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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #866E64 it is the complementary color #79919B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #866E64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #866E64 shade: #8B6E5F, #9C8072, #AD9285, #BEA498 and #CFB6AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #866E64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #866E64 shade: #866E64, #755C51, #644A3E, #53382B and #422618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #866E64 shade: #866E63, #866463 and #866363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #866E64 shade: #866E63, #867763, #868163, #838663 and #798663

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #866E64 shade matches the following richer shades: #866E63, #996650, #AC5E3D, #BF562A and #D24E17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #866E64 shade: #866E63, #737576, #607D89, #4D859C and #3A8DAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #866E64 shade: #86636C, #866463, #866D63, #867763 and #868063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #866E64 shade: #574740, #6F5A52, #866E63, #9B8278 and #AD9890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #866E64 shade: #866E64, #758663 and #636786

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #866E64 shade: #866E64, #63866D and #6D6386

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #866E64 shade: #866E64, #758663, #637C86 and #746386

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #866E64 shade: #866E64, #6B8663, #637C86 and #7F6386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

Complementary color

CMYK 22 / 6 / 0 / 39

HEX #79919B

RGB 121 145 155

HSL 197.65, 0.15%, 0.54%

LAB 58.68, -6.18, -8.12

 

CMYK 0 / 21 / 32 / 45

HEX #8B6E5F

RGB 139 110 95

HSL 20.45, 0.19%, 0.46%

LAB 48.84, 9.16, 12.73

 

CMYK 0 / 18 / 27 / 39

HEX #9C8072

RGB 156 128 114

HSL 20, 0.18%, 0.53%

LAB 55.81, 8.55, 11.64

 

CMYK 0 / 16 / 23 / 32

HEX #AD9285

RGB 173 146 133

HSL 19.5, 0.2%, 0.6%

LAB 62.62, 8.03, 10.64

 

CMYK 0 / 14 / 20 / 25

HEX #BEA498

RGB 190 164 152

HSL 18.95, 0.23%, 0.67%

LAB 69.3, 7.57, 9.73

 

CMYK 0 / 12 / 17 / 19

HEX #CFB6AB

RGB 207 182 171

HSL 18.33, 0.27%, 0.74%

LAB 75.86, 7.16, 8.87

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 0 / 21 / 31 / 54

HEX #755C51

RGB 117 92 81

HSL 18.33, 0.18%, 0.39%

LAB 41.26, 8.44, 10.21

 

CMYK 0 / 26 / 38 / 61

HEX #644A3E

RGB 100 74 62

HSL 18.95, 0.23%, 0.32%

LAB 33.89, 9.21, 11.46

 

CMYK 0 / 33 / 48 / 67

HEX #53382B

RGB 83 56 43

HSL 19.5, 0.32%, 0.25%

LAB 26.28, 10.19, 12.93

 

CMYK 0 / 42 / 64 / 74

HEX #422618

RGB 66 38 24

HSL 20, 0.47%, 0.18%

LAB 18.41, 11.51, 14.77

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 0 / 25 / 26 / 47

HEX #866463

RGB 134 100 99

HSL 1.71, 0.15%, 0.46%

LAB 45.75, 13.56, 5.91

 

CMYK 0 / 26 / 26 / 47

HEX #866363

RGB 134 99 99

HSL 0, 0.15%, 0.46%

LAB 45.49, 14.15, 5.53

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 0 / 11 / 26 / 47

HEX #867763

RGB 134 119 99

HSL 34.29, 0.15%, 0.46%

LAB 50.88, 2.44, 13.13

 

CMYK 0 / 4 / 26 / 47

HEX #868163

RGB 134 129 99

HSL 51.43, 0.15%, 0.46%

LAB 53.67, -3.26, 16.98

 

CMYK 2 / 0 / 26 / 47

HEX #838663

RGB 131 134 99

HSL 65.14, 0.15%, 0.46%

LAB 54.84, -7.28, 18.53

 

CMYK 10 / 0 / 26 / 47

HEX #798663

RGB 121 134 99

HSL 82.29, 0.15%, 0.46%

LAB 54.04, -11.3, 17.31

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 0 / 33 / 48 / 40

HEX #996650

RGB 153 102 80

HSL 18.08, 0.31%, 0.46%

LAB 48.08, 17.88, 20.77

 

CMYK 0 / 45 / 65 / 33

HEX #AC5E3D

RGB 172 94 61

HSL 17.84, 0.48%, 0.46%

LAB 48.4, 28.74, 32.61

 

CMYK 0 / 55 / 78 / 25

HEX #BF562A

RGB 191 86 42

HSL 17.72, 0.64%, 0.46%

LAB 49.37, 39.56, 44.52

 

CMYK 0 / 63 / 89 / 18

HEX #D24E17

RGB 210 78 23

HSL 17.65, 0.8%, 0.46%

LAB 50.93, 49.86, 55.22

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 3 / 1 / 0 / 54

HEX #737576

RGB 115 117 118

HSL 200, 0.01%, 0.46%

LAB 49.1, -0.55, -0.82

 

