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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB0AB6 it is the complementary color #44F549. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB0AB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB0AB6 shade: #C00AB1, #D11CC4, #E22ED7, #F340EA and #FF52FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB0AB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB0AB6 shade: #BB0AB6, #AA00A3, #990090, #88007D and #77006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB0AB6 shade: #BC09B7, #BC0987, #BC0957, #BC0927 and #BC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB0AB6 shade: #BC09B7, #9109BC, #6109BC, #3109BC and #0909BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB0AB6 shade matches the following richer shades: #BC09B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB0AB6 shade: #BC09B7, #AC1AA8, #9C2A99, #8C3A8A and #7C4A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB0AB6 shade: #6009BC, #9009BC, #BC09B9, #BC098A and #BC095A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB0AB6 shade: #6E056B, #950791, #BC09B7, #E40CDE and #F325ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB0AB6 shade: #BB0AB6, #BC3009 and #09BC78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB0AB6 shade: #BB0AB6, #B9BC09 and #09B9BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB0AB6 shade: #BB0AB6, #BC3009, #09BC0C and #0996BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB0AB6 shade: #BB0AB6, #BC6609, #09BC0C and #0960BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

Complementary color

CMYK 72 / 0 / 70 / 4

HEX #44F549

RGB 68 245 73

HSL 121.69, 0.9%, 0.61%

LAB 85.51, -74.99, 66.64

 

CMYK 0 / 95 / 8 / 25

HEX #C00AB1

RGB 192 10 177

HSL 304.95, 0.9%, 0.4%

LAB 45.08, 76.34, -41.25

 

CMYK 0 / 87 / 6 / 18

HEX #D11CC4

RGB 209 28 196

HSL 304.31, 0.76%, 0.46%

LAB 49.94, 79.77, -44.46

 

CMYK 0 / 80 / 5 / 11

HEX #E22ED7

RGB 226 46 215

HSL 303.67, 0.76%, 0.53%

LAB 55.1, 82.08, -47

 

CMYK 0 / 74 / 4 / 5

HEX #F340EA

RGB 243 64 234

HSL 303.02, 0.88%, 0.6%

LAB 60.48, 83.55, -49.02

 

CMYK 0 / 68 / 1 / 0

HEX #FF52FD

RGB 255 82 253

HSL 300.69, 1%, 0.66%

LAB 65.27, 83.31, -51.86

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 0 / 100 / 4 / 33

HEX #AA00A3

RGB 170 0 163

HSL 302.47, 1%, 0.33%

LAB 39.9, 71.48, -41.39

 

CMYK 0 / 100 / 6 / 40

HEX #990090

RGB 153 0 144

HSL 303.53, 1%, 0.3%

LAB 35.57, 65.76, -36.93

 

CMYK 0 / 100 / 8 / 47

HEX #88007D

RGB 136 0 125

HSL 304.85, 1%, 0.27%

LAB 31.15, 59.92, -32.34

 

CMYK 0 / 100 / 11 / 53

HEX #77006A

RGB 119 0 106

HSL 306.55, 1%, 0.23%

LAB 26.63, 53.94, -27.58

 

CMYK 0 / 95 / 3 / 26

HEX #BC09B7

RGB 188 9 183

HSL 301.68, 0.91%, 0.39%

LAB 44.67, 76.59, -45.48

 

CMYK 0 / 95 / 28 / 26

HEX #BC0987

RGB 188 9 135

HSL 317.77, 0.91%, 0.39%

LAB 42.21, 70.35, -20.51

 

CMYK 0 / 95 / 54 / 26

HEX #BC0957

RGB 188 9 87

HSL 333.85, 0.91%, 0.39%

LAB 40.53, 65.89, 7.05

 

CMYK 0 / 95 / 79 / 26

HEX #BC0927

RGB 188 9 39

HSL 349.94, 0.91%, 0.39%

LAB 39.64, 63.43, 35.98

 

CMYK 0 / 95 / 95 / 26

HEX #BC0909

RGB 188 9 9

HSL 0, 0.91%, 0.39%

LAB 39.42, 62.83, 50.29

 

CMYK 0 / 95 / 3 / 26

HEX #BC09B7

RGB 188 9 183

HSL 301.68, 0.91%, 0.39%

LAB 44.67, 76.59, -45.48

 

CMYK 23 / 95 / 0 / 26

HEX #9109BC

RGB 145 9 188

HSL 285.59, 0.91%, 0.39%

LAB 37.56, 70.68, -60.26

 

CMYK 48 / 95 / 0 / 26

HEX #6109BC

RGB 97 9 188

HSL 269.5, 0.91%, 0.39%

LAB 30.32, 65.05, -72.42

 

CMYK 74 / 95 / 0 / 26

HEX #3109BC

RGB 49 9 188

HSL 253.41, 0.91%, 0.39%

LAB 25.2, 61.9, -81.07

 

CMYK 95 / 95 / 0 / 26

HEX #0909BC

RGB 9 9 188

HSL 240, 0.91%, 0.39%

LAB 23.29, 60.96, -84.31

 

CMYK 0 / 95 / 3 / 26

HEX #BC09B7

RGB 188 9 183

HSL 301.68, 0.91%, 0.39%

LAB 44.67, 76.59, -45.48

 

