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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 118 234 it is the complementary color RGB 47 137 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 118 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 118 234 shade: RGB 213 118 229, RGB 230 136 248, RGB 247 154 255, RGB 255 172 255 and RGB 255 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 118 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 118 234 shade: RGB 208 118 234, RGB 191 100 215, RGB 174 82 196, RGB 157 64 177 and RGB 140 46 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 118 234 shade: RGB 207 118 233, RGB 233 118 228, RGB 233 118 197, RGB 233 118 166 and RGB 233 118 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 118 234 shade: RGB 207 118 233, RGB 176 118 233, RGB 145 118 233 and RGB 118 118 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 118 234 shade matches the following richer shades: RGB 207 118 233 and RGB 214 105 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 118 234 shade: RGB 207 118 233, RGB 200 131 220, RGB 193 143 208, RGB 186 156 195 and RGB 179 169 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 118 234 shade: RGB 145 118 233, RGB 175 118 233, RGB 206 118 233, RGB 233 118 229 and RGB 233 118 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 118 234 shade: RGB 183 46 222, RGB 195 82 228, RGB 207 118 233, RGB 220 153 239 and RGB 232 189 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 118 234 shade: RGB 208 118 234, RGB 233 118 122 and RGB 118 233 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 118 234 shade: RGB 208 118 234, RGB 233 206 118 and RGB 118 233 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 118 234 shade: RGB 208 118 234, RGB 233 118 122, RGB 145 233 118 and RGB 118 233 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 118 234 shade: RGB 208 118 234, RGB 233 149 118, RGB 145 233 118 and RGB 118 202 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

Complementary color

CMYK 66 / 0 / 85 / 46

HEX #2F8915

RGB 47 137 21

HSL 106.55, 0.73%, 0.31%

LAB 50.16, -47.14, 48.99

 

CMYK 7 / 48 / 0 / 10

HEX #D576E5

RGB 213 118 229

HSL 291.35, 0.68%, 0.68%

LAB 63.97, 53.66, -41.02

 

CMYK 7 / 45 / 0 / 3

HEX #E688F8

RGB 230 136 248

HSL 290.36, 0.89%, 0.75%

LAB 70.32, 52.95, -41.39

 

CMYK 3 / 40 / 0 / 0

HEX #F79AFF

RGB 247 154 255

HSL 295.25, 1%, 0.8%

LAB 76.13, 49.98, -36.01

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 11 / 53 / 0 / 16

HEX #BF64D7

RGB 191 100 215

HSL 287.48, 0.59%, 0.62%

LAB 57.17, 53.95, -44.05

 

CMYK 11 / 58 / 0 / 23

HEX #AE52C4

RGB 174 82 196

HSL 288.42, 0.49%, 0.55%

LAB 50.71, 54.54, -43.58

 

CMYK 11 / 64 / 0 / 31

HEX #9D40B1

RGB 157 64 177

HSL 289.38, 0.47%, 0.47%

LAB 44.25, 54.91, -42.92

 

CMYK 11 / 71 / 0 / 38

HEX #8C2E9E

RGB 140 46 158

HSL 290.36, 0.55%, 0.4%

LAB 37.84, 54.87, -41.96

 

CMYK 11 / 49 / 0 / 9

HEX #CF76E9

RGB 207 118 233

HSL 286.43, 0.72%, 0.69%

LAB 63.43, 52.79, -44.13

 

CMYK 0 / 49 / 2 / 9

HEX #E976E4

RGB 233 118 228

HSL 302.61, 0.72%, 0.69%

LAB 66.43, 59.04, -36.43

 

CMYK 0 / 49 / 15 / 9

HEX #E976C5

RGB 233 118 197

HSL 318.78, 0.72%, 0.69%

LAB 65.21, 54.02, -20.99

 

CMYK 0 / 49 / 29 / 9

HEX #E976A6

RGB 233 118 166

HSL 334.96, 0.72%, 0.69%

LAB 64.19, 49.65, -4.96

 

CMYK 0 / 49 / 42 / 9

HEX #E97687

RGB 233 118 135

HSL 351.13, 0.72%, 0.69%

LAB 63.37, 46.02, 11.56

 

CMYK 11 / 49 / 0 / 9

HEX #CF76E9

RGB 207 118 233

HSL 286.43, 0.72%, 0.69%

LAB 63.43, 52.79, -44.13

 

CMYK 24 / 49 / 0 / 9

HEX #B076E9

RGB 176 118 233

HSL 270.26, 0.72%, 0.69%

LAB 59.95, 44.45, -49.86

 

CMYK 38 / 49 / 0 / 9

HEX #9176E9

RGB 145 118 233

HSL 254.09, 0.72%, 0.69%

LAB 56.94, 36.55, -54.83

 

CMYK 49 / 49 / 0 / 9

HEX #7676E9

RGB 118 118 233

HSL 240, 0.72%, 0.69%

LAB 54.75, 30.31, -58.45

 

CMYK 11 / 49 / 0 / 9

HEX #CF76E9

RGB 207 118 233

HSL 286.43, 0.72%, 0.69%

LAB 63.43, 52.79, -44.13

 

CMYK 13 / 57 / 0 / 4

HEX #D669F6

RGB 214 105 246

HSL 286.38, 0.89%, 0.69%

LAB 62.55, 63.47, -52.66

 

