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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACC313 it is the complementary color #533CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACC313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACC313 shade: #B1C30E, #C2D521, #D3E734, #E4F947 and #F5FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACC313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACC313 shade: #ACC313, #9BB100, #8A9F00, #798D00 and #687B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACC313 shade: #ABC213, #C2AA13, #C27B13, #C24B13 and #C21C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACC313 shade: #ABC213, #7CC213, #4DC213, #1DC213 and #13C238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACC313 shade matches the following richer shades: #ABC213 and #B8D401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACC313 shade: #ABC213, #9FB124, #92A035, #858E47 and #787D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACC313 shade: #C27913, #C2A813, #AEC213, #7FC213 and #50C213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACC313 shade: #69770B, #8A9D0F, #ABC213, #CCE817 and #D4EB3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACC313 shade: #ACC313, #13C24A and #9113C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACC313 shade: #ACC313, #13AEC2 and #C213AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACC313 shade: #ACC313, #13C24A, #2713C2 and #C2138B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACC313 shade: #ACC313, #13C27F, #2713C2 and #C21356

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

Complementary color

CMYK 65 / 75 / 0 / 7

HEX #533CEC

RGB 83 60 236

HSL 247.84, 0.82%, 0.58%

LAB 39.79, 58.5, -84.6

 

CMYK 9 / 0 / 93 / 24

HEX #B1C30E

RGB 177 195 14

HSL 65.97, 0.87%, 0.41%

LAB 75.08, -25.14, 74.08

 

CMYK 9 / 0 / 85 / 16

HEX #C2D521

RGB 194 213 33

HSL 66.33, 0.73%, 0.48%

LAB 81.38, -26.29, 76.43

 

CMYK 9 / 0 / 77 / 9

HEX #D3E734

RGB 211 231 52

HSL 66.7, 0.79%, 0.55%

LAB 87.61, -27.26, 77.57

 

CMYK 8 / 0 / 71 / 2

HEX #E4F947

RGB 228 249 71

HSL 67.08, 0.94%, 0.63%

LAB 93.75, -28.07, 77.9

 

CMYK 4 / 0 / 65 / 0

HEX #F5FF5A

RGB 245 255 90

HSL 63.64, 1%, 0.68%

LAB 96.69, -23.14, 74.49

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 12 / 0 / 100 / 31

HEX #9BB100

RGB 155 177 0

HSL 67.46, 1%, 0.35%

LAB 68.32, -25.93, 69.82

 

CMYK 13 / 0 / 100 / 38

HEX #8A9F00

RGB 138 159 0

HSL 67.92, 1%, 0.31%

LAB 61.83, -24.42, 64.41

 

CMYK 14 / 0 / 100 / 45

HEX #798D00

RGB 121 141 0

HSL 68.51, 1%, 0.28%

LAB 55.19, -22.89, 58.89

 

CMYK 15 / 0 / 100 / 52

HEX #687B00

RGB 104 123 0

HSL 69.27, 1%, 0.24%

LAB 48.4, -21.34, 53.23

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 0 / 12 / 90 / 24

HEX #C2AA13

RGB 194 170 19

HSL 51.77, 0.82%, 0.42%

LAB 69.66, -4.99, 69.72

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 61 / 90 / 24

HEX #C24B13

RGB 194 75 19

HSL 19.2, 0.82%, 0.42%

LAB 47.69, 45.34, 52.97

 

CMYK 0 / 86 / 90 / 24

HEX #C21C13

RGB 194 28 19

HSL 3.09, 0.82%, 0.42%

LAB 41.76, 61.61, 48.65

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 36 / 0 / 90 / 24

HEX #7CC213

RGB 124 194 19

HSL 84, 0.82%, 0.42%

LAB 71.5, -45.56, 69.1

 

CMYK 60 / 0 / 90 / 24

HEX #4DC213

RGB 77 194 19

HSL 100.11, 0.82%, 0.42%

LAB 69.62, -59.88, 66.77

 

CMYK 85 / 0 / 90 / 24

HEX #1DC213

RGB 29 194 19

HSL 116.57, 0.82%, 0.42%

LAB 68.67, -67.99, 65.59

 

CMYK 90 / 0 / 71 / 24

HEX #13C238

RGB 19 194 56

HSL 132.69, 0.82%, 0.42%

LAB 68.76, -66.58, 55.29

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 13 / 0 / 100 / 17

HEX #B8D401

RGB 184 212 1

HSL 67.96, 0.99%, 0.42%

LAB 80.34, -30.47, 79.62

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 10 / 0 / 80 / 31

HEX #9FB124

RGB 159 177 36

HSL 67.66, 0.66%, 0.42%

LAB 68.71, -23.42, 63.75

 

