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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC58D9 it is the complementary color #43A726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC58D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC58D9 shade: #C158D4, #D26AE7, #E37CFA, #F48EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC58D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC58D9 shade: #BC58D9, #AB46C6, #9A34B3, #8922A0 and #78108D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC58D9 shade: #BC58D9, #D958D3, #D958B0, #D9588E and #D9586B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC58D9 shade: #BC58D9, #9958D9, #7758D9 and #5858D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC58D9 shade matches the following richer shades: #BC58D9, #C548E9 and #CE37FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC58D9 shade: #BC58D9, #B369C8, #AA79B8, #A18AA7 and #989A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC58D9 shade: #7658D9, #9958D9, #BB58D9, #D958D4 and #D958B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC58D9 shade: #9629B6, #AE37D1, #BC58D9, #C97AE0 and #D79BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC58D9 shade: #BC58D9, #D9585D and #58D987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC58D9 shade: #BC58D9, #D9BB58 and #58D9BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC58D9 shade: #BC58D9, #D9585D, #76D958 and #58D9D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC58D9 shade: #BC58D9, #D97B58, #76D958 and #58B6D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

Complementary color

CMYK 60 / 0 / 77 / 35

HEX #43A726

RGB 67 167 38

HSL 106.51, 0.63%, 0.4%

LAB 60.76, -52.01, 53.94

 

CMYK 9 / 58 / 0 / 17

HEX #C158D4

RGB 193 88 212

HSL 290.81, 0.59%, 0.59%

LAB 55.14, 59.62, -45.54

 

CMYK 9 / 54 / 0 / 9

HEX #D26AE7

RGB 210 106 231

HSL 289.92, 0.72%, 0.66%

LAB 61.46, 59.11, -46.09

 

CMYK 9 / 50 / 0 / 2

HEX #E37CFA

RGB 227 124 250

HSL 289.05, 0.93%, 0.73%

LAB 67.76, 58.48, -46.53

 

CMYK 4 / 44 / 0 / 0

HEX #F48EFF

RGB 244 142 255

HSL 294.16, 1%, 0.78%

LAB 73.41, 55.18, -40.26

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 14 / 65 / 0 / 22

HEX #AB46C6

RGB 171 70 198

HSL 287.34, 0.53%, 0.53%

LAB 48.41, 59.68, -48.42

 

CMYK 14 / 71 / 0 / 30

HEX #9A34B3

RGB 154 52 179

HSL 288.19, 0.55%, 0.45%

LAB 42.12, 59.64, -47.51

 

CMYK 14 / 79 / 0 / 37

HEX #8922A0

RGB 137 34 160

HSL 289.05, 0.65%, 0.38%

LAB 35.99, 58.92, -46.17

 

CMYK 15 / 89 / 0 / 45

HEX #78108D

RGB 120 16 141

HSL 289.92, 0.8%, 0.31%

LAB 30.12, 57.06, -44.14

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 0 / 59 / 3 / 15

HEX #D958D3

RGB 217 88 211

HSL 302.79, 0.63%, 0.6%

LAB 58.45, 65.5, -39.54

 

CMYK 0 / 59 / 19 / 15

HEX #D958B0

RGB 217 88 176

HSL 319.07, 0.63%, 0.6%

LAB 56.94, 60.1, -21.84

 

CMYK 0 / 59 / 35 / 15

HEX #D9588E

RGB 217 88 142

HSL 334.88, 0.63%, 0.6%

LAB 55.77, 55.69, -3.76

 

CMYK 0 / 59 / 51 / 15

HEX #D9586B

RGB 217 88 107

HSL 351.16, 0.63%, 0.6%

LAB 54.86, 52.13, 15.59

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 29 / 59 / 0 / 15

HEX #9958D9

RGB 153 88 217

HSL 270.23, 0.63%, 0.6%

LAB 50.41, 50.95, -56.23

 

CMYK 45 / 59 / 0 / 15

HEX #7758D9

RGB 119 88 217

HSL 254.42, 0.63%, 0.6%

LAB 46.86, 43.42, -62.14

 

CMYK 59 / 59 / 0 / 15

HEX #5858D9

RGB 88 88 217

HSL 240, 0.63%, 0.6%

LAB 44.32, 37.57, -66.36

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 15 / 69 / 0 / 9

HEX #C548E9

RGB 197 72 233

HSL 286.58, 0.79%, 0.6%

LAB 54.44, 71.25, -58.5

 

