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Color name
HEX #CD2298

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD2298 it is the complementary color #32DD67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD2298. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD2298 shade: #D22293, #E334A6, #F446B9, #FF58CC and #FF6ADF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD2298. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD2298 shade: #CD2298, #BC1085, #AB0072, #9A005F and #89004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD2298 shade: #CE2198, #CE216A, #CE213B and #CE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD2298 shade: #CE2198, #CE21C7, #A621CE, #7821CE and #4921CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD2298 shade matches the following richer shades: #CE2198 and #E10EA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD2298 shade: #CE2198, #BA3491, #A74889, #935B82 and #806F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD2298 shade: #A521CE, #CE21C8, #CE219A, #CE216C and #CE213E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD2298 shade: #871664, #AA1B7E, #CE2198, #DE3AAB and #E45DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD2298 shade: #CD2298, #CE7721 and #21CEBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD2298 shade: #CD2298, #9ACE21 and #219ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD2298 shade: #CD2298, #CE7721, #21CE55 and #2177CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD2298 shade: #CD2298, #CEAB21, #21CE55 and #2144CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

Complementary color

CMYK 77 / 0 / 53 / 13

HEX #32DD67

RGB 50 221 103

HSL 138.6, 0.72%, 0.53%

LAB 78.09, -66.58, 45.64

 

CMYK 0 / 84 / 30 / 18

HEX #D22293

RGB 210 34 147

HSL 321.48, 0.72%, 0.48%

LAB 48.2, 72.62, -18.24

 

CMYK 0 / 77 / 27 / 11

HEX #E334A6

RGB 227 52 166

HSL 320.91, 0.76%, 0.55%

LAB 53.54, 74.31, -21.09

 

CMYK 0 / 71 / 24 / 4

HEX #F446B9

RGB 244 70 185

HSL 320.34, 0.89%, 0.62%

LAB 59.08, 75.25, -23.38

 

CMYK 0 / 65 / 20 / 0

HEX #FF58CC

RGB 255 88 204

HSL 318.32, 1%, 0.67%

LAB 63.83, 74.12, -26.76

 

CMYK 0 / 58 / 13 / 0

HEX #FF6ADF

RGB 255 106 223

HSL 312.89, 1%, 0.71%

LAB 67.2, 69.62, -32.23

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 0 / 91 / 29 / 26

HEX #BC1085

RGB 188 16 133

HSL 319.19, 0.84%, 0.4%

LAB 42.39, 69.34, -19

 

CMYK 0 / 100 / 33 / 33

HEX #AB0072

RGB 171 0 114

HSL 320, 1%, 0.34%

LAB 37.61, 65.47, -14.79

 

CMYK 0 / 100 / 38 / 40

HEX #9A005F

RGB 154 0 95

HSL 322.99, 1%, 0.3%

LAB 33.34, 59.85, -9.47

 

CMYK 0 / 100 / 45 / 46

HEX #89004C

RGB 137 0 76

HSL 326.72, 1%, 0.27%

LAB 29.01, 54.17, -3.85

 

CMYK 0 / 84 / 26 / 19

HEX #CE2198

RGB 206 33 152

HSL 318.73, 0.72%, 0.47%

LAB 47.59, 72.51, -22.23

 

CMYK 0 / 84 / 49 / 19

HEX #CE216A

RGB 206 33 106

HSL 334.68, 0.72%, 0.47%

LAB 45.97, 67.92, 3.39

 

CMYK 0 / 84 / 71 / 19

HEX #CE213B

RGB 206 33 59

HSL 350.98, 0.72%, 0.47%

LAB 44.98, 64.98, 31.07

 

CMYK 0 / 84 / 84 / 19

HEX #CE2121

RGB 206 33 33

HSL 0, 0.72%, 0.47%

LAB 44.69, 64.12, 45.47

 

CMYK 0 / 84 / 26 / 19

HEX #CE2198

RGB 206 33 152

HSL 318.73, 0.72%, 0.47%

LAB 47.59, 72.51, -22.23

 

CMYK 0 / 84 / 3 / 19

HEX #CE21C7

RGB 206 33 199

HSL 302.43, 0.72%, 0.47%

LAB 49.9, 78.75, -46.3

 

CMYK 19 / 84 / 0 / 19

HEX #A621CE

RGB 166 33 206

HSL 286.13, 0.72%, 0.47%

LAB 43.73, 72.89, -60.61

 

CMYK 42 / 84 / 0 / 19

HEX #7821CE

RGB 120 33 206

HSL 270.17, 0.72%, 0.47%

LAB 37, 66.1, -71.87

 

CMYK 65 / 84 / 0 / 19

HEX #4921CE

RGB 73 33 206

HSL 253.87, 0.72%, 0.47%

LAB 31.72, 61.07, -80.76

 

CMYK 0 / 84 / 26 / 19

HEX #CE2198

RGB 206 33 152

HSL 318.73, 0.72%, 0.47%

LAB 47.59, 72.51, -22.23

 

CMYK 0 / 94 / 29 / 12

HEX #E10EA0

RGB 225 14 160

HSL 318.48, 0.88%, 0.47%

LAB 50.52, 80.16, -22.2

 

