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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5C33 it is the complementary color #43A3CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5C33 shade: #C15C2E, #D26E41, #E38054, #F49267 and #FFA47A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5C33 shade: #BC5C33, #AB4A20, #9A380D, #892600 and #781400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5C33 shade: #BC5C33, #BC3733 and #BC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5C33 shade: #BC5C33, #BC8133, #BCA633, #ADBC33 and #88BC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5C33 shade matches the following richer shades: #BC5C33, #CF5420 and #E24C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5C33 shade: #BC5C33, #A86446, #956B5A, #81736D and #6E7B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5C33 shade: #BC3355, #BC3533, #BC5A33, #BC7E33 and #BCA333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5C33 shade: #7B3C21, #9B4C2A, #BC5C33, #CD724B and #D68B6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5C33 shade: #BC5C33, #7ABC33 and #3343BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5C33 shade: #BC5C33, #33BC5A and #5A33BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5C33 shade: #BC5C33, #7ABC33, #3395BC and #7533BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5C33 shade: #BC5C33, #51BC33, #3395BC and #9E33BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

Complementary color

CMYK 67 / 20 / 0 / 20

HEX #43A3CC

RGB 67 163 204

HSL 197.96, 0.57%, 0.53%

LAB 63.13, -15.23, -29.22

 

CMYK 0 / 52 / 76 / 24

HEX #C15C2E

RGB 193 92 46

HSL 18.78, 0.62%, 0.47%

LAB 50.91, 37.48, 44.21

 

CMYK 0 / 48 / 69 / 18

HEX #D26E41

RGB 210 110 65

HSL 18.62, 0.62%, 0.54%

LAB 57.3, 35.84, 42.18

 

CMYK 0 / 44 / 63 / 11

HEX #E38054

RGB 227 128 84

HSL 18.46, 0.72%, 0.61%

LAB 63.68, 34.34, 40.22

 

CMYK 0 / 40 / 58 / 4

HEX #F49267

RGB 244 146 103

HSL 18.3, 0.87%, 0.68%

LAB 70.01, 32.97, 38.4

 

CMYK 0 / 36 / 52 / 0

HEX #FFA47A

RGB 255 164 122

HSL 18.95, 1%, 0.74%

LAB 75.59, 29.4, 35.68

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 57 / 81 / 33

HEX #AB4A20

RGB 171 74 32

HSL 18.13, 0.68%, 0.4%

LAB 43.74, 37.41, 42.76

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 72 / 100 / 46

HEX #892600

RGB 137 38 0

HSL 16.64, 1%, 0.27%

LAB 31.12, 40.61, 43.45

 

CMYK 0 / 83 / 100 / 53

HEX #781400

RGB 120 20 0

HSL 10, 1%, 0.24%

LAB 25.24, 41.33, 37.14

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 71 / 73 / 26

HEX #BC3733

RGB 188 55 51

HSL 1.75, 0.57%, 0.47%

LAB 43.75, 52.71, 33.49

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 31 / 73 / 26

HEX #BC8133

RGB 188 129 51

HSL 34.16, 0.57%, 0.47%

LAB 58.63, 15.64, 49.58

 

CMYK 0 / 12 / 73 / 26

HEX #BCA633

RGB 188 166 51

HSL 50.36, 0.57%, 0.47%

LAB 68.17, -4.51, 59.1

 

CMYK 8 / 0 / 73 / 26

HEX #ADBC33

RGB 173 188 51

HSL 66.57, 0.57%, 0.47%

LAB 72.95, -22.27, 63.29

 

CMYK 28 / 0 / 73 / 26

HEX #88BC33

RGB 136 188 51

HSL 82.77, 0.57%, 0.47%

LAB 70.48, -37.2, 60.04

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 59 / 85 / 19

HEX #CF5420

RGB 207 84 32

HSL 17.83, 0.73%, 0.47%

LAB 51.51, 46.25, 52

 

CMYK 0 / 66 / 95 / 11

HEX #E24C0C

RGB 226 76 12

HSL 17.94, 0.9%, 0.47%

LAB 53.35, 56.08, 61.39

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 40 / 58 / 34

HEX #A86446

RGB 168 100 70

HSL 18.37, 0.41%, 0.47%

LAB 49.35, 24.42, 28.57

 

CMYK 0 / 28 / 40 / 42

HEX #956B5A

RGB 149 107 90

HSL 17.29, 0.25%, 0.47%

LAB 49.06, 14.45, 16.15

 

