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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD526 it is the complementary color #422AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD526 shade: #C2D521, #D3E734, #E4F947, #F5FF5A and #FFFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD526 shade: #BDD526, #ACC313, #9BB100, #8A9F00 and #798D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD526 shade: #BCD425, #D4BD25, #D48E25, #D45E25 and #D42F25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD526 shade: #BCD425, #8DD425, #5ED425, #2ED425 and #25D44B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD526 shade matches the following richer shades: #BCD425 and #CBE811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD526 shade: #BCD425, #ADC039, #9FAB4D, #909762 and #818376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD526 shade: #D48E25, #D4BD25, #BDD425, #8ED425 and #5FD425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD526 shade: #7E8E19, #9DB11F, #BCD425, #C9DE44 and #D3E468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD526 shade: #BDD526, #25D45F and #A525D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD526 shade: #BDD526, #25BDD4 and #D425BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD526 shade: #BDD526, #25D45F, #3C25D4 and #D4259A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD526 shade: #BDD526, #25D494, #3C25D4 and #D42565

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

Complementary color

CMYK 70 / 81 / 0 / 15

HEX #422AD9

RGB 66 42 217

HSL 248.23, 0.7%, 0.51%

LAB 33.61, 59.9, -84.01

 

CMYK 9 / 0 / 85 / 16

HEX #C2D521

RGB 194 213 33

HSL 66.33, 0.73%, 0.48%

LAB 81.38, -26.29, 76.43

 

CMYK 9 / 0 / 77 / 9

HEX #D3E734

RGB 211 231 52

HSL 66.7, 0.79%, 0.55%

LAB 87.61, -27.26, 77.57

 

CMYK 8 / 0 / 71 / 2

HEX #E4F947

RGB 228 249 71

HSL 67.08, 0.94%, 0.63%

LAB 93.75, -28.07, 77.9

 

CMYK 4 / 0 / 65 / 0

HEX #F5FF5A

RGB 245 255 90

HSL 63.64, 1%, 0.68%

LAB 96.69, -23.14, 74.49

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 12 / 0 / 100 / 31

HEX #9BB100

RGB 155 177 0

HSL 67.46, 1%, 0.35%

LAB 68.32, -25.93, 69.82

 

CMYK 13 / 0 / 100 / 38

HEX #8A9F00

RGB 138 159 0

HSL 67.92, 1%, 0.31%

LAB 61.83, -24.42, 64.41

 

CMYK 14 / 0 / 100 / 45

HEX #798D00

RGB 121 141 0

HSL 68.51, 1%, 0.28%

LAB 55.19, -22.89, 58.89

 

CMYK 11 / 0 / 83 / 17

HEX #BCD425

RGB 188 212 37

HSL 68.23, 0.7%, 0.49%

LAB 80.69, -28.18, 74.77

 

CMYK 0 / 11 / 83 / 17

HEX #D4BD25

RGB 212 189 37

HSL 52.11, 0.7%, 0.49%

LAB 76.39, -6.58, 71.87

 

CMYK 0 / 33 / 83 / 17

HEX #D48E25

RGB 212 142 37

HSL 36, 0.7%, 0.49%

LAB 64.54, 18.43, 61.71

 

CMYK 0 / 56 / 83 / 17

HEX #D45E25

RGB 212 94 37

HSL 19.54, 0.7%, 0.49%

LAB 54.17, 43.51, 52.54

 

CMYK 0 / 78 / 83 / 17

HEX #D42F25

RGB 212 47 37

HSL 3.43, 0.7%, 0.49%

LAB 47.19, 62.3, 46.16

 

CMYK 11 / 0 / 83 / 17

HEX #BCD425

RGB 188 212 37

HSL 68.23, 0.7%, 0.49%

LAB 80.69, -28.18, 74.77

 

CMYK 33 / 0 / 83 / 17

HEX #8DD425

RGB 141 212 37

HSL 84.34, 0.7%, 0.49%

LAB 77.81, -46.43, 71.14

 

CMYK 56 / 0 / 83 / 17

HEX #5ED425

RGB 94 212 37

HSL 100.46, 0.7%, 0.49%

LAB 75.82, -61.15, 68.62

 

CMYK 78 / 0 / 83 / 17

HEX #2ED425

RGB 46 212 37

HSL 116.91, 0.7%, 0.49%

LAB 74.7, -70.57, 67.18

 

CMYK 83 / 0 / 65 / 17

HEX #25D44B

RGB 37 212 75

HSL 133.03, 0.7%, 0.49%

LAB 74.82, -68.65, 54.28

 

CMYK 11 / 0 / 83 / 17

HEX #BCD425

RGB 188 212 37

HSL 68.23, 0.7%, 0.49%

LAB 80.69, -28.18, 74.77

 

CMYK 13 / 0 / 93 / 9

HEX #CBE811

RGB 203 232 17

HSL 68.09, 0.86%, 0.49%

LAB 87.22, -31.85, 83.96

 

CMYK 11 / 0 / 83 / 17

HEX #BCD425

RGB 188 212 37

HSL 68.23, 0.7%, 0.49%

LAB 80.69, -28.18, 74.77

 

