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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB3692 it is the complementary color #44C96D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB3692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB3692 shade: #C0368D, #D148A0, #E25AB3, #F36CC6 and #FF7ED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB3692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB3692 shade: #BB3692, #AA247F, #99126C, #880059 and #770046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB3692 shade: #B93591, #B9356D, #B9354A and #B93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB3692 shade: #B93591, #B935B4, #9B35B9, #7735B9 and #5435B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB3692 shade matches the following richer shades: #B93591, #CD2298 and #E00F9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB3692 shade: #B93591, #A64989, #925C82, #7F707A and #6C8373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB3692 shade: #9B35B9, #B935B5, #B93592, #B9356F and #B9354B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB3692 shade: #79235F, #992C78, #B93591, #CB4DA4 and #D46DB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB3692 shade: #BB3692, #B97735 and #35B9AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB3692 shade: #BB3692, #92B935 and #3592B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB3692 shade: #BB3692, #B97735, #35B95D and #3577B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB3692 shade: #BB3692, #B99F35, #35B95D and #3550B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

Complementary color

CMYK 66 / 0 / 46 / 21

HEX #44C96D

RGB 68 201 109

HSL 138.5, 0.55%, 0.53%

LAB 72.3, -55.9, 35.58

 

CMYK 0 / 72 / 27 / 25

HEX #C0368D

RGB 192 54 141

HSL 322.17, 0.56%, 0.48%

LAB 46.67, 62.03, -17.25

 

CMYK 0 / 66 / 23 / 18

HEX #D148A0

RGB 209 72 160

HSL 321.46, 0.6%, 0.55%

LAB 52.65, 62.33, -19.18

 

CMYK 0 / 60 / 21 / 11

HEX #E25AB3

RGB 226 90 179

HSL 320.74, 0.7%, 0.62%

LAB 58.73, 62.2, -20.72

 

CMYK 0 / 56 / 19 / 5

HEX #F36CC6

RGB 243 108 198

HSL 320, 0.85%, 0.69%

LAB 64.85, 61.8, -21.98

 

CMYK 0 / 51 / 15 / 0

HEX #FF7ED9

RGB 255 126 217

HSL 317.67, 1%, 0.75%

LAB 70.31, 59.79, -24.11

 

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

CMYK 0 / 79 / 25 / 33

HEX #AA247F

RGB 170 36 127

HSL 319.25, 0.65%, 0.4%

LAB 40.15, 60.44, -19.04

 

CMYK 0 / 88 / 29 / 40

HEX #99126C

RGB 153 18 108

HSL 320, 0.79%, 0.34%

LAB 34.57, 58.43, -15.96

 

CMYK 0 / 100 / 35 / 47

HEX #880059

RGB 136 0 89

HSL 320.74, 1%, 0.27%

LAB 29.3, 55.27, -12.04

 

CMYK 0 / 100 / 41 / 53

HEX #770046

RGB 119 0 70

HSL 324.71, 1%, 0.23%

LAB 24.84, 49.41, -6.44

 

CMYK 0 / 71 / 22 / 27

HEX #B93591

RGB 185 53 145

HSL 318.18, 0.55%, 0.47%

LAB 45.5, 61.09, -21.56

 

CMYK 0 / 71 / 41 / 27

HEX #B9356D

RGB 185 53 109

HSL 334.55, 0.55%, 0.47%

LAB 44.18, 56.8, -1.55

 

CMYK 0 / 71 / 60 / 27

HEX #B9354A

RGB 185 53 74

HSL 350.45, 0.55%, 0.47%

LAB 43.29, 53.81, 18.92

 

CMYK 0 / 71 / 71 / 27

HEX #B93535

RGB 185 53 53

HSL 0, 0.55%, 0.47%

LAB 42.94, 52.59, 31.24

 

CMYK 0 / 71 / 22 / 27

HEX #B93591

RGB 185 53 145

HSL 318.18, 0.55%, 0.47%

LAB 45.5, 61.09, -21.56

 

CMYK 0 / 71 / 3 / 27

HEX #B935B4

RGB 185 53 180

HSL 302.27, 0.55%, 0.47%

LAB 47.18, 66.28, -39.76

 

CMYK 16 / 71 / 0 / 27

HEX #9B35B9

RGB 155 53 185

HSL 286.36, 0.55%, 0.47%

LAB 42.79, 60.63, -49.97

 

CMYK 36 / 71 / 0 / 27

HEX #7735B9

RGB 119 53 185

HSL 270, 0.55%, 0.47%

LAB 37.79, 53.34, -58.29

 

CMYK 55 / 71 / 0 / 27

HEX #5435B9

RGB 84 53 185

HSL 254.09, 0.55%, 0.47%

LAB 33.84, 47.22, -64.9

 

CMYK 0 / 71 / 22 / 27

HEX #B93591

RGB 185 53 145

HSL 318.18, 0.55%, 0.47%

LAB 45.5, 61.09, -21.56

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 0 / 93 / 29 / 12

HEX #E00F9F

RGB 224 15 159

HSL 318.66, 0.87%, 0.47%

LAB 50.33, 79.75, -21.93

 

