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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A380D it is the complementary color #65C7F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A380D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A380D shade: #9F3808, #B04A1B, #C15C2E, #D26E41 and #E38054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A380D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A380D shade: #9A380D, #892600, #781400, #670200 and #560000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A380D shade: #9A380D, #9A120D and #9A0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A380D shade: #9A380D, #9A5E0D, #9A840D, #8A9A0D and #649A0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A380D shade matches the following richer shades: #9A380D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A380D shade: #9A380D, #8D3D1B, #7F4328, #714836 and #644D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A380D shade: #9A0D2E, #9A120D, #9A370D, #9A5D0D and #9A830D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A380D shade: #4E1C06, #742A0A, #9A380D, #C04610 and #E65414

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A380D shade: #9A380D, #549A0D and #0D1B9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A380D shade: #9A380D, #0D9A37 and #370D9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A380D shade: #9A380D, #549A0D, #0D709A and #540D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A380D shade: #9A380D, #299A0D, #0D709A and #7E0D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

Complementary color

CMYK 58 / 18 / 0 / 5

HEX #65C7F2

RGB 101 199 242

HSL 198.3, 0.84%, 0.67%

LAB 76.08, -16.63, -29.94

 

CMYK 0 / 65 / 95 / 38

HEX #9F3808

RGB 159 56 8

HSL 19.07, 0.9%, 0.33%

LAB 38.23, 40.92, 46.97

 

CMYK 0 / 58 / 85 / 31

HEX #B04A1B

RGB 176 74 27

HSL 18.93, 0.73%, 0.4%

LAB 44.53, 39.21, 46.07

 

CMYK 0 / 52 / 76 / 24

HEX #C15C2E

RGB 193 92 46

HSL 18.78, 0.62%, 0.47%

LAB 50.91, 37.48, 44.21

 

CMYK 0 / 48 / 69 / 18

HEX #D26E41

RGB 210 110 65

HSL 18.62, 0.62%, 0.54%

LAB 57.3, 35.84, 42.18

 

CMYK 0 / 44 / 63 / 11

HEX #E38054

RGB 227 128 84

HSL 18.46, 0.72%, 0.61%

LAB 63.68, 34.34, 40.22

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 72 / 100 / 46

HEX #892600

RGB 137 38 0

HSL 16.64, 1%, 0.27%

LAB 31.12, 40.61, 43.45

 

CMYK 0 / 83 / 100 / 53

HEX #781400

RGB 120 20 0

HSL 10, 1%, 0.24%

LAB 25.24, 41.33, 37.14

 

CMYK 0 / 98 / 100 / 60

HEX #670200

RGB 103 2 0

HSL 1.17, 1%, 0.2%

LAB 19.75, 40.65, 30.2

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 88 / 92 / 40

HEX #9A120D

RGB 154 18 13

HSL 2.13, 0.84%, 0.33%

LAB 32.55, 52.35, 40.76

 

CMYK 0 / 92 / 92 / 40

HEX #9A0D0D

RGB 154 13 13

HSL 0, 0.84%, 0.33%

LAB 32.23, 53.27, 40.53

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 39 / 92 / 40

HEX #9A5E0D

RGB 154 94 13

HSL 34.47, 0.84%, 0.33%

LAB 45.5, 18.82, 50.43

 

CMYK 0 / 14 / 92 / 40

HEX #9A840D

RGB 154 132 13

HSL 50.64, 0.84%, 0.33%

LAB 55.48, -2.76, 58.14

 

CMYK 10 / 0 / 92 / 40

HEX #8A9A0D

RGB 138 154 13

HSL 66.81, 0.84%, 0.33%

LAB 60.38, -21.71, 61.4

 

CMYK 35 / 0 / 92 / 40

HEX #649A0D

RGB 100 154 13

HSL 82.98, 0.84%, 0.33%

LAB 57.89, -37.44, 58.36

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 57 / 81 / 45

HEX #8D3D1B

RGB 141 61 27

HSL 17.89, 0.68%, 0.33%

LAB 36.14, 31.9, 36.15

 

CMYK 0 / 47 / 69 / 50

HEX #7F4328

RGB 127 67 40

HSL 18.62, 0.52%, 0.33%

LAB 35.36, 23.33, 27.51

 

