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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C023 it is the complementary color #0A3FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C023 shade: #FAC01E, #FFD231, #FFE444, #FFF657 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C023 shade: #F5C023, #E4AE10, #D39C00, #C28A00 and #B17800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C023 shade: #F4BF23, #F48723, #F44F23 and #F42323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C023 shade: #F4BF23, #F1F423, #B8F423, #80F423 and #48F423

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C023 shade matches the following richer shades: #F4BF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C023 shade: #F4BF23, #E2B636, #CFAD48, #BCA45B and #AA9B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C023 shade: #F44D23, #F48523, #F4BC23, #F4F423 and #BCF423

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C023 shade: #BD8F08, #E4AD0A, #F4BF23, #F6CB4B and #F8D672

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C023 shade: #F5C023, #31F423 and #6923F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C023 shade: #F5C023, #23F4BC and #BC23F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C023 shade: #F5C023, #31F423, #235BF4 and #E623F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C023 shade: #F5C023, #23F454, #235BF4 and #F423C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

Complementary color

CMYK 95 / 71 / 0 / 14

HEX #0A3FDC

RGB 10 63 220

HSL 224.86, 0.91%, 0.45%

LAB 35.57, 46.83, -82.56

 

CMYK 0 / 23 / 88 / 2

HEX #FAC01E

RGB 250 192 30

HSL 44.18, 0.96%, 0.55%

LAB 80.8, 8.08, 78.63

 

CMYK 0 / 18 / 81 / 0

HEX #FFD231

RGB 255 210 49

HSL 46.89, 1%, 0.6%

LAB 85.79, 1.39, 78.22

 

CMYK 0 / 11 / 73 / 0

HEX #FFE444

RGB 255 228 68

HSL 51.34, 1%, 0.63%

LAB 90.4, -7.02, 76.45

 

CMYK 0 / 4 / 66 / 0

HEX #FFF657

RGB 255 246 87

HSL 56.79, 1%, 0.67%

LAB 95.1, -14.98, 74.24

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 0 / 24 / 93 / 11

HEX #E4AE10

RGB 228 174 16

HSL 44.72, 0.87%, 0.48%

LAB 74.06, 7.81, 75.03

 

CMYK 0 / 26 / 100 / 17

HEX #D39C00

RGB 211 156 0

HSL 44.36, 1%, 0.41%

LAB 67.74, 9.79, 71.73

 

CMYK 0 / 29 / 100 / 24

HEX #C28A00

RGB 194 138 0

HSL 42.68, 1%, 0.38%

LAB 61.35, 12.02, 66.48

 

CMYK 0 / 32 / 100 / 31

HEX #B17800

RGB 177 120 0

HSL 40.68, 1%, 0.35%

LAB 54.85, 14.34, 61.16

 

CMYK 0 / 22 / 86 / 4

HEX #F4BF23

RGB 244 191 35

HSL 44.78, 0.9%, 0.55%

LAB 79.96, 6.14, 76.58

 

CMYK 0 / 45 / 86 / 4

HEX #F48723

RGB 244 135 35

HSL 28.71, 0.9%, 0.55%

LAB 67.04, 35.42, 66.1

 

CMYK 0 / 68 / 86 / 4

HEX #F44F23

RGB 244 79 35

HSL 12.63, 0.9%, 0.55%

LAB 57.02, 61.21, 57.92

 

CMYK 0 / 86 / 86 / 4

HEX #F42323

RGB 244 35 35

HSL 0, 0.9%, 0.55%

LAB 52.46, 73.94, 54.18

 

CMYK 0 / 22 / 86 / 4

HEX #F4BF23

RGB 244 191 35

HSL 44.78, 0.9%, 0.55%

LAB 79.96, 6.14, 76.58

 

CMYK 1 / 0 / 86 / 4

HEX #F1F423

RGB 241 244 35

HSL 60.86, 0.9%, 0.55%

LAB 93.24, -21.66, 87.22

 

CMYK 25 / 0 / 86 / 4

HEX #B8F423

RGB 184 244 35

HSL 77.22, 0.9%, 0.55%

LAB 89.4, -44.27, 82.47

 

CMYK 48 / 0 / 86 / 4

HEX #80F423

RGB 128 244 35

HSL 93.3, 0.9%, 0.55%

LAB 86.71, -63.21, 79.11

 

CMYK 70 / 0 / 86 / 4

HEX #48F423

RGB 72 244 35

HSL 109.38, 0.9%, 0.55%

LAB 85.1, -76.28, 77.09

 

CMYK 0 / 22 / 86 / 4

HEX #F4BF23

RGB 244 191 35

HSL 44.78, 0.9%, 0.55%

LAB 79.96, 6.14, 76.58

 

CMYK 0 / 22 / 86 / 4

HEX #F4BF23

RGB 244 191 35

HSL 44.78, 0.9%, 0.55%

LAB 79.96, 6.14, 76.58

 