CMYK 0 / 84 / 26 / 19

HEX #CE2198

RGB 206 33 152

HSL 318.73, 0.72%, 0.47%

LAB 47.59, 72.51, -22.23

 

CMYK 0 / 72 / 22 / 27

HEX #BA3491

RGB 186 52 145

HSL 318.36, 0.56%, 0.47%

LAB 45.55, 61.7, -21.47

 

CMYK 0 / 57 / 18 / 35

HEX #A74889

RGB 167 72 137

HSL 318.95, 0.4%, 0.47%

LAB 45.16, 46.91, -17.5

 

CMYK 0 / 38 / 12 / 42

HEX #935B82

RGB 147 91 130

HSL 318.21, 0.24%, 0.47%

LAB 46.04, 29.01, -12.2

 

CMYK 0 / 13 / 4 / 50

HEX #806F7B

RGB 128 111 123

HSL 317.65, 0.07%, 0.47%

LAB 48.75, 8.91, -4.18

 

CMYK 20 / 84 / 0 / 19

HEX #A521CE

RGB 165 33 206

HSL 285.78, 0.72%, 0.47%

LAB 43.57, 72.73, -60.87

 

CMYK 0 / 84 / 3 / 19

HEX #CE21C8

RGB 206 33 200

HSL 302.08, 0.72%, 0.47%

LAB 49.95, 78.89, -46.79

 

CMYK 0 / 84 / 25 / 19

HEX #CE219A

RGB 206 33 154

HSL 318.03, 0.72%, 0.47%

LAB 47.68, 72.74, -23.3

 

CMYK 0 / 84 / 48 / 19

HEX #CE216C

RGB 206 33 108

HSL 333.99, 0.72%, 0.47%

LAB 46.03, 68.08, 2.24

 

CMYK 0 / 84 / 70 / 19

HEX #CE213E

RGB 206 33 62

HSL 349.94, 0.72%, 0.47%

LAB 45.02, 65.12, 29.31

 

CMYK 0 / 84 / 26 / 47

HEX #871664

RGB 135 22 100

HSL 318.58, 0.72%, 0.31%

LAB 30.98, 52.28, -16.65

 

CMYK 0 / 84 / 26 / 33

HEX #AA1B7E

RGB 170 27 126

HSL 318.46, 0.73%, 0.39%

LAB 39.3, 62.62, -19.72

 

CMYK 0 / 84 / 26 / 19

HEX #CE2198

RGB 206 33 152

HSL 318.73, 0.72%, 0.47%

LAB 47.59, 72.51, -22.23

 

CMYK 0 / 74 / 23 / 13

HEX #DE3AAB

RGB 222 58 171

HSL 318.66, 0.71%, 0.55%

LAB 53.49, 71.99, -24.17

 

CMYK 0 / 59 / 18 / 11

HEX #E45DBA

RGB 228 93 186

HSL 318.67, 0.71%, 0.63%

LAB 59.77, 62.45, -23.12

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 0 / 42 / 84 / 19

HEX #CE7721

RGB 206 119 33

HSL 29.83, 0.72%, 0.47%

LAB 58.44, 28.15, 57.52

 

CMYK 84 / 0 / 9 / 19

HEX #21CEBC

RGB 33 206 188

HSL 173.76, 0.72%, 0.47%

LAB 74.89, -44.73, -2.76

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 25 / 0 / 84 / 19

HEX #9ACE21

RGB 154 206 33

HSL 78.03, 0.72%, 0.47%

LAB 76.75, -39.14, 71.44

 

CMYK 84 / 25 / 0 / 19

HEX #219ACE

RGB 33 154 206

HSL 198.03, 0.72%, 0.47%

LAB 59.79, -13.65, -35.58

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 0 / 42 / 84 / 19

HEX #CE7721

RGB 206 119 33

HSL 29.83, 0.72%, 0.47%

LAB 58.44, 28.15, 57.52

 

CMYK 84 / 0 / 59 / 19

HEX #21CE55

RGB 33 206 85

HSL 138.03, 0.72%, 0.47%

LAB 72.97, -65.99, 47.81

 

CMYK 84 / 42 / 0 / 19

HEX #2177CE

RGB 33 119 206

HSL 210.17, 0.72%, 0.47%

LAB 49.46, 6.89, -51.91

 

CMYK 0 / 83 / 26 / 20

HEX #CD2298

RGB 205 34 152

HSL 318.6, 0.72%, 0.47%

LAB 47.48, 72.08, -22.42

 

CMYK 0 / 17 / 84 / 19

HEX #CEAB21

RGB 206 171 33

HSL 47.86, 0.72%, 0.47%

LAB 71.12, 0.1, 68.25

 

CMYK 84 / 0 / 59 / 19

HEX #21CE55

RGB 33 206 85

HSL 138.03, 0.72%, 0.47%

LAB 72.97, -65.99, 47.81

 

CMYK 84 / 67 / 0 / 19

HEX #2144CE

RGB 33 68 206

HSL 227.86, 0.72%, 0.47%

LAB 35.82, 39.66, -74.06

 

Description

Color code: HEX #CD2298 | qconv.com Color code: HEX #CD2298 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 34 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 34 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 26 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 26% 20% C M Y K

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Provide designers and agencies with accurate color values.

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