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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB872E it is the complementary color #4478D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB872E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB872E shade: #C08729, #D1993C, #E2AB4F, #F3BD62 and #FFCF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB872E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB872E shade: #BB872E, #AA751B, #996308, #885100 and #773F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB872E shade: #BC882D, #BC612D, #BC3A2D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB872E shade: #BC882D, #BCAE2D, #A4BC2D, #7DBC2D and #57BC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB872E shade matches the following richer shades: #BC882D, #CF8D1A and #E29207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB872E shade: #BC882D, #A98340, #967E53, #837966 and #707479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB872E shade: #BC392D, #BC5F2D, #BC852D, #BCAC2D and #A7BC2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB872E shade: #7A581D, #9B7025, #BC882D, #D19C42 and #D9AD63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB872E shade: #BB872E, #47BC2D and #4C2DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB872E shade: #BB872E, #2DBC85 and #852DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB872E shade: #BB872E, #47BC2D, #2D64BC and #A22DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB872E shade: #BB872E, #2DBC3E, #2D64BC and #BC2DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

Complementary color

CMYK 67 / 43 / 0 / 18

HEX #4478D1

RGB 68 120 209

HSL 217.87, 0.61%, 0.54%

LAB 51, 11.61, -51.11

 

CMYK 0 / 30 / 79 / 25

HEX #C08729

RGB 192 135 41

HSL 37.35, 0.65%, 0.46%

LAB 60.51, 13.65, 55.75

 

CMYK 0 / 27 / 71 / 18

HEX #D1993C

RGB 209 153 60

HSL 37.45, 0.62%, 0.53%

LAB 67.02, 12.09, 55

 

CMYK 0 / 24 / 65 / 11

HEX #E2AB4F

RGB 226 171 79

HSL 37.55, 0.72%, 0.6%

LAB 73.45, 10.76, 53.88

 

CMYK 0 / 22 / 60 / 5

HEX #F3BD62

RGB 243 189 98

HSL 37.66, 0.86%, 0.67%

LAB 79.8, 9.6, 52.63

 

CMYK 0 / 19 / 54 / 0

HEX #FFCF75

RGB 255 207 117

HSL 39.13, 1%, 0.73%

LAB 85.59, 6.58, 50.64

 

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

CMYK 0 / 31 / 84 / 33

HEX #AA751B

RGB 170 117 27

HSL 37.76, 0.73%, 0.39%

LAB 53.33, 13.37, 53.39

 

CMYK 0 / 35 / 95 / 40

HEX #996308

RGB 153 99 8

HSL 37.66, 0.9%, 0.32%

LAB 46.6, 15.41, 52.38

 

CMYK 0 / 40 / 100 / 47

HEX #885100

RGB 136 81 0

HSL 35.74, 1%, 0.27%

LAB 39.78, 17.81, 48.7

 

CMYK 0 / 47 / 100 / 53

HEX #773F00

RGB 119 63 0

HSL 31.76, 1%, 0.23%

LAB 32.87, 20.46, 43.1

 

CMYK 0 / 28 / 76 / 26

HEX #BC882D

RGB 188 136 45

HSL 38.18, 0.61%, 0.46%

LAB 60.33, 11.5, 53.84

 

CMYK 0 / 48 / 76 / 26

HEX #BC612D

RGB 188 97 45

HSL 21.82, 0.61%, 0.46%

LAB 51.19, 32.83, 44.75

 

CMYK 0 / 69 / 76 / 26

HEX #BC3A2D

RGB 188 58 45

HSL 5.45, 0.61%, 0.46%

LAB 44.1, 51.29, 37.3

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 28 / 76 / 26

HEX #BC882D

RGB 188 136 45

HSL 38.18, 0.61%, 0.46%

LAB 60.33, 11.5, 53.84

 

CMYK 0 / 7 / 76 / 26

HEX #BCAE2D

RGB 188 174 45

HSL 54.13, 0.61%, 0.46%

LAB 70.28, -8.98, 63.25

 

CMYK 13 / 0 / 76 / 26

HEX #A4BC2D

RGB 164 188 45

HSL 70.07, 0.61%, 0.46%

LAB 72.26, -26.31, 64.4

 

CMYK 34 / 0 / 76 / 26

HEX #7DBC2D

RGB 125 188 45

HSL 86.43, 0.61%, 0.46%

LAB 69.84, -41.64, 61.25

 

CMYK 54 / 0 / 76 / 26

HEX #57BC2D

RGB 87 188 45

HSL 102.38, 0.61%, 0.46%

LAB 68.15, -53.95, 59.04

 

CMYK 0 / 28 / 76 / 26

HEX #BC882D

RGB 188 136 45

HSL 38.18, 0.61%, 0.46%

LAB 60.33, 11.5, 53.84

 

CMYK 0 / 32 / 87 / 19

HEX #CF8D1A

RGB 207 141 26

HSL 38.12, 0.78%, 0.46%

LAB 63.66, 16.51, 64.05

 

CMYK 0 / 35 / 97 / 11

HEX #E29207

RGB 226 146 7

HSL 38.08, 0.94%, 0.46%

LAB 67.08, 21.76, 71.17

 

