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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B931C3 it is the complementary color #46CE3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B931C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B931C3 shade: #BE31BE, #CF43D1, #E055E4, #F167F7 and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B931C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B931C3 shade: #B931C3, #A81FB0, #970D9D, #86008A and #750077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B931C3 shade: #B930C3, #C330A6, #C3307E, #C33057 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B931C3 shade: #B930C3, #9230C3, #6A30C3, #4230C3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B931C3 shade matches the following richer shades: #B930C3, #CA1DD7 and #DB09EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B931C3 shade: #B930C3, #A844B0, #97589C, #866C88 and #758074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B931C3 shade: #6930C3, #9030C3, #B730C3, #C330A8 and #C33081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B931C3 shade: #7B2081, #9A28A2, #B930C3, #C94BD2 and #D26CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B931C3 shade: #B931C3, #C34230 and #30C37C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B931C3 shade: #B931C3, #C3B730 and #30C3B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B931C3 shade: #B931C3, #C34230, #3DC330 and #30B2C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B931C3 shade: #B931C3, #C36E30, #3DC330 and #3086C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

Complementary color

CMYK 66 / 0 / 71 / 19

HEX #46CE3C

RGB 70 206 60

HSL 115.89, 0.6%, 0.52%

LAB 73.4, -63.22, 58.86

 

CMYK 0 / 74 / 0 / 25

HEX #BE31BE

RGB 190 49 190

HSL 300, 0.59%, 0.47%

LAB 48.09, 70.25, -44.12

 

CMYK 1 / 68 / 0 / 18

HEX #CF43D1

RGB 207 67 209

HSL 299.15, 0.61%, 0.54%

LAB 53.9, 71.03, -45.67

 

CMYK 2 / 63 / 0 / 11

HEX #E055E4

RGB 224 85 228

HSL 298.32, 0.73%, 0.61%

LAB 59.84, 71.26, -46.86

 

CMYK 2 / 58 / 0 / 3

HEX #F167F7

RGB 241 103 247

HSL 297.5, 0.9%, 0.69%

LAB 65.84, 71.13, -47.78

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

CMYK 5 / 82 / 0 / 31

HEX #A81FB0

RGB 168 31 176

HSL 296.69, 0.7%, 0.41%

LAB 41.91, 68.51, -45.96

 

CMYK 4 / 92 / 0 / 38

HEX #970D9D

RGB 151 13 157

HSL 297.5, 0.85%, 0.33%

LAB 36.56, 65.77, -43.31

 

CMYK 3 / 100 / 0 / 46

HEX #86008A

RGB 134 0 138

HSL 298.26, 1%, 0.27%

LAB 31.59, 61.56, -39.8

 

CMYK 2 / 100 / 0 / 53

HEX #750077

RGB 117 0 119

HSL 298.99, 1%, 0.23%

LAB 27.06, 55.58, -35.28

 

CMYK 5 / 75 / 0 / 24

HEX #B930C3

RGB 185 48 195

HSL 295.92, 0.6%, 0.48%

LAB 47.45, 70.35, -48.08

 

CMYK 0 / 75 / 15 / 24

HEX #C330A6

RGB 195 48 166

HSL 311.84, 0.6%, 0.48%

LAB 47.58, 68.04, -30.75

 

CMYK 0 / 75 / 35 / 24

HEX #C3307E

RGB 195 48 126

HSL 328.16, 0.6%, 0.48%

LAB 45.94, 63.04, -9.2

 

CMYK 0 / 75 / 55 / 24

HEX #C33057

RGB 195 48 87

HSL 344.08, 0.6%, 0.48%

LAB 44.81, 59.46, 13.23

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 5 / 75 / 0 / 24

HEX #B930C3

RGB 185 48 195

HSL 295.92, 0.6%, 0.48%

LAB 47.45, 70.35, -48.08

 

CMYK 25 / 75 / 0 / 24

HEX #9230C3

RGB 146 48 195

HSL 280, 0.6%, 0.48%

LAB 41.48, 62.75, -58.01

 

CMYK 46 / 75 / 0 / 24

HEX #6A30C3

RGB 106 48 195

HSL 263.67, 0.6%, 0.48%

LAB 36.21, 55.84, -66.81

 

CMYK 66 / 75 / 0 / 24

HEX #4230C3

RGB 66 48 195

HSL 247.35, 0.6%, 0.48%

LAB 32.29, 50.5, -73.41

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 5 / 75 / 0 / 24

HEX #B930C3

RGB 185 48 195

HSL 295.92, 0.6%, 0.48%

LAB 47.45, 70.35, -48.08

 

CMYK 6 / 87 / 0 / 16

HEX #CA1DD7

RGB 202 29 215

HSL 295.81, 0.76%, 0.48%

LAB 49.91, 81.2, -55.52

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 5 / 75 / 0 / 24

HEX #B930C3

RGB 185 48 195

HSL 295.92, 0.6%, 0.48%

LAB 47.45, 70.35, -48.08

 

