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE572B shade: #BF572B, #AC5F3E, #996651, #866E64 and #737677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE572B shade: #BF2B50, #BF2D2B, #BF552B, #BF7C2B and #BFA42B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE572B shade: #7B381C, #9D4823, #BF572B, #D36C40 and #DB8661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE572B shade: #BE572B, #77BF2B and #2B3CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE572B shade: #BE572B, #2BBF55 and #552BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE572B shade: #BE572B, #77BF2B, #2B95BF and #722BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE572B shade: #BE572B, #4BBF2B, #2B95BF and #9F2BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

Complementary color

CMYK 69 / 21 / 0 / 17

HEX #41A8D4

RGB 65 168 212

HSL 197.96, 0.63%, 0.54%

LAB 64.87, -15.62, -30.98

 

CMYK 0 / 55 / 81 / 24

HEX #C35726

RGB 195 87 38

HSL 18.73, 0.67%, 0.46%

LAB 50.17, 40.47, 47.42

 

CMYK 0 / 50 / 73 / 17

HEX #D46939

RGB 212 105 57

HSL 18.58, 0.64%, 0.53%

LAB 56.48, 38.79, 45.45

 

CMYK 0 / 46 / 67 / 10

HEX #E57B4C

RGB 229 123 76

HSL 18.43, 0.75%, 0.6%

LAB 62.8, 37.22, 43.44

 

CMYK 0 / 43 / 61 / 4

HEX #F68D5F

RGB 246 141 95

HSL 18.28, 0.89%, 0.67%

LAB 69.09, 35.77, 41.54

 

CMYK 0 / 38 / 55 / 0

HEX #FF9F72

RGB 255 159 114

HSL 19.15, 1%, 0.72%

LAB 74.36, 31.35, 38.34

 

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

CMYK 0 / 60 / 86 / 32

HEX #AD4518

RGB 173 69 24

HSL 18.12, 0.76%, 0.39%

LAB 43.07, 40.41, 45.9

 

CMYK 0 / 67 / 97 / 39

HEX #9C3305

RGB 156 51 5

HSL 18.28, 0.94%, 0.32%

LAB 36.83, 42.01, 46.82

 

CMYK 0 / 76 / 100 / 45

HEX #8B2100

RGB 139 33 0

HSL 14.24, 1%, 0.27%

LAB 30.82, 43.24, 43.42

 

CMYK 0 / 88 / 100 / 52

HEX #7A0F00

RGB 122 15 0

HSL 7.38, 1%, 0.24%

LAB 25.2, 43.33, 37.26

 

CMYK 0 / 54 / 77 / 25

HEX #BF572B

RGB 191 87 43

HSL 17.84, 0.63%, 0.46%

LAB 49.58, 39.1, 44.24

 

CMYK 0 / 75 / 77 / 25

HEX #BF2F2B

RGB 191 47 43

HSL 1.62, 0.63%, 0.46%

LAB 43.19, 56.18, 37.62

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 54 / 77 / 25

HEX #BF572B

RGB 191 87 43

HSL 17.84, 0.63%, 0.46%

LAB 49.58, 39.1, 44.24

 

CMYK 0 / 34 / 77 / 25

HEX #BF7F2B

RGB 191 127 43

HSL 34.05, 0.63%, 0.46%

LAB 58.44, 17.7, 52.96

 

CMYK 0 / 13 / 77 / 25

HEX #BFA72B

RGB 191 167 43

HSL 50.27, 0.63%, 0.46%

LAB 68.67, -4.07, 62.54

 

CMYK 8 / 0 / 77 / 25

HEX #AFBF2B

RGB 175 191 43

HSL 66.49, 0.63%, 0.46%

LAB 73.9, -23.26, 66.82

 

CMYK 29 / 0 / 77 / 25

HEX #87BF2B

RGB 135 191 43

HSL 82.7, 0.63%, 0.46%

LAB 71.27, -39.35, 63.43

 

CMYK 0 / 54 / 77 / 25

HEX #BF572B

RGB 191 87 43

HSL 17.84, 0.63%, 0.46%

LAB 49.58, 39.1, 44.24

 

CMYK 0 / 62 / 89 / 18

HEX #D25018

RGB 210 80 24

HSL 18.06, 0.79%, 0.46%

LAB 51.27, 48.99, 55.13

 

CMYK 0 / 69 / 98 / 10

HEX #E54805

RGB 229 72 5

HSL 17.95, 0.96%, 0.46%

LAB 53.28, 58.59, 63.15

 

CMYK 0 / 54 / 77 / 25

HEX #BF572B

RGB 191 87 43

HSL 17.84, 0.63%, 0.46%

LAB 49.58, 39.1, 44.24

 