CMYK 11 / 49 / 0 / 9

HEX #CF76E9

RGB 207 118 233

HSL 286.43, 0.72%, 0.69%

LAB 63.43, 52.79, -44.13

 

CMYK 9 / 40 / 0 / 14

HEX #C883DC

RGB 200 131 220

HSL 286.52, 0.56%, 0.69%

LAB 64.71, 41.4, -34.97

 

CMYK 7 / 31 / 0 / 18

HEX #C18FD0

RGB 193 143 208

HSL 286.15, 0.41%, 0.69%

LAB 66.16, 30.27, -26.1

 

CMYK 5 / 20 / 0 / 24

HEX #BA9CC3

RGB 186 156 195

HSL 286.15, 0.25%, 0.69%

LAB 68.14, 18.15, -15.92

 

CMYK 2 / 7 / 0 / 29

HEX #B3A9B6

RGB 179 169 182

HSL 286.15, 0.08%, 0.69%

LAB 70.41, 6.01, -5.38

 

CMYK 38 / 49 / 0 / 9

HEX #9176E9

RGB 145 118 233

HSL 254.09, 0.72%, 0.69%

LAB 56.94, 36.55, -54.83

 

CMYK 25 / 49 / 0 / 9

HEX #AF76E9

RGB 175 118 233

HSL 269.74, 0.72%, 0.69%

LAB 59.85, 44.19, -50.03

 

CMYK 12 / 49 / 0 / 9

HEX #CE76E9

RGB 206 118 233

HSL 285.91, 0.72%, 0.69%

LAB 63.31, 52.52, -44.33

 

CMYK 0 / 49 / 2 / 9

HEX #E976E5

RGB 233 118 229

HSL 302.09, 0.72%, 0.69%

LAB 66.47, 59.21, -36.92

 

CMYK 0 / 49 / 15 / 9

HEX #E976C7

RGB 233 118 199

HSL 317.74, 0.72%, 0.69%

LAB 65.28, 54.32, -22

 

CMYK 18 / 79 / 0 / 13

HEX #B72EDE

RGB 183 46 222

HSL 286.7, 0.73%, 0.53%

LAB 48.63, 75.28, -61.73

 

CMYK 14 / 64 / 0 / 11

HEX #C352E4

RGB 195 82 228

HSL 286.44, 0.73%, 0.61%

LAB 55.32, 65.81, -54.3

 

CMYK 11 / 49 / 0 / 9

HEX #CF76E9

RGB 207 118 233

HSL 286.43, 0.72%, 0.69%

LAB 63.43, 52.79, -44.13

 

CMYK 8 / 36 / 0 / 6

HEX #DC99EF

RGB 220 153 239

HSL 286.74, 0.73%, 0.77%

LAB 72.38, 39.42, -33.36

 

CMYK 5 / 23 / 0 / 4

HEX #E8BDF4

RGB 232 189 244

HSL 286.91, 0.71%, 0.85%

LAB 81.88, 24.85, -21.41

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 0 / 49 / 48 / 9

HEX #E9767A

RGB 233 118 122

HSL 357.91, 0.72%, 0.69%

LAB 63.08, 44.73, 18.58

 

CMYK 49 / 0 / 31 / 9

HEX #76E9A0

RGB 118 233 160

HSL 141.91, 0.72%, 0.69%

LAB 84.31, -48.68, 25.68

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 0 / 12 / 49 / 9

HEX #E9CE76

RGB 233 206 118

HSL 45.91, 0.72%, 0.69%

LAB 83.32, -1.73, 46.93

 

CMYK 49 / 0 / 12 / 9

HEX #76E9CE

RGB 118 233 206

HSL 165.91, 0.72%, 0.69%

LAB 85.29, -39.13, 3.08

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 0 / 49 / 48 / 9

HEX #E9767A

RGB 233 118 122

HSL 357.91, 0.72%, 0.69%

LAB 63.08, 44.73, 18.58

 

CMYK 38 / 0 / 49 / 9

HEX #91E976

RGB 145 233 118

HSL 105.91, 0.72%, 0.69%

LAB 84.79, -47.42, 47.39

 

CMYK 49 / 0 / 2 / 9

HEX #76E9E5

RGB 118 233 229

HSL 177.91, 0.72%, 0.69%

LAB 85.9, -33.58, -8.13

 

CMYK 11 / 50 / 0 / 8

HEX #D076EA

RGB 208 118 234

HSL 286.55, 0.73%, 0.69%

LAB 63.6, 53.26, -44.42

 

CMYK 0 / 36 / 49 / 9

HEX #E99576

RGB 233 149 118

HSL 16.17, 0.72%, 0.69%

LAB 69.56, 28.33, 29.49

 

CMYK 38 / 0 / 49 / 9

HEX #91E976

RGB 145 233 118

HSL 105.91, 0.72%, 0.69%

LAB 84.79, -47.42, 47.39

 

CMYK 49 / 13 / 0 / 9

HEX #76CAE9

RGB 118 202 233

HSL 196.17, 0.72%, 0.69%

LAB 77.27, -17.28, -23.24

 

Description

Color code: RGB 208 118 234 | qconv.com Color code: RGB 208 118 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 118 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 118 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 50 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 50% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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