CMYK 18 / 78 / 0 / 2

HEX #CE37FA

RGB 206 55 250

HSL 286.46, 0.95%, 0.6%

LAB 54.82, 81.75, -67.32

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 11 / 48 / 0 / 22

HEX #B369C8

RGB 179 105 200

HSL 286.74, 0.46%, 0.6%

LAB 55.94, 45.07, -37.57

 

CMYK 8 / 34 / 0 / 28

HEX #AA79B8

RGB 170 121 184

HSL 286.67, 0.31%, 0.6%

LAB 57.73, 30.26, -25.73

 

CMYK 4 / 17 / 0 / 35

HEX #A18AA7

RGB 161 138 167

HSL 287.59, 0.14%, 0.6%

LAB 60.38, 14.08, -12.09

 

CMYK 1 / 0 / 2 / 40

HEX #989A97

RGB 152 154 151

HSL 100, 0.01%, 0.6%

LAB 63.36, -1.3, 1.31

 

CMYK 46 / 59 / 0 / 15

HEX #7658D9

RGB 118 88 217

HSL 253.95, 0.63%, 0.6%

LAB 46.76, 43.22, -62.29

 

CMYK 29 / 59 / 0 / 15

HEX #9958D9

RGB 153 88 217

HSL 270.23, 0.63%, 0.6%

LAB 50.41, 50.95, -56.23

 

CMYK 14 / 59 / 0 / 15

HEX #BB58D9

RGB 187 88 217

HSL 286.05, 0.63%, 0.6%

LAB 54.61, 59.1, -49.28

 

CMYK 0 / 59 / 2 / 15

HEX #D958D4

RGB 217 88 212

HSL 302.33, 0.63%, 0.6%

LAB 58.49, 65.66, -40.03

 

CMYK 0 / 59 / 18 / 15

HEX #D958B2

RGB 217 88 178

HSL 318.14, 0.63%, 0.6%

LAB 57.02, 60.38, -22.87

 

CMYK 18 / 77 / 0 / 29

HEX #9629B6

RGB 150 41 182

HSL 286.38, 0.63%, 0.44%

LAB 40.32, 63.35, -52.21

 

CMYK 17 / 74 / 0 / 18

HEX #AE37D1

RGB 174 55 209

HSL 286.36, 0.63%, 0.52%

LAB 47.41, 68.36, -56.33

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 10 / 46 / 0 / 12

HEX #C97AE0

RGB 201 122 224

HSL 286.47, 0.62%, 0.68%

LAB 63.11, 47.26, -39.68

 

CMYK 7 / 33 / 0 / 9

HEX #D79BE8

RGB 215 155 232

HSL 286.75, 0.63%, 0.76%

LAB 72.04, 35.43, -30.11

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 0 / 59 / 57 / 15

HEX #D9585D

RGB 217 88 93

HSL 357.67, 0.63%, 0.6%

LAB 54.58, 51.01, 23.44

 

CMYK 59 / 0 / 38 / 15

HEX #58D987

RGB 88 217 135

HSL 141.86, 0.63%, 0.6%

LAB 78.14, -53.61, 30.05

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 0 / 14 / 59 / 15

HEX #D9BB58

RGB 217 187 88

HSL 46.05, 0.63%, 0.6%

LAB 76.68, -0.89, 53.08

 

CMYK 59 / 0 / 14 / 15

HEX #58D9BB

RGB 88 217 187

HSL 166.05, 0.63%, 0.6%

LAB 79.21, -42.66, 4.2

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 0 / 59 / 57 / 15

HEX #D9585D

RGB 217 88 93

HSL 357.67, 0.63%, 0.6%

LAB 54.58, 51.01, 23.44

 

CMYK 46 / 0 / 59 / 15

HEX #76D958

RGB 118 217 88

HSL 106.05, 0.63%, 0.6%

LAB 78.57, -52.52, 53.49

 

CMYK 59 / 0 / 2 / 15

HEX #58D9D4

RGB 88 217 212

HSL 177.67, 0.63%, 0.6%

LAB 79.87, -36.31, -8.17

 

CMYK 13 / 59 / 0 / 15

HEX #BC58D9

RGB 188 88 217

HSL 286.51, 0.63%, 0.6%

LAB 54.74, 59.35, -49.06

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 46 / 0 / 59 / 15

HEX #76D958

RGB 118 217 88

HSL 106.05, 0.63%, 0.6%

LAB 78.57, -52.52, 53.49

 

CMYK 59 / 16 / 0 / 15

HEX #58B6D9

RGB 88 182 217

HSL 196.28, 0.63%, 0.6%

LAB 69.85, -17.65, -25.99

 

Description

Color code: HEX #BC58D9 | qconv.com Color code: HEX #BC58D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 88 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 88 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 59 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 59% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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