CMYK 0 / 95 / 3 / 26

HEX #BC09B7

RGB 188 9 183

HSL 301.68, 0.91%, 0.39%

LAB 44.67, 76.59, -45.48

 

CMYK 0 / 85 / 2 / 33

HEX #AC1AA8

RGB 172 26 168

HSL 301.64, 0.74%, 0.39%

LAB 41.75, 69.09, -41.42

 

CMYK 0 / 73 / 2 / 39

HEX #9C2A99

RGB 156 42 153

HSL 301.58, 0.58%, 0.39%

LAB 39.62, 59.07, -35.95

 

CMYK 0 / 59 / 1 / 45

HEX #8C3A8A

RGB 140 58 138

HSL 301.46, 0.41%, 0.39%

LAB 38.61, 45.84, -28.58

 

CMYK 0 / 40 / 1 / 51

HEX #7C4A7B

RGB 124 74 123

HSL 301.2, 0.25%, 0.39%

LAB 38.92, 29.43, -19.06

 

CMYK 49 / 95 / 0 / 26

HEX #6009BC

RGB 96 9 188

HSL 269.16, 0.91%, 0.39%

LAB 30.19, 64.96, -72.64

 

CMYK 23 / 95 / 0 / 26

HEX #9009BC

RGB 144 9 188

HSL 285.25, 0.91%, 0.39%

LAB 37.4, 70.54, -60.54

 

CMYK 0 / 95 / 2 / 26

HEX #BC09B9

RGB 188 9 185

HSL 301.01, 0.91%, 0.39%

LAB 44.79, 76.88, -46.47

 

CMYK 0 / 95 / 27 / 26

HEX #BC098A

RGB 188 9 138

HSL 316.76, 0.91%, 0.39%

LAB 42.34, 70.69, -22.14

 

CMYK 0 / 95 / 52 / 26

HEX #BC095A

RGB 188 9 90

HSL 332.85, 0.91%, 0.39%

LAB 40.61, 66.11, 5.26

 

CMYK 0 / 95 / 3 / 57

HEX #6E056B

RGB 110 5 107

HSL 301.71, 0.91%, 0.23%

LAB 25.21, 51.41, -30.59

 

CMYK 0 / 95 / 3 / 42

HEX #950791

RGB 149 7 145

HSL 301.69, 0.91%, 0.31%

LAB 35.17, 64.31, -38.22

 

CMYK 0 / 95 / 3 / 26

HEX #BC09B7

RGB 188 9 183

HSL 301.68, 0.91%, 0.39%

LAB 44.67, 76.59, -45.48

 

CMYK 0 / 95 / 3 / 11

HEX #E40CDE

RGB 228 12 222

HSL 301.67, 0.9%, 0.47%

LAB 54.06, 88.61, -52.62

 

CMYK 0 / 85 / 2 / 5

HEX #F325ED

RGB 243 37 237

HSL 301.75, 0.9%, 0.55%

LAB 58.5, 90.18, -53.84

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 0 / 74 / 95 / 26

HEX #BC3009

RGB 188 48 9

HSL 13.07, 0.91%, 0.39%

LAB 42.5, 54.13, 52.05

 

CMYK 95 / 0 / 36 / 26

HEX #09BC78

RGB 9 188 120

HSL 157.21, 0.91%, 0.39%

LAB 67.56, -55.59, 23.51

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 2 / 0 / 95 / 26

HEX #B9BC09

RGB 185 188 9

HSL 61.01, 0.91%, 0.39%

LAB 73.74, -18.34, 73.88

 

CMYK 95 / 2 / 0 / 26

HEX #09B9BC

RGB 9 185 188

HSL 181.01, 0.91%, 0.39%

LAB 68.3, -36.58, -12.55

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 0 / 74 / 95 / 26

HEX #BC3009

RGB 188 48 9

HSL 13.07, 0.91%, 0.39%

LAB 42.5, 54.13, 52.05

 

CMYK 95 / 0 / 94 / 26

HEX #09BC0C

RGB 9 188 12

HSL 121.01, 0.91%, 0.39%

LAB 66.56, -67.87, 64.79

 

CMYK 95 / 20 / 0 / 26

HEX #0996BC

RGB 9 150 188

HSL 192.74, 0.91%, 0.39%

LAB 57.56, -19.2, -28.94

 

CMYK 0 / 95 / 3 / 27

HEX #BB0AB6

RGB 187 10 182

HSL 301.69, 0.9%, 0.39%

LAB 44.46, 76.18, -45.24

 

CMYK 0 / 46 / 95 / 26

HEX #BC6609

RGB 188 102 9

HSL 31.17, 0.91%, 0.39%

LAB 52.08, 29.21, 58.24

 

CMYK 95 / 0 / 94 / 26

HEX #09BC0C

RGB 9 188 12

HSL 121.01, 0.91%, 0.39%

LAB 66.56, -67.87, 64.79

 

CMYK 95 / 49 / 0 / 26

HEX #0960BC

RGB 9 96 188

HSL 210.84, 0.91%, 0.39%

LAB 41.3, 13.06, -54.67

 

Description

Color code: HEX #BB0AB6 | qconv.com Color code: HEX #BB0AB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 10 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 10 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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