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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97B58 it is the complementary color #2684A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97B58 shade: #DE7B53, #EF8D66, #FF9F79, #FFB18C and #FFC39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97B58 shade: #D97B58, #C86945, #B75732, #A6451F and #95330C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97B58 shade: #D97B58, #D95858 and #D95858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97B58 shade: #D97B58, #D99E58, #D9C058, #CED958 and #ACD958

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97B58 shade matches the following richer shades: #D97B58, #E97448 and #FA6C37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97B58 shade: #D97B58, #C88369, #B88A79, #A7928A and #97999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97B58 shade: #D9587B, #D95858, #D97B58, #D99D58 and #D9BF58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97B58 shade: #B64F29, #D16137, #D97B58, #E0967A and #E8B09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97B58 shade: #D97B58, #9DD958 and #5869D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97B58 shade: #D97B58, #58D97B and #7B58D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97B58 shade: #D97B58, #9DD958, #58B6D9 and #9458D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97B58 shade: #D97B58, #76D958, #58B6D9 and #BB58D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

Complementary color

CMYK 77 / 21 / 0 / 35

HEX #2684A7

RGB 38 132 167

HSL 196.28, 0.63%, 0.4%

LAB 51.5, -14.73, -26.28

 

CMYK 0 / 45 / 63 / 13

HEX #DE7B53

RGB 222 123 83

HSL 17.27, 0.68%, 0.6%

LAB 61.93, 34.91, 38.49

 

CMYK 0 / 41 / 57 / 6

HEX #EF8D66

RGB 239 141 102

HSL 17.08, 0.81%, 0.67%

LAB 68.28, 33.54, 36.64

 

CMYK 0 / 38 / 53 / 0

HEX #FF9F79

RGB 255 159 121

HSL 17.01, 1%, 0.74%

LAB 74.47, 31.92, 34.77

 

CMYK 0 / 31 / 45 / 0

HEX #FFB18C

RGB 255 177 140

HSL 19.3, 1%, 0.77%

LAB 78.81, 24.26, 30.36

 

CMYK 0 / 24 / 38 / 0

HEX #FFC39F

RGB 255 195 159

HSL 22.5, 1%, 0.81%

LAB 83.33, 16.86, 26.39

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 48 / 66 / 22

HEX #C86945

RGB 200 105 69

HSL 16.49, 0.54%, 0.53%

LAB 54.88, 34.71, 36.88

 

CMYK 0 / 52 / 73 / 28

HEX #B75732

RGB 183 87 50

HSL 16.69, 0.57%, 0.46%

LAB 48.4, 36.27, 39.03

 

CMYK 0 / 58 / 81 / 35

HEX #A6451F

RGB 166 69 31

HSL 16.89, 0.69%, 0.39%

LAB 41.94, 37.92, 41.24

 

CMYK 0 / 66 / 92 / 42

HEX #95330C

RGB 149 51 12

HSL 17.08, 0.85%, 0.32%

LAB 35.56, 39.54, 42.91

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 59 / 59 / 15

HEX #D95858

RGB 217 88 88

HSL 0, 0.63%, 0.6%

LAB 54.49, 50.65, 26.23

 

CMYK 0 / 59 / 59 / 15

HEX #D95858

RGB 217 88 88

HSL 0, 0.63%, 0.6%

LAB 54.49, 50.65, 26.23

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 27 / 59 / 15

HEX #D99E58

RGB 217 158 88

HSL 32.56, 0.63%, 0.6%

LAB 69.41, 14.53, 44.67

 

CMYK 0 / 12 / 59 / 15

HEX #D9C058

RGB 217 192 88

HSL 48.37, 0.63%, 0.6%

LAB 77.97, -3.49, 54.53

 

CMYK 5 / 0 / 59 / 15

HEX #CED958

RGB 206 217 88

HSL 65.12, 0.63%, 0.6%

LAB 83.68, -20.64, 60.62

 

CMYK 21 / 0 / 59 / 15

HEX #ACD958

RGB 172 217 88

HSL 80.93, 0.63%, 0.6%

LAB 81.35, -34.02, 57.38

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 50 / 69 / 9

HEX #E97448

RGB 233 116 72

HSL 16.4, 0.79%, 0.6%

LAB 61.9, 42.09, 44.63

 