CMYK 5 / 61 / 0 / 31

HEX #A844B0

RGB 168 68 176

HSL 295.56, 0.44%, 0.48%

LAB 46.44, 55.67, -38.76

 

CMYK 3 / 44 / 0 / 39

HEX #97589C

RGB 151 88 156

HSL 295.59, 0.28%, 0.48%

LAB 46.92, 36.96, -26.35

 

CMYK 1 / 21 / 0 / 47

HEX #866C88

RGB 134 108 136

HSL 295.71, 0.11%, 0.48%

LAB 48.97, 15.54, -11.5

 

CMYK 9 / 0 / 9 / 50

HEX #758074

RGB 117 128 116

HSL 115, 0.05%, 0.48%

LAB 52.38, -6.5, 5.13

 

CMYK 46 / 75 / 0 / 24

HEX #6930C3

RGB 105 48 195

HSL 263.27, 0.6%, 0.48%

LAB 36.09, 55.69, -67.01

 

CMYK 26 / 75 / 0 / 24

HEX #9030C3

RGB 144 48 195

HSL 279.18, 0.6%, 0.48%

LAB 41.19, 62.38, -58.49

 

CMYK 6 / 75 / 0 / 24

HEX #B730C3

RGB 183 48 195

HSL 295.1, 0.6%, 0.48%

LAB 47.13, 69.95, -48.61

 

CMYK 0 / 75 / 14 / 24

HEX #C330A8

RGB 195 48 168

HSL 311.02, 0.6%, 0.48%

LAB 47.68, 68.32, -31.79

 

CMYK 0 / 75 / 34 / 24

HEX #C33081

RGB 195 48 129

HSL 326.94, 0.6%, 0.48%

LAB 46.04, 63.37, -10.87

 

CMYK 5 / 75 / 0 / 49

HEX #7B2081

RGB 123 32 129

HSL 296.29, 0.6%, 0.32%

LAB 31.41, 50.89, -34.57

 

CMYK 5 / 75 / 0 / 36

HEX #9A28A2

RGB 154 40 162

HSL 296.07, 0.6%, 0.4%

LAB 39.57, 60.83, -41.47

 

CMYK 5 / 75 / 0 / 24

HEX #B930C3

RGB 185 48 195

HSL 295.92, 0.6%, 0.48%

LAB 47.45, 70.35, -48.08

 

CMYK 4 / 64 / 0 / 18

HEX #C94BD2

RGB 201 75 210

HSL 296, 0.6%, 0.56%

LAB 54.14, 66.79, -45.93

 

CMYK 4 / 50 / 0 / 15

HEX #D26CDA

RGB 210 108 218

HSL 295.64, 0.6%, 0.64%

LAB 61.21, 55.72, -39.22

 

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

CMYK 0 / 66 / 75 / 24

HEX #C34230

RGB 195 66 48

HSL 7.35, 0.6%, 0.48%

LAB 46.59, 50.5, 38.71

 

CMYK 75 / 0 / 36 / 24

HEX #30C37C

RGB 48 195 124

HSL 151.02, 0.6%, 0.48%

LAB 70.26, -54.14, 25.08

 

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 75 / 0 / 6 / 24

HEX #30C3B7

RGB 48 195 183

HSL 175.1, 0.6%, 0.48%

LAB 71.61, -39.93, -4.85

 

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

CMYK 0 / 66 / 75 / 24

HEX #C34230

RGB 195 66 48

HSL 7.35, 0.6%, 0.48%

LAB 46.59, 50.5, 38.71

 

CMYK 69 / 0 / 75 / 24

HEX #3DC330

RGB 61 195 48

HSL 114.69, 0.6%, 0.48%

LAB 69.64, -62.26, 59.24

 

CMYK 75 / 9 / 0 / 24

HEX #30B2C3

RGB 48 178 195

HSL 186.94, 0.6%, 0.48%

LAB 66.83, -28.39, -18.6

 

CMYK 5 / 75 / 0 / 24

HEX #B931C3

RGB 185 49 195

HSL 295.89, 0.6%, 0.48%

LAB 47.56, 70.04, -47.91

 

CMYK 0 / 44 / 75 / 24

HEX #C36E30

RGB 195 110 48

HSL 25.31, 0.6%, 0.48%

LAB 55.04, 28.91, 47.57

 

CMYK 69 / 0 / 75 / 24

HEX #3DC330

RGB 61 195 48

HSL 114.69, 0.6%, 0.48%

LAB 69.64, -62.26, 59.24

 

CMYK 75 / 31 / 0 / 24

HEX #3086C3

RGB 48 134 195

HSL 204.9, 0.6%, 0.48%

LAB 53.62, -4.72, -39.02

 

Description

Color code: HEX #B931C3 | qconv.com Color code: HEX #B931C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 49 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 49 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 75 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 75% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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