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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #852DBC it is the complementary color #7AD243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #852DBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #852DBC shade: #8A2DB7, #9B3FCA, #AC51DD, #BD63F0 and #CE75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #852DBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #852DBC shade: #852DBC, #741BA9, #630996, #520083 and #410070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #852DBC shade: #852DBC, #AC2DBC, #BC2DA6, #BC2D80 and #BC2D59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #852DBC shade: #852DBC, #5F2DBC, #382DBC and #2D2DBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #852DBC shade matches the following richer shades: #852DBC, #8A1ACF and #8E07E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #852DBC shade: #852DBC, #8140A9, #7D5396, #786683 and #747970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #852DBC shade: #372DBC, #5D2DBC, #832DBC, #A92DBC and #BC2DA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #852DBC shade: #561D7A, #6E259B, #852DBC, #9A42D1 and #AC63D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #852DBC shade: #852DBC, #BC2D4A and #2DBC4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #852DBC shade: #852DBC, #BC832D and #2DBC83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #852DBC shade: #852DBC, #BC2D4A, #66BC2D and #2DBCA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #852DBC shade: #852DBC, #BC3C2D, #66BC2D and #2DAEBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

Complementary color

CMYK 42 / 0 / 68 / 18

HEX #7AD243

RGB 122 210 67

HSL 96.92, 0.61%, 0.54%

LAB 76.46, -50.38, 59.95

 

CMYK 25 / 75 / 0 / 28

HEX #8A2DB7

RGB 138 45 183

HSL 280.43, 0.61%, 0.45%

LAB 39.07, 59.87, -54.92

 

CMYK 23 / 69 / 0 / 21

HEX #9B3FCA

RGB 155 63 202

HSL 279.71, 0.57%, 0.52%

LAB 45.34, 59.98, -55.77

 

CMYK 22 / 63 / 0 / 13

HEX #AC51DD

RGB 172 81 221

HSL 279, 0.67%, 0.59%

LAB 51.7, 59.65, -56.31

 

CMYK 21 / 59 / 0 / 6

HEX #BD63F0

RGB 189 99 240

HSL 278.3, 0.82%, 0.66%

LAB 58.07, 59.07, -56.66

 

CMYK 19 / 54 / 0 / 0

HEX #CE75FF

RGB 206 117 255

HSL 278.7, 1%, 0.73%

LAB 64.21, 57.52, -55.04

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 31 / 84 / 0 / 34

HEX #741BA9

RGB 116 27 169

HSL 277.61, 0.72%, 0.38%

LAB 32.62, 59.18, -57.21

 

CMYK 34 / 94 / 0 / 41

HEX #630996

RGB 99 9 150

HSL 278.3, 0.89%, 0.31%

LAB 26.88, 56.98, -55.14

 

CMYK 37 / 100 / 0 / 49

HEX #520083

RGB 82 0 131

HSL 277.56, 1%, 0.26%

LAB 21.7, 52.69, -51.89

 

CMYK 42 / 100 / 0 / 56

HEX #410070

RGB 65 0 112

HSL 274.82, 1%, 0.22%

LAB 16.96, 46.58, -47.61

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 9 / 76 / 0 / 26

HEX #AC2DBC

RGB 172 45 188

HSL 293.29, 0.61%, 0.46%

LAB 44.63, 67.47, -48.64

 

CMYK 0 / 76 / 12 / 26

HEX #BC2DA6

RGB 188 45 166

HSL 309.23, 0.61%, 0.46%

LAB 46.07, 67.35, -33.21

 

CMYK 0 / 76 / 32 / 26

HEX #BC2D80

RGB 188 45 128

HSL 325.17, 0.61%, 0.46%

LAB 44.41, 62.39, -12.84

 

CMYK 0 / 76 / 53 / 26

HEX #BC2D59

RGB 188 45 89

HSL 341.54, 0.61%, 0.46%

LAB 43.2, 58.58, 9.54

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 49 / 76 / 0 / 26

HEX #5F2DBC

RGB 95 45 188

HSL 260.98, 0.61%, 0.46%

LAB 33.86, 53.69, -66.6

 

CMYK 70 / 76 / 0 / 26

HEX #382DBC

RGB 56 45 188

HSL 244.62, 0.61%, 0.46%

LAB 30.27, 48.88, -72.63

 

CMYK 76 / 76 / 0 / 26

HEX #2D2DBC

RGB 45 45 188

HSL 240, 0.61%, 0.46%

LAB 29.58, 47.93, -73.81

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 33 / 87 / 0 / 19

HEX #8A1ACF

RGB 138 26 207

HSL 277.13, 0.78%, 0.46%

LAB 38.98, 70.54, -69.1

 