CMYK 30 / 9 / 0 / 46

HEX #607D89

RGB 96 125 137

HSL 197.56, 0.18%, 0.46%

LAB 50.64, -7.35, -9.89

 

CMYK 51 / 15 / 0 / 39

HEX #4D859C

RGB 77 133 156

HSL 197.47, 0.34%, 0.46%

LAB 52.68, -11.86, -17.99

 

CMYK 67 / 19 / 0 / 31

HEX #3A8DAF

RGB 58 141 175

HSL 197.44, 0.5%, 0.46%

LAB 55.12, -14.15, -25.25

 

CMYK 0 / 26 / 19 / 47

HEX #86636C

RGB 134 99 108

HSL 344.57, 0.15%, 0.46%

LAB 45.74, 15.61, 0.46

 

CMYK 0 / 25 / 26 / 47

HEX #866463

RGB 134 100 99

HSL 1.71, 0.15%, 0.46%

LAB 45.75, 13.56, 5.91

 

CMYK 0 / 19 / 26 / 47

HEX #866D63

RGB 134 109 99

HSL 17.14, 0.15%, 0.46%

LAB 48.14, 8.26, 9.3

 

CMYK 0 / 11 / 26 / 47

HEX #867763

RGB 134 119 99

HSL 34.29, 0.15%, 0.46%

LAB 50.88, 2.44, 13.13

 

CMYK 0 / 4 / 26 / 47

HEX #868063

RGB 134 128 99

HSL 49.71, 0.15%, 0.46%

LAB 53.39, -2.69, 16.6

 

CMYK 0 / 18 / 26 / 66

HEX #574740

RGB 87 71 64

HSL 18.26, 0.15%, 0.3%

LAB 31.58, 5.56, 6.76

 

CMYK 0 / 19 / 26 / 56

HEX #6F5A52

RGB 111 90 82

HSL 16.55, 0.15%, 0.38%

LAB 40.08, 7.23, 7.85

 

CMYK 0 / 18 / 26 / 47

HEX #866E63

RGB 134 110 99

HSL 18.86, 0.15%, 0.46%

LAB 48.41, 7.67, 9.68

 

CMYK 0 / 16 / 23 / 39

HEX #9B8278

RGB 155 130 120

HSL 17.14, 0.15%, 0.54%

LAB 56.38, 7.92, 8.97

 

CMYK 0 / 12 / 17 / 32

HEX #AD9890

RGB 173 152 144

HSL 16.55, 0.15%, 0.62%

LAB 64.45, 6.42, 7.05

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 13 / 0 / 26 / 47

HEX #758663

RGB 117 134 99

HSL 89.14, 0.15%, 0.46%

LAB 53.74, -12.88, 16.85

 

CMYK 26 / 23 / 0 / 47

HEX #636786

RGB 99 103 134

HSL 233.14, 0.15%, 0.46%

LAB 44.34, 5.84, -17.64

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 26 / 0 / 19 / 47

HEX #63866D

RGB 99 134 109

HSL 137.14, 0.15%, 0.46%

LAB 52.74, -17.75, 9.53

 

CMYK 19 / 26 / 0 / 47

HEX #6D6386

RGB 109 99 134

HSL 257.14, 0.15%, 0.46%

LAB 44.08, 11.65, -17.96

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 13 / 0 / 26 / 47

HEX #758663

RGB 117 134 99

HSL 89.14, 0.15%, 0.46%

LAB 53.74, -12.88, 16.85

 

CMYK 26 / 7 / 0 / 47

HEX #637C86

RGB 99 124 134

HSL 197.14, 0.15%, 0.46%

LAB 50.44, -6.58, -8.41

 

CMYK 13 / 26 / 0 / 47

HEX #746386

RGB 116 99 134

HSL 269.14, 0.15%, 0.46%

LAB 44.74, 14.07, -16.89

 

CMYK 0 / 18 / 25 / 47

HEX #866E64

RGB 134 110 100

HSL 17.65, 0.15%, 0.46%

LAB 48.44, 7.83, 9.12

 

CMYK 20 / 0 / 26 / 47

HEX #6B8663

RGB 107 134 99

HSL 106.29, 0.15%, 0.46%

LAB 53.03, -16.73, 15.76

 

CMYK 26 / 7 / 0 / 47

HEX #637C86

RGB 99 124 134

HSL 197.14, 0.15%, 0.46%

LAB 50.44, -6.58, -8.41

 

CMYK 5 / 26 / 0 / 47

HEX #7F6386

RGB 127 99 134

HSL 288, 0.15%, 0.46%

LAB 45.85, 17.95, -15.1

 

Description

Color code: HEX #866E64 | qconv.com Color code: HEX #866E64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 110 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 110 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 25 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 25% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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