CMYK 9 / 0 / 67 / 37

HEX #92A035

RGB 146 160 53

HSL 67.85, 0.5%, 0.42%

LAB 62.94, -19.59, 51.88

 

CMYK 6 / 0 / 50 / 44

HEX #858E47

RGB 133 142 71

HSL 67.61, 0.33%, 0.42%

LAB 56.87, -14.31, 36.41

 

CMYK 4 / 0 / 30 / 51

HEX #787D58

RGB 120 125 88

HSL 68.11, 0.17%, 0.42%

LAB 51.11, -8.44, 19.6

 

CMYK 0 / 38 / 90 / 24

HEX #C27913

RGB 194 121 19

HSL 34.97, 0.82%, 0.42%

LAB 57.26, 21.61, 60.16

 

CMYK 0 / 13 / 90 / 24

HEX #C2A813

RGB 194 168 19

HSL 51.09, 0.82%, 0.42%

LAB 69.13, -3.94, 69.3

 

CMYK 10 / 0 / 90 / 24

HEX #AEC213

RGB 174 194 19

HSL 66.86, 0.82%, 0.42%

LAB 74.59, -25.84, 72.89

 

CMYK 35 / 0 / 90 / 24

HEX #7FC213

RGB 127 194 19

HSL 82.97, 0.82%, 0.42%

LAB 71.65, -44.48, 69.29

 

CMYK 59 / 0 / 90 / 24

HEX #50C213

RGB 80 194 19

HSL 99.09, 0.82%, 0.42%

LAB 69.71, -59.13, 66.88

 

CMYK 12 / 0 / 91 / 53

HEX #69770B

RGB 105 119 11

HSL 67.78, 0.83%, 0.25%

LAB 47.26, -18.53, 50.11

 

CMYK 12 / 0 / 90 / 38

HEX #8A9D0F

RGB 138 157 15

HSL 68.03, 0.83%, 0.34%

LAB 61.27, -23.17, 61.77

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 12 / 0 / 90 / 9

HEX #CCE817

RGB 204 232 23

HSL 68.04, 0.82%, 0.5%

LAB 87.3, -31.35, 83.29

 

CMYK 10 / 0 / 74 / 8

HEX #D4EB3C

RGB 212 235 60

HSL 67.89, 0.81%, 0.58%

LAB 88.8, -28.42, 76.33

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 90 / 0 / 62 / 24

HEX #13C24A

RGB 19 194 74

HSL 138.86, 0.82%, 0.42%

LAB 68.91, -64.69, 48.03

 

CMYK 25 / 90 / 0 / 24

HEX #9113C2

RGB 145 19 194

HSL 283.2, 0.82%, 0.42%

LAB 38.52, 70.36, -62.24

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 90 / 10 / 0 / 24

HEX #13AEC2

RGB 19 174 194

HSL 186.86, 0.82%, 0.42%

LAB 65.2, -29.05, -20.55

 

CMYK 0 / 90 / 10 / 24

HEX #C213AE

RGB 194 19 174

HSL 306.86, 0.82%, 0.42%

LAB 45.62, 75.28, -38.59

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 90 / 0 / 62 / 24

HEX #13C24A

RGB 19 194 74

HSL 138.86, 0.82%, 0.42%

LAB 68.91, -64.69, 48.03

 

CMYK 80 / 90 / 0 / 24

HEX #2713C2

RGB 39 19 194

HSL 246.86, 0.82%, 0.42%

LAB 26.13, 60.62, -83.08

 

CMYK 0 / 90 / 28 / 24

HEX #C2138B

RGB 194 19 139

HSL 318.86, 0.82%, 0.42%

LAB 43.94, 70.88, -20.18

 

CMYK 12 / 0 / 90 / 24

HEX #ACC313

RGB 172 195 19

HSL 67.84, 0.82%, 0.42%

LAB 74.73, -27.16, 72.94

 

CMYK 90 / 0 / 35 / 24

HEX #13C27F

RGB 19 194 127

HSL 157.03, 0.82%, 0.42%

LAB 69.65, -55.85, 22.62

 

CMYK 80 / 90 / 0 / 24

HEX #2713C2

RGB 39 19 194

HSL 246.86, 0.82%, 0.42%

LAB 26.13, 60.62, -83.08

 

CMYK 0 / 90 / 56 / 24

HEX #C21356

RGB 194 19 86

HSL 337.03, 0.82%, 0.42%

LAB 42.16, 66.02, 10.16

 

Description

Color code: HEX #ACC313 | qconv.com Color code: HEX #ACC313 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 195 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 195 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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