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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC0BB4 it is the complementary color #43F44B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC0BB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC0BB4 shade: #C10BAF, #D21DC2, #E32FD5, #F441E8 and #FF53FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC0BB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC0BB4 shade: #BC0BB4, #AB00A1, #9A008E, #89007B and #780068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC0BB4 shade: #BB0AB3, #BB0A84, #BB0A54, #BB0A24 and #BB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC0BB4 shade: #BB0AB3, #940ABB, #640ABB, #340ABB and #0A0ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC0BB4 shade matches the following richer shades: #BB0AB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC0BB4 shade: #BB0AB3, #AB1BA5, #9B2B96, #8B3B88 and #7B4B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC0BB4 shade: #630ABB, #920ABB, #BB0AB6, #BB0A86 and #BB0A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC0BB4 shade: #6D0669, #94088E, #BB0AB3, #E20DD9 and #F226E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC0BB4 shade: #BC0BB4, #BB340A and #0ABB7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC0BB4 shade: #BC0BB4, #B6BB0A and #0AB6BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC0BB4 shade: #BC0BB4, #BB340A, #0ABB10 and #0A92BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC0BB4 shade: #BC0BB4, #BB690A, #0ABB10 and #0A5DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

Complementary color

CMYK 73 / 0 / 69 / 4

HEX #43F44B

RGB 67 244 75

HSL 122.71, 0.89%, 0.61%

LAB 85.2, -74.67, 65.58

 

CMYK 0 / 94 / 9 / 24

HEX #C10BAF

RGB 193 11 175

HSL 305.93, 0.89%, 0.4%

LAB 45.18, 76.15, -39.89

 

CMYK 0 / 86 / 8 / 18

HEX #D21DC2

RGB 210 29 194

HSL 305.3, 0.76%, 0.47%

LAB 50.07, 79.5, -43.09

 

CMYK 0 / 79 / 6 / 11

HEX #E32FD5

RGB 227 47 213

HSL 304.67, 0.76%, 0.54%

LAB 55.24, 81.75, -45.62

 

CMYK 0 / 73 / 5 / 4

HEX #F441E8

RGB 244 65 232

HSL 304.02, 0.89%, 0.61%

LAB 60.64, 83.17, -47.64

 

CMYK 0 / 67 / 2 / 0

HEX #FF53FB

RGB 255 83 251

HSL 301.4, 1%, 0.66%

LAB 65.29, 82.66, -50.73

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

CMYK 0 / 100 / 6 / 33

HEX #AB00A1

RGB 171 0 161

HSL 303.51, 1%, 0.34%

LAB 39.97, 71.36, -40.07

 

CMYK 0 / 100 / 8 / 40

HEX #9A008E

RGB 154 0 142

HSL 304.68, 1%, 0.3%

LAB 35.64, 65.65, -35.57

 

CMYK 0 / 100 / 10 / 46

HEX #89007B

RGB 137 0 123

HSL 306.13, 1%, 0.27%

LAB 31.23, 59.81, -30.94

 

CMYK 0 / 100 / 13 / 53

HEX #780068

RGB 120 0 104

HSL 308, 1%, 0.24%

LAB 26.71, 53.84, -26.14

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

CMYK 0 / 95 / 29 / 27

HEX #BB0A84

RGB 187 10 132

HSL 318.64, 0.9%, 0.39%

LAB 41.92, 69.71, -19.12

 

CMYK 0 / 95 / 55 / 27

HEX #BB0A54

RGB 187 10 84

HSL 334.92, 0.9%, 0.39%

LAB 40.28, 65.34, 8.58

 

CMYK 0 / 95 / 81 / 27

HEX #BB0A24

RGB 187 10 36

HSL 351.19, 0.9%, 0.39%

LAB 39.43, 62.98, 37.44

 

CMYK 0 / 95 / 95 / 27

HEX #BB0A0A

RGB 187 10 10

HSL 0, 0.9%, 0.39%

LAB 39.25, 62.48, 49.73

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

CMYK 21 / 95 / 0 / 27

HEX #940ABB

RGB 148 10 187

HSL 286.78, 0.9%, 0.39%

LAB 38.02, 70.8, -58.9

 

CMYK 47 / 95 / 0 / 27

HEX #640ABB

RGB 100 10 187

HSL 270.51, 0.9%, 0.39%

LAB 30.67, 64.96, -71.23

 

CMYK 72 / 95 / 0 / 27

HEX #340ABB

RGB 52 10 187

HSL 254.24, 0.9%, 0.39%

LAB 25.37, 61.57, -80.19

 

CMYK 95 / 95 / 0 / 27

HEX #0A0ABB

RGB 10 10 187

HSL 240, 0.9%, 0.39%

LAB 23.24, 60.48, -83.8

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

CMYK 0 / 84 / 4 / 33

HEX #AB1BA5

RGB 171 27 165

HSL 302.5, 0.73%, 0.39%

LAB 41.47, 68.23, -40.08

 