CMYK 0 / 11 / 16 / 49

HEX #81736D

RGB 129 115 109

HSL 18, 0.08%, 0.47%

LAB 49.54, 4.35, 5.29

 

CMYK 15 / 5 / 0 / 49

HEX #6E7B81

RGB 110 123 129

HSL 198.95, 0.08%, 0.47%

LAB 50.76, -3.46, -4.9

 

CMYK 0 / 73 / 55 / 26

HEX #BC3355

RGB 188 51 85

HSL 345.11, 0.57%, 0.47%

LAB 43.82, 56.25, 12.91

 

CMYK 0 / 72 / 73 / 26

HEX #BC3533

RGB 188 53 51

HSL 0.88, 0.57%, 0.47%

LAB 43.47, 53.46, 33.18

 

CMYK 0 / 52 / 73 / 26

HEX #BC5A33

RGB 188 90 51

HSL 17.08, 0.57%, 0.47%

LAB 49.79, 36.75, 40.24

 

CMYK 0 / 33 / 73 / 26

HEX #BC7E33

RGB 188 126 51

HSL 32.85, 0.57%, 0.47%

LAB 57.9, 17.3, 48.83

 

CMYK 0 / 13 / 73 / 26

HEX #BCA333

RGB 188 163 51

HSL 49.05, 0.57%, 0.47%

LAB 67.37, -2.92, 58.32

 

CMYK 0 / 51 / 73 / 52

HEX #7B3C21

RGB 123 60 33

HSL 18, 0.58%, 0.31%

LAB 33.03, 25.16, 28.73

 

CMYK 0 / 51 / 73 / 39

HEX #9B4C2A

RGB 155 76 42

HSL 18.05, 0.57%, 0.39%

LAB 41.7, 30.35, 34.73

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 0 / 44 / 63 / 20

HEX #CD724B

RGB 205 114 75

HSL 18, 0.57%, 0.55%

LAB 57.58, 32.35, 37.01

 

CMYK 0 / 35 / 50 / 16

HEX #D68B6B

RGB 214 139 107

HSL 17.94, 0.57%, 0.63%

LAB 64.82, 25.13, 28.87

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 35 / 0 / 73 / 26

HEX #7ABC33

RGB 122 188 51

HSL 88.91, 0.57%, 0.47%

LAB 69.71, -42.37, 59.02

 

CMYK 73 / 64 / 0 / 26

HEX #3343BC

RGB 51 67 188

HSL 232.99, 0.57%, 0.47%

LAB 34.7, 35.39, -65.36

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 73 / 0 / 52 / 26

HEX #33BC5A

RGB 51 188 90

HSL 137.08, 0.57%, 0.47%

LAB 67.58, -57.07, 39.06

 

CMYK 52 / 73 / 0 / 26

HEX #5A33BC

RGB 90 51 188

HSL 257.08, 0.57%, 0.47%

LAB 34.34, 50.05, -65.84

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 35 / 0 / 73 / 26

HEX #7ABC33

RGB 122 188 51

HSL 88.91, 0.57%, 0.47%

LAB 69.71, -42.37, 59.02

 

CMYK 73 / 21 / 0 / 26

HEX #3395BC

RGB 51 149 188

HSL 197.08, 0.57%, 0.47%

LAB 57.87, -15.25, -28.4

 

CMYK 38 / 73 / 0 / 26

HEX #7533BC

RGB 117 51 188

HSL 268.91, 0.57%, 0.47%

LAB 37.45, 54.61, -60.63

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C33

RGB 188 92 51

HSL 17.96, 0.57%, 0.47%

LAB 50.2, 35.72, 40.69

 

CMYK 57 / 0 / 73 / 26

HEX #51BC33

RGB 81 188 51

HSL 106.86, 0.57%, 0.47%

LAB 67.99, -55.14, 56.73

 

CMYK 73 / 21 / 0 / 26

HEX #3395BC

RGB 51 149 188

HSL 197.08, 0.57%, 0.47%

LAB 57.87, -15.25, -28.4

 

CMYK 16 / 73 / 0 / 26

HEX #9E33BC

RGB 158 51 188

HSL 286.86, 0.57%, 0.47%

LAB 43.16, 62.59, -51.11

 

Description

Color code: HEX #BC5C33 | qconv.com Color code: HEX #BC5C33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 92 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 92 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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