CMYK 10 / 0 / 70 / 25

HEX #ADC039

RGB 173 192 57

HSL 68.44, 0.54%, 0.49%

LAB 74.11, -23.92, 62.28

 

CMYK 7 / 0 / 55 / 33

HEX #9FAB4D

RGB 159 171 77

HSL 67.66, 0.38%, 0.49%

LAB 67.3, -17.87, 46.22

 

CMYK 5 / 0 / 35 / 41

HEX #909762

RGB 144 151 98

HSL 67.92, 0.21%, 0.49%

LAB 60.73, -11.36, 27.12

 

CMYK 2 / 0 / 10 / 49

HEX #818376

RGB 129 131 118

HSL 69.23, 0.05%, 0.49%

LAB 54.25, -3.23, 6.77

 

CMYK 0 / 33 / 83 / 17

HEX #D48E25

RGB 212 142 37

HSL 36, 0.7%, 0.49%

LAB 64.54, 18.43, 61.71

 

CMYK 0 / 11 / 83 / 17

HEX #D4BD25

RGB 212 189 37

HSL 52.11, 0.7%, 0.49%

LAB 76.39, -6.58, 71.87

 

CMYK 11 / 0 / 83 / 17

HEX #BDD425

RGB 189 212 37

HSL 67.89, 0.7%, 0.49%

LAB 80.76, -27.77, 74.86

 

CMYK 33 / 0 / 83 / 17

HEX #8ED425

RGB 142 212 37

HSL 84, 0.7%, 0.49%

LAB 77.86, -46.07, 71.2

 

CMYK 55 / 0 / 83 / 17

HEX #5FD425

RGB 95 212 37

HSL 100.11, 0.7%, 0.49%

LAB 75.86, -60.89, 68.66

 

CMYK 11 / 0 / 82 / 44

HEX #7E8E19

RGB 126 142 25

HSL 68.21, 0.7%, 0.33%

LAB 55.94, -20.56, 54.62

 

CMYK 11 / 0 / 82 / 31

HEX #9DB11F

RGB 157 177 31

HSL 68.22, 0.7%, 0.41%

LAB 68.54, -24.45, 64.91

 

CMYK 11 / 0 / 83 / 17

HEX #BCD425

RGB 188 212 37

HSL 68.23, 0.7%, 0.49%

LAB 80.69, -28.18, 74.77

 

CMYK 9 / 0 / 69 / 13

HEX #C9DE44

RGB 201 222 68

HSL 68.18, 0.7%, 0.57%

LAB 84.52, -26.32, 69.27

 

CMYK 7 / 0 / 54 / 11

HEX #D3E468

RGB 211 228 104

HSL 68.23, 0.7%, 0.65%

LAB 87.16, -22.75, 57.62

 

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

CMYK 83 / 0 / 55 / 17

HEX #25D45F

RGB 37 212 95

HSL 139.89, 0.7%, 0.49%

LAB 75.02, -66.2, 45.64

 

CMYK 22 / 83 / 0 / 17

HEX #A525D4

RGB 165 37 212

HSL 283.89, 0.7%, 0.49%

LAB 44.34, 72.85, -63.08

 

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

CMYK 83 / 11 / 0 / 17

HEX #25BDD4

RGB 37 189 212

HSL 187.89, 0.7%, 0.49%

LAB 70.55, -29.48, -22.29

 

CMYK 0 / 83 / 11 / 17

HEX #D425BD

RGB 212 37 189

HSL 307.89, 0.7%, 0.49%

LAB 50.68, 77.66, -39.19

 

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

CMYK 83 / 0 / 55 / 17

HEX #25D45F

RGB 37 212 95

HSL 139.89, 0.7%, 0.49%

LAB 75.02, -66.2, 45.64

 

CMYK 72 / 83 / 0 / 17

HEX #3C25D4

RGB 60 37 212

HSL 247.89, 0.7%, 0.49%

LAB 31.89, 60.17, -83.98

 

CMYK 0 / 83 / 27 / 17

HEX #D4259A

RGB 212 37 154

HSL 319.89, 0.7%, 0.49%

LAB 49.07, 73.21, -21.06

 

CMYK 11 / 0 / 82 / 16

HEX #BDD526

RGB 189 213 38

HSL 68.23, 0.7%, 0.49%

LAB 81.04, -28.21, 74.86

 

CMYK 83 / 0 / 30 / 17

HEX #25D494

RGB 37 212 148

HSL 158.06, 0.7%, 0.49%

LAB 75.83, -56.73, 20

 

CMYK 72 / 83 / 0 / 17

HEX #3C25D4

RGB 60 37 212

HSL 247.89, 0.7%, 0.49%

LAB 31.89, 60.17, -83.98

 

CMYK 0 / 83 / 52 / 17

HEX #D42565

RGB 212 37 101

HSL 338.06, 0.7%, 0.49%

LAB 47.31, 68.14, 8.55

 

Description

Color code: HEX #BDD526 | qconv.com Color code: HEX #BDD526 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 213 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 213 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 82 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 82% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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