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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA459 it is the complementary color #425BA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA459. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA459 shade: #C2A454, #D3B667, #E4C87A, #F5DA8D and #FFECA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA459. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA459 shade: #BDA459, #AC9246, #9B8033, #8A6E20 and #795C0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA459 shade: #BDA45A, #BD8A5A, #BD6F5A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA459 shade: #BDA45A, #BBBD5A, #A1BD5A, #86BD5A and #6BBD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA459 shade matches the following richer shades: #BDA45A, #D0AE48, #E2B735 and #F5C023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA459 shade: #BDA45A, #AB9B6D, #989280, #858992 and #737FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA459 shade: #BD705A, #BD8A5A, #BDA45A, #BBBD5A and #A1BD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA459 shade: #8D7838, #AB9144, #BDA45A, #C9B578 and #D5C595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA459 shade: #BDA459, #5FBD5A and #7D5ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA459 shade: #BDA459, #5ABDA4 and #A45ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA459 shade: #BDA459, #5FBD5A, #5A73BD and #B85ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA459 shade: #BDA459, #5ABD73, #5A73BD and #BD5AA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

Complementary color

CMYK 60 / 45 / 0 / 35

HEX #425BA6

RGB 66 91 166

HSL 225, 0.43%, 0.45%

LAB 40.24, 14.36, -43.35

 

CMYK 0 / 15 / 57 / 24

HEX #C2A454

RGB 194 164 84

HSL 43.64, 0.47%, 0.55%

LAB 68.5, 1.25, 45.01

 

CMYK 0 / 14 / 51 / 17

HEX #D3B667

RGB 211 182 103

HSL 43.89, 0.55%, 0.62%

LAB 75, 0.42, 43.74

 

CMYK 0 / 12 / 46 / 11

HEX #E4C87A

RGB 228 200 122

HSL 44.15, 0.66%, 0.69%

LAB 81.41, -0.28, 42.48

 

CMYK 0 / 11 / 42 / 4

HEX #F5DA8D

RGB 245 218 141

HSL 44.42, 0.84%, 0.76%

LAB 87.72, -0.89, 41.25

 

CMYK 0 / 7 / 37 / 0

HEX #FFECA0

RGB 255 236 160

HSL 48, 1%, 0.81%

LAB 93.36, -4.1, 39.2

 

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

CMYK 0 / 15 / 59 / 33

HEX #AC9246

RGB 172 146 70

HSL 44.71, 0.42%, 0.47%

LAB 61.46, 0.4, 43.18

 

CMYK 0 / 17 / 67 / 39

HEX #9B8033

RGB 155 128 51

HSL 44.42, 0.5%, 0.4%

LAB 54.71, 1.46, 44.34

 

CMYK 0 / 20 / 77 / 46

HEX #8A6E20

RGB 138 110 32

HSL 44.15, 0.62%, 0.33%

LAB 47.83, 2.77, 45.14

 

CMYK 0 / 24 / 89 / 53

HEX #795C0D

RGB 121 92 13

HSL 43.89, 0.81%, 0.26%

LAB 40.81, 4.44, 44.95

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 0 / 27 / 52 / 26

HEX #BD8A5A

RGB 189 138 90

HSL 29.09, 0.43%, 0.55%

LAB 61.42, 13.82, 33.2

 

CMYK 0 / 41 / 52 / 26

HEX #BD6F5A

RGB 189 111 90

HSL 12.73, 0.43%, 0.55%

LAB 55, 28.71, 24.96

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 1 / 0 / 52 / 26

HEX #BBBD5A

RGB 187 189 90

HSL 61.21, 0.43%, 0.55%

LAB 74.63, -14.3, 49.12

 

CMYK 15 / 0 / 52 / 26

HEX #A1BD5A

RGB 161 189 90

HSL 76.97, 0.43%, 0.55%

LAB 72.7, -24.84, 46.37

 

CMYK 29 / 0 / 52 / 26

HEX #86BD5A

RGB 134 189 90

HSL 93.33, 0.43%, 0.55%

LAB 71.01, -35.08, 43.94

 

CMYK 43 / 0 / 52 / 26

HEX #6BBD5A

RGB 107 189 90

HSL 109.7, 0.43%, 0.55%

LAB 69.65, -44.18, 41.99

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 0 / 16 / 65 / 18

HEX #D0AE48

RGB 208 174 72

HSL 45, 0.59%, 0.55%

LAB 72.33, 1.07, 55.29

 

CMYK 0 / 19 / 77 / 11

HEX #E2B735

RGB 226 183 53

HSL 45.09, 0.75%, 0.55%

LAB 76.25, 3.13, 67.35

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 0 / 9 / 36 / 33

HEX #AB9B6D

RGB 171 155 109

HSL 44.52, 0.27%, 0.55%

LAB 64.33, -1.04, 26.28

 