CMYK 37 / 97 / 0 / 11

HEX #8E07E2

RGB 142 7 226

HSL 276.99, 0.94%, 0.46%

LAB 40.24, 77.79, -77.96

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 24 / 62 / 0 / 34

HEX #8140A9

RGB 129 64 169

HSL 277.14, 0.45%, 0.46%

LAB 39.91, 46.38, -45.33

 

CMYK 17 / 45 / 0 / 41

HEX #7D5396

RGB 125 83 150

HSL 277.61, 0.29%, 0.46%

LAB 42.38, 30.37, -30.08

 

CMYK 8 / 22 / 0 / 49

HEX #786683

RGB 120 102 131

HSL 277.24, 0.12%, 0.46%

LAB 45.82, 12.99, -13.42

 

CMYK 4 / 0 / 7 / 53

HEX #747970

RGB 116 121 112

HSL 93.33, 0.04%, 0.46%

LAB 50.17, -3.68, 4.28

 

CMYK 71 / 76 / 0 / 26

HEX #372DBC

RGB 55 45 188

HSL 244.2, 0.61%, 0.46%

LAB 30.21, 48.79, -72.75

 

CMYK 51 / 76 / 0 / 26

HEX #5D2DBC

RGB 93 45 188

HSL 260.14, 0.61%, 0.46%

LAB 33.64, 53.4, -66.98

 

CMYK 30 / 76 / 0 / 26

HEX #832DBC

RGB 131 45 188

HSL 276.08, 0.61%, 0.46%

LAB 38.43, 59.64, -58.94

 

CMYK 10 / 76 / 0 / 26

HEX #A92DBC

RGB 169 45 188

HSL 292.03, 0.61%, 0.46%

LAB 44.15, 66.87, -49.43

 

CMYK 0 / 76 / 10 / 26

HEX #BC2DA9

RGB 188 45 169

HSL 307.97, 0.61%, 0.46%

LAB 46.22, 67.79, -34.75

 

CMYK 30 / 76 / 0 / 52

HEX #561D7A

RGB 86 29 122

HSL 276.77, 0.62%, 0.3%

LAB 24.52, 42.53, -41.55

 

CMYK 29 / 76 / 0 / 39

HEX #6E259B

RGB 110 37 155

HSL 277.12, 0.61%, 0.38%

LAB 31.82, 51.56, -50.08

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 26 / 68 / 0 / 18

HEX #9A42D1

RGB 154 66 209

HSL 276.92, 0.61%, 0.54%

LAB 46.14, 59.97, -58.53

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 76 / 61 / 26

HEX #BC2D4A

RGB 188 45 74

HSL 347.83, 0.61%, 0.46%

LAB 42.86, 57.49, 18.44

 

CMYK 76 / 0 / 61 / 26

HEX #2DBC4A

RGB 45 188 74

HSL 132.17, 0.61%, 0.46%

LAB 67.29, -60.13, 46.26

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 30 / 76 / 26

HEX #BC832D

RGB 188 131 45

HSL 36.08, 0.61%, 0.46%

LAB 59.08, 14.26, 52.63

 

CMYK 76 / 0 / 30 / 26

HEX #2DBC83

RGB 45 188 131

HSL 156.08, 0.61%, 0.46%

LAB 68.14, -50.37, 18.47

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 76 / 61 / 26

HEX #BC2D4A

RGB 188 45 74

HSL 347.83, 0.61%, 0.46%

LAB 42.86, 57.49, 18.44

 

CMYK 46 / 0 / 76 / 26

HEX #66BC2D

RGB 102 188 45

HSL 96.08, 0.61%, 0.46%

LAB 68.74, -49.5, 59.81

 

CMYK 76 / 0 / 15 / 26

HEX #2DBCA0

RGB 45 188 160

HSL 168.25, 0.61%, 0.46%

LAB 68.8, -43.4, 3.61

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 68 / 76 / 26

HEX #BC3C2D

RGB 188 60 45

HSL 6.29, 0.61%, 0.46%

LAB 44.39, 50.48, 37.62

 

CMYK 46 / 0 / 76 / 26

HEX #66BC2D

RGB 102 188 45

HSL 96.08, 0.61%, 0.46%

LAB 68.74, -49.5, 59.81

 

CMYK 76 / 7 / 0 / 26

HEX #2DAEBC

RGB 45 174 188

HSL 185.87, 0.61%, 0.46%

LAB 65.33, -28.93, -17

 

Description

Color code: HEX #852DBC | qconv.com Color code: HEX #852DBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 45 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 45 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 76 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 76% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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