CMYK 0 / 45 / 64 / 33

HEX #AC5F3E

RGB 172 95 62

HSL 18, 0.47%, 0.46%

LAB 48.64, 28.26, 32.34

 

CMYK 0 / 33 / 47 / 40

HEX #996651

RGB 153 102 81

HSL 17.5, 0.31%, 0.46%

LAB 48.09, 17.99, 20.21

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 3 / 1 / 0 / 53

HEX #737677

RGB 115 118 119

HSL 195, 0.02%, 0.46%

LAB 49.42, -0.92, -0.95

 

CMYK 0 / 77 / 58 / 25

HEX #BF2B50

RGB 191 43 80

HSL 345, 0.63%, 0.46%

LAB 43.34, 59.38, 15.45

 

CMYK 0 / 76 / 77 / 25

HEX #BF2D2B

RGB 191 45 43

HSL 0.81, 0.63%, 0.46%

LAB 42.95, 56.83, 37.37

 

CMYK 0 / 55 / 77 / 25

HEX #BF552B

RGB 191 85 43

HSL 17.03, 0.63%, 0.46%

LAB 49.19, 40.1, 43.84

 

CMYK 0 / 35 / 77 / 25

HEX #BF7C2B

RGB 191 124 43

HSL 32.84, 0.63%, 0.46%

LAB 57.72, 19.35, 52.27

 

CMYK 0 / 14 / 77 / 25

HEX #BFA42B

RGB 191 164 43

HSL 49.05, 0.63%, 0.46%

LAB 67.87, -2.47, 61.81

 

CMYK 0 / 54 / 77 / 52

HEX #7B381C

RGB 123 56 28

HSL 17.68, 0.63%, 0.3%

LAB 32.09, 27.13, 30.51

 

CMYK 0 / 54 / 78 / 38

HEX #9D4823

RGB 157 72 35

HSL 18.2, 0.64%, 0.38%

LAB 41.1, 32.97, 37.9

 

CMYK 0 / 54 / 77 / 25

HEX #BF572B

RGB 191 87 43

HSL 17.84, 0.63%, 0.46%

LAB 49.58, 39.1, 44.24

 

CMYK 0 / 49 / 70 / 17

HEX #D36C40

RGB 211 108 64

HSL 17.96, 0.63%, 0.54%

LAB 57.02, 37.21, 42.42

 

CMYK 0 / 39 / 56 / 14

HEX #DB8661

RGB 219 134 97

HSL 18.2, 0.63%, 0.62%

LAB 64.14, 28.94, 33.58

 

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

CMYK 38 / 0 / 77 / 25

HEX #77BF2B

RGB 119 191 43

HSL 89.19, 0.63%, 0.46%

LAB 70.43, -45.17, 62.34

 

CMYK 77 / 69 / 0 / 25

HEX #2B3CBF

RGB 43 60 191

HSL 233.11, 0.63%, 0.46%

LAB 32.93, 40.02, -70.04

 

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

CMYK 77 / 0 / 55 / 25

HEX #2BBF55

RGB 43 191 85

HSL 137.03, 0.63%, 0.46%

LAB 68.34, -59.98, 42.37

 

CMYK 55 / 77 / 0 / 25

HEX #552BBF

RGB 85 43 191

HSL 257.03, 0.63%, 0.46%

LAB 32.75, 54.04, -70.24

 

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

CMYK 38 / 0 / 77 / 25

HEX #77BF2B

RGB 119 191 43

HSL 89.19, 0.63%, 0.46%

LAB 70.43, -45.17, 62.34

 

CMYK 77 / 22 / 0 / 25

HEX #2B95BF

RGB 43 149 191

HSL 197.03, 0.63%, 0.46%

LAB 57.82, -15.2, -30.2

 

CMYK 40 / 77 / 0 / 25

HEX #722BBF

RGB 114 43 191

HSL 268.78, 0.63%, 0.46%

LAB 36.11, 58.23, -64.59

 

CMYK 0 / 54 / 77 / 25

HEX #BE572B

RGB 190 87 43

HSL 17.96, 0.63%, 0.46%

LAB 49.42, 38.71, 44.03

 

CMYK 61 / 0 / 77 / 25

HEX #4BBF2B

RGB 75 191 43

HSL 107.03, 0.63%, 0.46%

LAB 68.7, -58.25, 60.09

 

CMYK 77 / 22 / 0 / 25

HEX #2B95BF

RGB 43 149 191

HSL 197.03, 0.63%, 0.46%

LAB 57.82, -15.2, -30.2

 

CMYK 17 / 77 / 0 / 25

HEX #9F2BBF

RGB 159 43 191

HSL 287.03, 0.63%, 0.46%

LAB 42.55, 66.12, -53.84

 

Description

Color code: HEX #BE572B | qconv.com Color code: HEX #BE572B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 87 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 87 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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