CMYK 0 / 4 / 16 / 40

HEX #989280

RGB 152 146 128

HSL 45, 0.1%, 0.55%

LAB 60.6, -0.97, 10.34

 

CMYK 9 / 6 / 0 / 43

HEX #858992

RGB 133 137 146

HSL 221.54, 0.06%, 0.55%

LAB 57.03, 0.4, -5.31

 

CMYK 30 / 23 / 0 / 35

HEX #737FA5

RGB 115 127 165

HSL 225.6, 0.22%, 0.55%

LAB 53.54, 4.7, -21.69

 

CMYK 0 / 41 / 52 / 26

HEX #BD705A

RGB 189 112 90

HSL 13.33, 0.43%, 0.55%

LAB 55.22, 28.16, 25.25

 

CMYK 0 / 27 / 52 / 26

HEX #BD8A5A

RGB 189 138 90

HSL 29.09, 0.43%, 0.55%

LAB 61.42, 13.82, 33.2

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 1 / 0 / 52 / 26

HEX #BBBD5A

RGB 187 189 90

HSL 61.21, 0.43%, 0.55%

LAB 74.63, -14.3, 49.12

 

CMYK 15 / 0 / 52 / 26

HEX #A1BD5A

RGB 161 189 90

HSL 76.97, 0.43%, 0.55%

LAB 72.7, -24.84, 46.37

 

CMYK 0 / 15 / 60 / 45

HEX #8D7838

RGB 141 120 56

HSL 45.18, 0.43%, 0.39%

LAB 51.13, -0.03, 37.53

 

CMYK 0 / 15 / 60 / 33

HEX #AB9144

RGB 171 145 68

HSL 44.85, 0.43%, 0.47%

LAB 61.07, 0.36, 43.69

 

CMYK 0 / 13 / 52 / 26

HEX #BDA45A

RGB 189 164 90

HSL 44.85, 0.43%, 0.55%

LAB 68.1, -0.38, 41.42

 

CMYK 0 / 10 / 40 / 21

HEX #C9B578

RGB 201 181 120

HSL 45.19, 0.43%, 0.63%

LAB 74.08, -1.46, 33.68

 

CMYK 0 / 8 / 30 / 16

HEX #D5C595

RGB 213 197 149

HSL 45, 0.43%, 0.71%

LAB 79.76, -1.63, 26.15

 

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

CMYK 50 / 0 / 52 / 26

HEX #5FBD5A

RGB 95 189 90

HSL 116.97, 0.43%, 0.55%

LAB 69.16, -47.73, 41.28

 

CMYK 34 / 52 / 0 / 26

HEX #7D5ABD

RGB 125 90 189

HSL 261.21, 0.43%, 0.55%

LAB 46.11, 36, -47.21

 

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

CMYK 52 / 0 / 13 / 26

HEX #5ABDA4

RGB 90 189 164

HSL 164.85, 0.43%, 0.55%

LAB 70.35, -35.15, 3.81

 

CMYK 13 / 52 / 0 / 26

HEX #A45ABD

RGB 164 90 189

HSL 284.85, 0.43%, 0.55%

LAB 50.55, 46.46, -39.88

 

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

CMYK 50 / 0 / 52 / 26

HEX #5FBD5A

RGB 95 189 90

HSL 116.97, 0.43%, 0.55%

LAB 69.16, -47.73, 41.28

 

CMYK 52 / 39 / 0 / 26

HEX #5A73BD

RGB 90 115 189

HSL 224.85, 0.43%, 0.55%

LAB 49.63, 12.18, -41.77

 

CMYK 3 / 52 / 0 / 26

HEX #B85ABD

RGB 184 90 189

HSL 296.97, 0.43%, 0.55%

LAB 53.14, 52, -35.62

 

CMYK 0 / 13 / 53 / 26

HEX #BDA459

RGB 189 164 89

HSL 45, 0.43%, 0.55%

LAB 68.09, -0.47, 41.91

 

CMYK 52 / 0 / 39 / 26

HEX #5ABD73

RGB 90 189 115

HSL 135.15, 0.43%, 0.55%

LAB 69.33, -45.29, 28.78

 

CMYK 52 / 39 / 0 / 26

HEX #5A73BD

RGB 90 115 189

HSL 224.85, 0.43%, 0.55%

LAB 49.63, 12.18, -41.77

 

CMYK 0 / 52 / 13 / 26

HEX #BD5AA4

RGB 189 90 164

HSL 315.15, 0.43%, 0.55%

LAB 52.74, 49.14, -21.65

 

Description

Color code: HEX #BDA459 | qconv.com Color code: HEX #BDA459 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 164 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 164 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 53 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 53% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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