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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B92FE0 it is the complementary color #46D01F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B92FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B92FE0 shade: #BE2FDB, #CF41EE, #E053FF, #F165FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B92FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B92FE0 shade: #B92FE0, #A81DCD, #970BBA, #8600A7 and #750094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B92FE0 shade: #B82EDF, #DF2ED7, #DF2EA7, #DF2E77 and #DF2E47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B92FE0 shade: #B82EDF, #882EDF, #592EDF and #2E2EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B92FE0 shade matches the following richer shades: #B82EDF and #C31BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B92FE0 shade: #B82EDF, #AD41CC, #A355B9, #9868A5 and #8D7C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B92FE0 shade: #572EDF, #872EDF, #B62EDF, #DF2ED9 and #DF2EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B92FE0 shade: #8418A3, #A11DC7, #B82EDF, #C452E5 and #D076EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B92FE0 shade: #B92FE0, #DF2E34 and #2EDF6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B92FE0 shade: #B92FE0, #DFB62E and #2EDFB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B92FE0 shade: #B92FE0, #DF2E34, #57DF2E and #2EDFD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B92FE0 shade: #B92FE0, #DF5D2E, #57DF2E and #2EB0DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

Complementary color

CMYK 66 / 0 / 85 / 18

HEX #46D01F

RGB 70 208 31

HSL 106.78, 0.74%, 0.47%

LAB 73.88, -65.64, 68.04

 

CMYK 13 / 79 / 0 / 14

HEX #BE2FDB

RGB 190 47 219

HSL 289.88, 0.7%, 0.52%

LAB 49.61, 75.71, -58.39

 

CMYK 13 / 73 / 0 / 7

HEX #CF41EE

RGB 207 65 238

HSL 289.25, 0.84%, 0.59%

LAB 55.3, 76.68, -59.85

 

CMYK 12 / 67 / 0 / 0

HEX #E053FF

RGB 224 83 255

HSL 289.19, 1%, 0.66%

LAB 61, 76.72, -60.02

 

CMYK 5 / 60 / 0 / 0

HEX #F165FF

RGB 241 101 255

HSL 294.55, 1%, 0.7%

LAB 65.93, 73.34, -52.05

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

CMYK 18 / 86 / 0 / 20

HEX #A81DCD

RGB 168 29 205

HSL 287.39, 0.75%, 0.46%

LAB 43.67, 73.93, -60.11

 

CMYK 19 / 94 / 0 / 27

HEX #970BBA

RGB 151 11 186

HSL 288, 0.89%, 0.39%

LAB 38.49, 70.94, -57.54

 

CMYK 20 / 100 / 0 / 35

HEX #8600A7

RGB 134 0 167

HSL 288.14, 1%, 0.33%

LAB 33.69, 66.48, -54.14

 

CMYK 21 / 100 / 0 / 42

HEX #750094

RGB 117 0 148

HSL 287.43, 1%, 0.29%

LAB 29.21, 60.62, -49.97

 

CMYK 17 / 79 / 0 / 13

HEX #B82EDF

RGB 184 46 223

HSL 286.78, 0.73%, 0.53%

LAB 48.85, 75.63, -61.94

 

CMYK 0 / 79 / 4 / 13

HEX #DF2ED7

RGB 223 46 215

HSL 302.71, 0.73%, 0.53%

LAB 54.6, 81.51, -47.82

 

CMYK 0 / 79 / 25 / 13

HEX #DF2EA7

RGB 223 46 167

HSL 318.98, 0.73%, 0.53%

LAB 52.32, 75.09, -23.6

 

CMYK 0 / 79 / 47 / 13

HEX #DF2E77

RGB 223 46 119

HSL 335.25, 0.73%, 0.53%

LAB 50.66, 70.17, 2.61

 

CMYK 0 / 79 / 68 / 13

HEX #DF2E47

RGB 223 46 71

HSL 351.53, 0.73%, 0.53%

LAB 49.61, 66.99, 30.28

 

CMYK 17 / 79 / 0 / 13

HEX #B82EDF

RGB 184 46 223

HSL 286.78, 0.73%, 0.53%

LAB 48.85, 75.63, -61.94

 

CMYK 39 / 79 / 0 / 13

HEX #882EDF

RGB 136 46 223

HSL 270.51, 0.73%, 0.53%

LAB 42.02, 67.88, -73.34

 

CMYK 60 / 79 / 0 / 13

HEX #592EDF

RGB 89 46 223

HSL 254.58, 0.73%, 0.53%

LAB 36.75, 61.94, -82.2

 

CMYK 79 / 79 / 0 / 13

HEX #2E2EDF

RGB 46 46 223

HSL 240, 0.73%, 0.53%

LAB 33.69, 58.52, -87.36

 

CMYK 17 / 79 / 0 / 13

HEX #B82EDF

RGB 184 46 223

HSL 286.78, 0.73%, 0.53%

LAB 48.85, 75.63, -61.94

 

CMYK 20 / 89 / 0 / 5

HEX #C31BF3

RGB 195 27 243

HSL 286.67, 0.9%, 0.53%

LAB 50.52, 85.06, -70.45

 