CMYK 0 / 72 / 3 / 39

HEX #9B2B96

RGB 155 43 150

HSL 302.68, 0.57%, 0.39%

LAB 39.41, 58, -34.48

 

CMYK 0 / 58 / 2 / 45

HEX #8B3B88

RGB 139 59 136

HSL 302.25, 0.4%, 0.39%

LAB 38.54, 44.7, -27.48

 

CMYK 0 / 39 / 2 / 52

HEX #7B4B79

RGB 123 75 121

HSL 302.5, 0.24%, 0.39%

LAB 38.94, 28.1, -17.81

 

CMYK 47 / 95 / 0 / 27

HEX #630ABB

RGB 99 10 187

HSL 270.17, 0.9%, 0.39%

LAB 30.54, 64.86, -71.46

 

CMYK 22 / 95 / 0 / 27

HEX #920ABB

RGB 146 10 187

HSL 286.1, 0.9%, 0.39%

LAB 37.69, 70.52, -59.46

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 0 / 95 / 28 / 27

HEX #BB0A86

RGB 187 10 134

HSL 317.97, 0.9%, 0.39%

LAB 42, 69.93, -20.22

 

CMYK 0 / 95 / 53 / 27

HEX #BB0A57

RGB 187 10 87

HSL 333.9, 0.9%, 0.39%

LAB 40.36, 65.55, 6.78

 

CMYK 0 / 94 / 4 / 57

HEX #6D0669

RGB 109 6 105

HSL 302.33, 0.9%, 0.23%

LAB 24.96, 50.7, -29.71

 

CMYK 0 / 95 / 4 / 42

HEX #94088E

RGB 148 8 142

HSL 302.57, 0.9%, 0.31%

LAB 34.85, 63.54, -36.9

 

CMYK 0 / 95 / 4 / 27

HEX #BB0AB3

RGB 187 10 179

HSL 302.71, 0.9%, 0.39%

LAB 44.29, 75.74, -43.75

 

CMYK 0 / 94 / 4 / 11

HEX #E20DD9

RGB 226 13 217

HSL 302.54, 0.89%, 0.47%

LAB 53.46, 87.5, -50.76

 

CMYK 0 / 84 / 4 / 5

HEX #F226E9

RGB 242 38 233

HSL 302.65, 0.89%, 0.55%

LAB 58.18, 89.26, -52.13

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

CMYK 0 / 72 / 95 / 27

HEX #BB340A

RGB 187 52 10

HSL 14.24, 0.9%, 0.39%

LAB 42.83, 52.38, 51.87

 

CMYK 95 / 0 / 34 / 27

HEX #0ABB7B

RGB 10 187 123

HSL 158.31, 0.9%, 0.39%

LAB 67.3, -54.55, 21.56

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

CMYK 3 / 0 / 95 / 27

HEX #B6BB0A

RGB 182 187 10

HSL 61.69, 0.9%, 0.39%

LAB 73.22, -19.12, 73.28

 

CMYK 95 / 3 / 0 / 27

HEX #0AB6BB

RGB 10 182 187

HSL 181.69, 0.9%, 0.39%

LAB 67.36, -35.47, -13.42

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

CMYK 0 / 72 / 95 / 27

HEX #BB340A

RGB 187 52 10

HSL 14.24, 0.9%, 0.39%

LAB 42.83, 52.38, 51.87

 

CMYK 95 / 0 / 91 / 27

HEX #0ABB10

RGB 10 187 16

HSL 122.03, 0.9%, 0.39%

LAB 66.25, -67.43, 63.95

 

CMYK 95 / 22 / 0 / 27

HEX #0A92BB

RGB 10 146 187

HSL 193.9, 0.9%, 0.39%

LAB 56.3, -17.37, -30.33

 

CMYK 0 / 94 / 4 / 26

HEX #BC0BB4

RGB 188 11 180

HSL 302.71, 0.89%, 0.39%

LAB 44.56, 75.97, -43.9

 

CMYK 0 / 44 / 95 / 27

HEX #BB690A

RGB 187 105 10

HSL 32.2, 0.9%, 0.39%

LAB 52.61, 27.18, 58.35

 

CMYK 95 / 0 / 91 / 27

HEX #0ABB10

RGB 10 187 16

HSL 122.03, 0.9%, 0.39%

LAB 66.25, -67.43, 63.95

 

CMYK 95 / 50 / 0 / 27

HEX #0A5DBB

RGB 10 93 187

HSL 211.86, 0.9%, 0.39%

LAB 40.38, 14.66, -55.58

 

Description

Color code: HEX #BC0BB4 | qconv.com Color code: HEX #BC0BB4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 11 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 11 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 4 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 4% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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