CMYK 0 / 57 / 78 / 2

HEX #FA6C37

RGB 250 108 55

HSL 16.31, 0.95%, 0.6%

LAB 62.78, 51.5, 54.71

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 35 / 48 / 22

HEX #C88369

RGB 200 131 105

HSL 16.42, 0.46%, 0.6%

LAB 61.25, 23.65, 24.97

 

CMYK 0 / 25 / 34 / 28

HEX #B88A79

RGB 184 138 121

HSL 16.19, 0.31%, 0.6%

LAB 61.44, 15.17, 15.92

 

CMYK 0 / 13 / 17 / 35

HEX #A7928A

RGB 167 146 138

HSL 16.55, 0.14%, 0.6%

LAB 62.18, 6.48, 7.11

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 0 / 59 / 43 / 15

HEX #D9587B

RGB 217 88 123

HSL 343.72, 0.63%, 0.6%

LAB 55.24, 53.63, 6.67

 

CMYK 0 / 59 / 59 / 15

HEX #D95858

RGB 217 88 88

HSL 0, 0.63%, 0.6%

LAB 54.49, 50.65, 26.23

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 28 / 59 / 15

HEX #D99D58

RGB 217 157 88

HSL 32.09, 0.63%, 0.6%

LAB 69.16, 15.07, 44.39

 

CMYK 0 / 12 / 59 / 15

HEX #D9BF58

RGB 217 191 88

HSL 47.91, 0.63%, 0.6%

LAB 77.71, -2.98, 54.24

 

CMYK 0 / 57 / 77 / 29

HEX #B64F29

RGB 182 79 41

HSL 16.17, 0.63%, 0.44%

LAB 46.57, 39.53, 41.72

 

CMYK 0 / 54 / 74 / 18

HEX #D16137

RGB 209 97 55

HSL 16.36, 0.63%, 0.52%

LAB 54.43, 41.56, 44.13

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 0 / 33 / 46 / 12

HEX #E0967A

RGB 224 150 122

HSL 16.47, 0.62%, 0.68%

LAB 68.8, 24.65, 26.11

 

CMYK 0 / 24 / 33 / 9

HEX #E8B09B

RGB 232 176 155

HSL 16.36, 0.63%, 0.76%

LAB 76.42, 17.59, 18.67

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 28 / 0 / 59 / 15

HEX #9DD958

RGB 157 217 88

HSL 87.91, 0.63%, 0.6%

LAB 80.46, -39.59, 56.14

 

CMYK 59 / 52 / 0 / 15

HEX #5869D9

RGB 88 105 217

HSL 232.09, 0.63%, 0.6%

LAB 48.5, 27.13, -59.61

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 59 / 0 / 43 / 15

HEX #58D97B

RGB 88 217 123

HSL 136.28, 0.63%, 0.6%

LAB 77.95, -55.64, 35.89

 

CMYK 43 / 59 / 0 / 15

HEX #7B58D9

RGB 123 88 217

HSL 256.28, 0.63%, 0.6%

LAB 47.24, 44.26, -61.5

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 28 / 0 / 59 / 15

HEX #9DD958

RGB 157 217 88

HSL 87.91, 0.63%, 0.6%

LAB 80.46, -39.59, 56.14

 

CMYK 59 / 16 / 0 / 15

HEX #58B6D9

RGB 88 182 217

HSL 196.28, 0.63%, 0.6%

LAB 69.85, -17.65, -25.99

 

CMYK 32 / 59 / 0 / 15

HEX #9458D9

RGB 148 88 217

HSL 267.91, 0.63%, 0.6%

LAB 49.84, 49.8, -57.17

 

CMYK 0 / 43 / 59 / 15

HEX #D97B58

RGB 217 123 88

HSL 16.28, 0.63%, 0.6%

LAB 61.33, 33.28, 34.9

 

CMYK 46 / 0 / 59 / 15

HEX #76D958

RGB 118 217 88

HSL 106.05, 0.63%, 0.6%

LAB 78.57, -52.52, 53.49

 

CMYK 59 / 16 / 0 / 15

HEX #58B6D9

RGB 88 182 217

HSL 196.28, 0.63%, 0.6%

LAB 69.85, -17.65, -25.99

 

CMYK 14 / 59 / 0 / 15

HEX #BB58D9

RGB 187 88 217

HSL 286.05, 0.63%, 0.6%

LAB 54.61, 59.1, -49.28

 

Description

Color code: HEX #D97B58 | qconv.com Color code: HEX #D97B58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 123 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 123 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 59 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 59% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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