CMYK 0 / 28 / 76 / 26

HEX #BC882D

RGB 188 136 45

HSL 38.18, 0.61%, 0.46%

LAB 60.33, 11.5, 53.84

 

CMYK 0 / 22 / 62 / 34

HEX #A98340

RGB 169 131 64

HSL 38.29, 0.45%, 0.46%

LAB 57.11, 6.94, 41.1

 

CMYK 0 / 16 / 45 / 41

HEX #967E53

RGB 150 126 83

HSL 38.51, 0.29%, 0.46%

LAB 54.06, 3.14, 26.81

 

CMYK 0 / 8 / 22 / 49

HEX #837966

RGB 131 121 102

HSL 39.31, 0.12%, 0.46%

LAB 51.22, 0.52, 11.81

 

CMYK 7 / 4 / 0 / 53

HEX #707479

RGB 112 116 121

HSL 213.33, 0.04%, 0.46%

LAB 48.66, -0.45, -3.28

 

CMYK 0 / 70 / 76 / 26

HEX #BC392D

RGB 188 57 45

HSL 5.03, 0.61%, 0.46%

LAB 43.95, 51.68, 37.15

 

CMYK 0 / 49 / 76 / 26

HEX #BC5F2D

RGB 188 95 45

HSL 20.98, 0.61%, 0.46%

LAB 50.76, 33.88, 44.32

 

CMYK 0 / 29 / 76 / 26

HEX #BC852D

RGB 188 133 45

HSL 36.92, 0.61%, 0.46%

LAB 59.58, 13.15, 53.11

 

CMYK 0 / 9 / 76 / 26

HEX #BCAC2D

RGB 188 172 45

HSL 53.29, 0.61%, 0.46%

LAB 69.74, -7.94, 62.75

 

CMYK 11 / 0 / 76 / 26

HEX #A7BC2D

RGB 167 188 45

HSL 68.81, 0.61%, 0.46%

LAB 72.48, -25.06, 64.67

 

CMYK 0 / 28 / 76 / 52

HEX #7A581D

RGB 122 88 29

HSL 38.06, 0.62%, 0.3%

LAB 39.92, 7.94, 38.05

 

CMYK 0 / 28 / 76 / 39

HEX #9B7025

RGB 155 112 37

HSL 38.14, 0.61%, 0.38%

LAB 50.32, 9.75, 46.12

 

CMYK 0 / 28 / 76 / 26

HEX #BC882D

RGB 188 136 45

HSL 38.18, 0.61%, 0.46%

LAB 60.33, 11.5, 53.84

 

CMYK 0 / 25 / 68 / 18

HEX #D19C42

RGB 209 156 66

HSL 37.76, 0.61%, 0.54%

LAB 67.82, 10.79, 53.17

 

CMYK 0 / 20 / 54 / 15

HEX #D9AD63

RGB 217 173 99

HSL 37.63, 0.61%, 0.62%

LAB 73.25, 7.34, 43.74

 

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

CMYK 62 / 0 / 76 / 26

HEX #47BC2D

RGB 71 188 45

HSL 109.09, 0.61%, 0.46%

LAB 67.65, -58.01, 58.37

 

CMYK 60 / 76 / 0 / 26

HEX #4C2DBC

RGB 76 45 188

HSL 253.01, 0.61%, 0.46%

LAB 31.91, 51.09, -69.88

 

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

CMYK 76 / 0 / 29 / 26

HEX #2DBC85

RGB 45 188 133

HSL 156.92, 0.61%, 0.46%

LAB 68.18, -49.93, 17.44

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

CMYK 62 / 0 / 76 / 26

HEX #47BC2D

RGB 71 188 45

HSL 109.09, 0.61%, 0.46%

LAB 67.65, -58.01, 58.37

 

CMYK 76 / 47 / 0 / 26

HEX #2D64BC

RGB 45 100 188

HSL 216.92, 0.61%, 0.46%

LAB 43.22, 13.24, -51.55

 

CMYK 14 / 76 / 0 / 26

HEX #A22DBC

RGB 162 45 188

HSL 289.09, 0.61%, 0.46%

LAB 43.05, 65.49, -51.26

 

CMYK 0 / 28 / 75 / 27

HEX #BB872E

RGB 187 135 46

HSL 37.87, 0.61%, 0.46%

LAB 59.97, 11.65, 53.04

 

CMYK 76 / 0 / 67 / 26

HEX #2DBC3E

RGB 45 188 62

HSL 127.13, 0.61%, 0.46%

LAB 67.18, -61.47, 51.34

 

CMYK 76 / 47 / 0 / 26

HEX #2D64BC

RGB 45 100 188

HSL 216.92, 0.61%, 0.46%

LAB 43.22, 13.24, -51.55

 

CMYK 0 / 76 / 9 / 26

HEX #BC2DAC

RGB 188 45 172

HSL 306.71, 0.61%, 0.46%

LAB 46.37, 68.23, -36.29

 

Description

Color code: HEX #BB872E | qconv.com Color code: HEX #BB872E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 135 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 135 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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