CMYK 0 / 36 / 52 / 56

HEX #714836

RGB 113 72 54

HSL 18.31, 0.35%, 0.33%

LAB 34.83, 15.33, 17.99

 

CMYK 0 / 23 / 33 / 61

HEX #644D43

RGB 100 77 67

HSL 18.18, 0.2%, 0.33%

LAB 34.85, 8.07, 9.64

 

CMYK 0 / 92 / 70 / 40

HEX #9A0D2E

RGB 154 13 46

HSL 345.96, 0.84%, 0.33%

LAB 32.6, 54.34, 21.64

 

CMYK 0 / 88 / 92 / 40

HEX #9A120D

RGB 154 18 13

HSL 2.13, 0.84%, 0.33%

LAB 32.55, 52.35, 40.76

 

CMYK 0 / 64 / 92 / 40

HEX #9A370D

RGB 154 55 13

HSL 17.87, 0.84%, 0.33%

LAB 37.17, 39.59, 44.14

 

CMYK 0 / 40 / 92 / 40

HEX #9A5D0D

RGB 154 93 13

HSL 34.04, 0.84%, 0.33%

LAB 45.26, 19.39, 50.24

 

CMYK 0 / 15 / 92 / 40

HEX #9A830D

RGB 154 131 13

HSL 50.21, 0.84%, 0.33%

LAB 55.21, -2.21, 57.92

 

CMYK 0 / 64 / 92 / 69

HEX #4E1C06

RGB 78 28 6

HSL 18.33, 0.86%, 0.16%

LAB 17.75, 22.28, 24.05

 

CMYK 0 / 64 / 91 / 55

HEX #742A0A

RGB 116 42 10

HSL 18.11, 0.84%, 0.25%

LAB 27.82, 31.02, 35.07

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 0 / 64 / 92 / 25

HEX #C04610

RGB 192 70 16

HSL 18.41, 0.85%, 0.41%

LAB 46.48, 46.83, 52.92

 

CMYK 0 / 63 / 91 / 10

HEX #E65414

RGB 230 84 20

HSL 18.29, 0.84%, 0.49%

LAB 55.29, 54.23, 60.88

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 45 / 0 / 92 / 40

HEX #549A0D

RGB 84 154 13

HSL 89.79, 0.84%, 0.33%

LAB 57.1, -43.19, 57.37

 

CMYK 92 / 82 / 0 / 40

HEX #0D1B9A

RGB 13 27 154

HSL 234.04, 0.84%, 0.33%

LAB 20.84, 44.53, -67.85

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 92 / 0 / 64 / 40

HEX #0D9A37

RGB 13 154 55

HSL 137.87, 0.84%, 0.33%

LAB 55.56, -54.76, 41.42

 

CMYK 64 / 92 / 0 / 40

HEX #370D9A

RGB 55 13 154

HSL 257.87, 0.84%, 0.33%

LAB 21.7, 52.45, -66.34

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 45 / 0 / 92 / 40

HEX #549A0D

RGB 84 154 13

HSL 89.79, 0.84%, 0.33%

LAB 57.1, -43.19, 57.37

 

CMYK 92 / 27 / 0 / 40

HEX #0D709A

RGB 13 112 154

HSL 197.87, 0.84%, 0.33%

LAB 44.24, -10.29, -30

 

CMYK 45 / 92 / 0 / 40

HEX #540D9A

RGB 84 13 154

HSL 270.21, 0.84%, 0.33%

LAB 25.28, 55.2, -60.31

 

CMYK 0 / 64 / 92 / 40

HEX #9A380D

RGB 154 56 13

HSL 18.3, 0.84%, 0.33%

LAB 37.35, 39.12, 44.28

 

CMYK 73 / 0 / 92 / 40

HEX #299A0D

RGB 41 154 13

HSL 108.09, 0.84%, 0.33%

LAB 55.7, -54.48, 55.63

 

CMYK 92 / 27 / 0 / 40

HEX #0D709A

RGB 13 112 154

HSL 197.87, 0.84%, 0.33%

LAB 44.24, -10.29, -30

 

CMYK 18 / 92 / 0 / 40

HEX #7E0D9A

RGB 126 13 154

HSL 288.09, 0.84%, 0.33%

LAB 31.94, 61.04, -49.16

 

Description

Color code: HEX #9A380D | qconv.com Color code: HEX #9A380D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 56 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 56 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 92 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 92% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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