CMYK 17 / 79 / 0 / 13

HEX #B82EDF

RGB 184 46 223

HSL 286.78, 0.73%, 0.53%

LAB 48.85, 75.63, -61.94

 

CMYK 15 / 68 / 0 / 20

HEX #AD41CC

RGB 173 65 204

HSL 286.62, 0.58%, 0.53%

LAB 48.29, 63.4, -52.05

 

CMYK 12 / 54 / 0 / 27

HEX #A355B9

RGB 163 85 185

HSL 286.8, 0.42%, 0.53%

LAB 49.24, 47.94, -39.64

 

CMYK 8 / 37 / 0 / 35

HEX #9868A5

RGB 152 104 165

HSL 287.21, 0.25%, 0.53%

LAB 51.03, 30.12, -25.27

 

CMYK 3 / 15 / 0 / 43

HEX #8D7C92

RGB 141 124 146

HSL 286.36, 0.09%, 0.53%

LAB 54.19, 10.75, -9.47

 

CMYK 61 / 79 / 0 / 13

HEX #572EDF

RGB 87 46 223

HSL 253.9, 0.73%, 0.53%

LAB 36.57, 61.74, -82.51

 

CMYK 39 / 79 / 0 / 13

HEX #872EDF

RGB 135 46 223

HSL 270.17, 0.73%, 0.53%

LAB 41.9, 67.74, -73.56

 

CMYK 18 / 79 / 0 / 13

HEX #B62EDF

RGB 182 46 223

HSL 286.1, 0.73%, 0.53%

LAB 48.54, 75.29, -62.45

 

CMYK 0 / 79 / 3 / 13

HEX #DF2ED9

RGB 223 46 217

HSL 302.03, 0.73%, 0.53%

LAB 54.71, 81.8, -48.79

 

CMYK 0 / 79 / 24 / 13

HEX #DF2EAA

RGB 223 46 170

HSL 317.97, 0.73%, 0.53%

LAB 52.45, 75.45, -25.18

 

CMYK 19 / 85 / 0 / 36

HEX #8418A3

RGB 132 24 163

HSL 286.62, 0.74%, 0.37%

LAB 34.4, 61.41, -50.58

 

CMYK 19 / 85 / 0 / 22

HEX #A11DC7

RGB 161 29 199

HSL 286.59, 0.75%, 0.45%

LAB 42.12, 71.73, -59.19

 

CMYK 17 / 79 / 0 / 13

HEX #B82EDF

RGB 184 46 223

HSL 286.78, 0.73%, 0.53%

LAB 48.85, 75.63, -61.94

 

CMYK 14 / 64 / 0 / 10

HEX #C452E5

RGB 196 82 229

HSL 286.53, 0.74%, 0.61%

LAB 55.51, 66.23, -54.54

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

CMYK 0 / 79 / 77 / 13

HEX #DF2E34

RGB 223 46 52

HSL 357.97, 0.73%, 0.53%

LAB 49.36, 66.2, 41.01

 

CMYK 79 / 0 / 50 / 13

HEX #2EDF6F

RGB 46 223 111

HSL 142.03, 0.73%, 0.53%

LAB 78.75, -66.55, 42.63

 

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

CMYK 0 / 18 / 79 / 13

HEX #DFB62E

RGB 223 182 46

HSL 46.1, 0.73%, 0.53%

LAB 75.66, 2.11, 69.03

 

CMYK 79 / 0 / 18 / 13

HEX #2EDFB6

RGB 46 223 182

HSL 166.1, 0.73%, 0.53%

LAB 80.03, -52.3, 7.93

 

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

CMYK 0 / 79 / 77 / 13

HEX #DF2E34

RGB 223 46 52

HSL 357.97, 0.73%, 0.53%

LAB 49.36, 66.2, 41.01

 

CMYK 61 / 0 / 79 / 13

HEX #57DF2E

RGB 87 223 46

HSL 106.1, 0.73%, 0.53%

LAB 79.04, -66.18, 69.11

 

CMYK 79 / 0 / 3 / 13

HEX #2EDFD9

RGB 46 223 217

HSL 177.97, 0.73%, 0.53%

LAB 80.94, -43.04, -9.33

 

CMYK 17 / 79 / 0 / 12

HEX #B92FE0

RGB 185 47 224

HSL 286.78, 0.74%, 0.53%

LAB 49.17, 75.71, -61.99

 

CMYK 0 / 58 / 79 / 13

HEX #DF5D2E

RGB 223 93 46

HSL 15.93, 0.73%, 0.53%

LAB 55.8, 48.35, 50.65

 

CMYK 61 / 0 / 79 / 13

HEX #57DF2E

RGB 87 223 46

HSL 106.1, 0.73%, 0.53%

LAB 79.04, -66.18, 69.11

 

CMYK 79 / 21 / 0 / 13

HEX #2EB0DF

RGB 46 176 223

HSL 195.93, 0.73%, 0.53%

LAB 67.25, -18.5, -33.39

 

Description

Color code: HEX #B92FE0 | qconv.com Color code: HEX #B92FE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 47 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 47 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 79 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 79% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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