CMYK 0 / 19 / 76 / 11

HEX #E2B636

RGB 226 182 54

HSL 44.65, 0.75%, 0.55%

LAB 76, 3.7, 66.76

 

CMYK 0 / 16 / 65 / 19

HEX #CFAD48

RGB 207 173 72

HSL 44.89, 0.58%, 0.55%

LAB 71.97, 1.17, 54.88

 

CMYK 0 / 13 / 52 / 26

HEX #BCA45B

RGB 188 164 91

HSL 45.15, 0.42%, 0.55%

LAB 68.02, -0.71, 40.79

 

CMYK 0 / 9 / 35 / 33

HEX #AA9B6E

RGB 170 155 110

HSL 45, 0.26%, 0.55%

LAB 64.25, -1.33, 25.63

 

CMYK 0 / 68 / 86 / 4

HEX #F44D23

RGB 244 77 35

HSL 12.06, 0.9%, 0.55%

LAB 56.74, 61.97, 57.7

 

CMYK 0 / 45 / 86 / 4

HEX #F48523

RGB 244 133 35

HSL 28.13, 0.9%, 0.55%

LAB 66.62, 36.45, 65.75

 

CMYK 0 / 23 / 86 / 4

HEX #F4BC23

RGB 244 188 35

HSL 43.92, 0.9%, 0.55%

LAB 79.23, 7.7, 75.98

 

CMYK 0 / 0 / 86 / 4

HEX #F4F423

RGB 244 244 35

HSL 60, 0.9%, 0.55%

LAB 93.47, -20.42, 87.5

 

CMYK 23 / 0 / 86 / 4

HEX #BCF423

RGB 188 244 35

HSL 76.08, 0.9%, 0.55%

LAB 89.63, -42.76, 82.76

 

CMYK 0 / 24 / 96 / 26

HEX #BD8F08

RGB 189 143 8

HSL 44.75, 0.92%, 0.39%

LAB 62.07, 7.13, 65.52

 

CMYK 0 / 24 / 96 / 11

HEX #E4AD0A

RGB 228 173 10

HSL 44.86, 0.92%, 0.47%

LAB 73.81, 8.27, 75.62

 

CMYK 0 / 22 / 86 / 4

HEX #F4BF23

RGB 244 191 35

HSL 44.78, 0.9%, 0.55%

LAB 79.96, 6.14, 76.58

 

CMYK 0 / 17 / 70 / 4

HEX #F6CB4B

RGB 246 203 75

HSL 44.91, 0.9%, 0.63%

LAB 83.34, 2.21, 66.66

 

CMYK 0 / 14 / 54 / 3

HEX #F8D672

RGB 248 214 114

HSL 44.78, 0.91%, 0.71%

LAB 86.63, -0.09, 53.16

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 80 / 0 / 86 / 4

HEX #31F423

RGB 49 244 35

HSL 115.98, 0.9%, 0.55%

LAB 84.73, -79.51, 76.62

 

CMYK 57 / 86 / 0 / 4

HEX #6923F4

RGB 105 35 244

HSL 260.1, 0.9%, 0.55%

LAB 39.13, 72.83, -90.15

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 86 / 0 / 23 / 4

HEX #23F4BC

RGB 35 244 188

HSL 163.92, 0.9%, 0.55%

LAB 86.35, -59.96, 13.77

 

CMYK 23 / 86 / 0 / 4

HEX #BC23F4

RGB 188 35 244

HSL 283.92, 0.9%, 0.55%

LAB 50.01, 82.75, -71.89

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 80 / 0 / 86 / 4

HEX #31F423

RGB 49 244 35

HSL 115.98, 0.9%, 0.55%

LAB 84.73, -79.51, 76.62

 

CMYK 86 / 63 / 0 / 4

HEX #235BF4

RGB 35 91 244

HSL 223.92, 0.9%, 0.55%

LAB 44.76, 39.23, -81.02

 

CMYK 6 / 86 / 0 / 4

HEX #E623F4

RGB 230 35 244

HSL 295.98, 0.9%, 0.55%

LAB 56.64, 89.34, -60.85

 

CMYK 0 / 22 / 86 / 4

HEX #F5C023

RGB 245 192 35

HSL 44.86, 0.91%, 0.55%

LAB 80.31, 6.04, 76.9

 

CMYK 86 / 0 / 66 / 4

HEX #23F454

RGB 35 244 84

HSL 134.07, 0.9%, 0.55%

LAB 84.84, -77.5, 61.63

 

CMYK 86 / 63 / 0 / 4

HEX #235BF4

RGB 35 91 244

HSL 223.92, 0.9%, 0.55%

LAB 44.76, 39.23, -81.02

 

CMYK 0 / 86 / 20 / 4

HEX #F423C3

RGB 244 35 195

HSL 314.07, 0.9%, 0.55%

LAB 56.46, 85.17, -33.2

 

Description

Color code: HEX #F5C023 | qconv.com Color code: HEX #F5C023 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 192 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 192 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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