CMYK 0 / 71 / 22 / 27

HEX #B93591

RGB 185 53 145

HSL 318.18, 0.55%, 0.47%

LAB 45.5, 61.09, -21.56

 

CMYK 0 / 56 / 17 / 35

HEX #A64989

RGB 166 73 137

HSL 318.71, 0.39%, 0.47%

LAB 45.19, 46.12, -17.47

 

CMYK 0 / 37 / 11 / 43

HEX #925C82

RGB 146 92 130

HSL 317.78, 0.23%, 0.47%

LAB 46.15, 28.08, -12.05

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 18 / 0 / 12 / 49

HEX #6C8373

RGB 108 131 115

HSL 138.26, 0.1%, 0.47%

LAB 52.57, -11.7, 5.9

 

CMYK 16 / 71 / 0 / 27

HEX #9B35B9

RGB 155 53 185

HSL 286.36, 0.55%, 0.47%

LAB 42.79, 60.63, -49.97

 

CMYK 0 / 71 / 2 / 27

HEX #B935B5

RGB 185 53 181

HSL 301.82, 0.55%, 0.47%

LAB 47.23, 66.44, -40.27

 

CMYK 0 / 71 / 21 / 27

HEX #B93592

RGB 185 53 146

HSL 317.73, 0.55%, 0.47%

LAB 45.55, 61.23, -22.09

 

CMYK 0 / 71 / 40 / 27

HEX #B9356F

RGB 185 53 111

HSL 333.64, 0.55%, 0.47%

LAB 44.24, 57.01, -2.69

 

CMYK 0 / 71 / 59 / 27

HEX #B9354B

RGB 185 53 75

HSL 350, 0.55%, 0.47%

LAB 43.31, 53.87, 18.33

 

CMYK 0 / 71 / 21 / 53

HEX #79235F

RGB 121 35 95

HSL 318.14, 0.55%, 0.31%

LAB 29.65, 43.55, -15.69

 

CMYK 0 / 71 / 22 / 40

HEX #992C78

RGB 153 44 120

HSL 318.17, 0.55%, 0.39%

LAB 37.72, 52.52, -18.69

 

CMYK 0 / 71 / 22 / 27

HEX #B93591

RGB 185 53 145

HSL 318.18, 0.55%, 0.47%

LAB 45.5, 61.09, -21.56

 

CMYK 0 / 62 / 19 / 20

HEX #CB4DA4

RGB 203 77 164

HSL 318.57, 0.55%, 0.55%

LAB 52.6, 59.18, -21.69

 

CMYK 0 / 49 / 15 / 17

HEX #D46DB4

RGB 212 109 180

HSL 318.64, 0.54%, 0.63%

LAB 60.1, 49.36, -19.39

 

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

CMYK 0 / 36 / 71 / 27

HEX #B97735

RGB 185 119 53

HSL 30, 0.55%, 0.47%

LAB 55.85, 19.98, 45.64

 

CMYK 71 / 0 / 7 / 27

HEX #35B9AC

RGB 53 185 172

HSL 174.09, 0.55%, 0.47%

LAB 68.34, -37.86, -3.63

 

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

CMYK 21 / 0 / 71 / 27

HEX #92B935

RGB 146 185 53

HSL 77.73, 0.55%, 0.47%

LAB 70.22, -31.8, 59.27

 

CMYK 71 / 21 / 0 / 27

HEX #3592B9

RGB 53 146 185

HSL 197.73, 0.55%, 0.47%

LAB 56.9, -14.34, -28.21

 

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

CMYK 0 / 36 / 71 / 27

HEX #B97735

RGB 185 119 53

HSL 30, 0.55%, 0.47%

LAB 55.85, 19.98, 45.64

 

CMYK 71 / 0 / 50 / 27

HEX #35B95D

RGB 53 185 93

HSL 138.18, 0.55%, 0.47%

LAB 66.71, -55.22, 36.5

 

CMYK 71 / 36 / 0 / 27

HEX #3577B9

RGB 53 119 185

HSL 210, 0.55%, 0.47%

LAB 48.83, 1.3, -40.85

 

CMYK 0 / 71 / 22 / 27

HEX #BB3692

RGB 187 54 146

HSL 318.5, 0.55%, 0.47%

LAB 46.01, 61.39, -21.34

 

CMYK 0 / 14 / 71 / 27

HEX #B99F35

RGB 185 159 53

HSL 48.18, 0.55%, 0.47%

LAB 66.03, -2, 56.12

 

CMYK 71 / 0 / 50 / 27

HEX #35B95D

RGB 53 185 93

HSL 138.18, 0.55%, 0.47%

LAB 66.71, -55.22, 36.5

 

CMYK 71 / 57 / 0 / 27

HEX #3550B9

RGB 53 80 185

HSL 227.73, 0.55%, 0.47%

LAB 37.84, 26.18, -58.48

 

Description

Color code: HEX #BB3692 | qconv.com Color code: HEX #BB3692 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 54 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 54 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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