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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87317 it is the complementary color #478CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87317 shade: #BD7312, #CE8525, #DF9738, #F0A94B and #FFBB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87317 shade: #B87317, #A76104, #964F00, #853D00 and #742B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87317 shade: #BA7417, #BA4817, #BA1C17 and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87317 shade: #BA7417, #BAA017, #A8BA17, #7CBA17 and #50BA17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87317 shade matches the following richer shades: #BA7417 and #CB7606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87317 shade: #BA7417, #A97127, #986F38, #876C49 and #766A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87317 shade: #BA1C17, #BA4717, #BA7317, #BA9E17 and #A9BA17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87317 shade: #70460D, #955D12, #BA7417, #DE8B1B and #E69D3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87317 shade: #B87317, #3DBA17 and #3217BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87317 shade: #B87317, #17BA73 and #7317BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87317 shade: #B87317, #3DBA17, #175DBA and #9417BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87317 shade: #B87317, #17BA21, #175DBA and #BA17AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

Complementary color

CMYK 69 / 40 / 0 / 9

HEX #478CE8

RGB 71 140 232

HSL 214.29, 0.78%, 0.59%

LAB 57.96, 8.01, -52.91

 

CMYK 0 / 39 / 90 / 26

HEX #BD7312

RGB 189 115 18

HSL 34.04, 0.83%, 0.41%

LAB 55.2, 22.7, 58.56

 

CMYK 0 / 35 / 82 / 19

HEX #CE8525

RGB 206 133 37

HSL 34.08, 0.7%, 0.48%

LAB 61.68, 20.71, 58.92

 

CMYK 0 / 32 / 75 / 13

HEX #DF9738

RGB 223 151 56

HSL 34.13, 0.72%, 0.55%

LAB 68.1, 18.98, 58.29

 

CMYK 0 / 30 / 69 / 6

HEX #F0A94B

RGB 240 169 75

HSL 34.18, 0.85%, 0.62%

LAB 74.45, 17.47, 57.22

 

CMYK 0 / 27 / 63 / 0

HEX #FFBB5E

RGB 255 187 94

HSL 34.66, 1%, 0.68%

LAB 80.52, 15.32, 55.66

 

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

CMYK 0 / 42 / 98 / 35

HEX #A76104

RGB 167 97 4

HSL 34.23, 0.95%, 0.34%

LAB 47.97, 22.8, 55.12

 

CMYK 0 / 47 / 100 / 41

HEX #964F00

RGB 150 79 0

HSL 31.6, 1%, 0.29%

LAB 41.34, 25.29, 50.69

 

CMYK 0 / 54 / 100 / 48

HEX #853D00

RGB 133 61 0

HSL 27.52, 1%, 0.26%

LAB 34.65, 27.85, 45.32

 

CMYK 0 / 63 / 100 / 55

HEX #742B00

RGB 116 43 0

HSL 22.24, 1%, 0.23%

LAB 27.96, 30.26, 39.26

 

CMYK 0 / 38 / 88 / 27

HEX #BA7417

RGB 186 116 23

HSL 34.23, 0.78%, 0.41%

LAB 55.06, 20.95, 56.91

 

CMYK 0 / 61 / 88 / 27

HEX #BA4817

RGB 186 72 23

HSL 18.04, 0.78%, 0.41%

LAB 45.82, 43.85, 49.48

 

CMYK 0 / 85 / 88 / 27

HEX #BA1C17

RGB 186 28 23

HSL 1.84, 0.78%, 0.41%

LAB 40.13, 59.45, 44.9

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 0 / 38 / 88 / 27

HEX #BA7417

RGB 186 116 23

HSL 34.23, 0.78%, 0.41%

LAB 55.06, 20.95, 56.91

 

CMYK 0 / 14 / 88 / 27

HEX #BAA017

RGB 186 160 23

HSL 50.43, 0.78%, 0.41%

LAB 66.25, -3.17, 65.9

 

CMYK 10 / 0 / 88 / 27

HEX #A8BA17

RGB 168 186 23

HSL 66.63, 0.78%, 0.41%

LAB 71.9, -24.41, 69.84

 

CMYK 33 / 0 / 88 / 27

HEX #7CBA17

RGB 124 186 23

HSL 82.82, 0.78%, 0.41%

LAB 69.09, -42.07, 66.37

 

CMYK 57 / 0 / 88 / 27

HEX #50BA17

RGB 80 186 23

HSL 99.02, 0.78%, 0.41%

LAB 67.19, -56.2, 64

 

CMYK 0 / 38 / 88 / 27

HEX #BA7417

RGB 186 116 23

HSL 34.23, 0.78%, 0.41%

LAB 55.06, 20.95, 56.91

 

CMYK 0 / 42 / 97 / 20

HEX #CB7606

RGB 203 118 6

HSL 34.11, 0.94%, 0.41%

LAB 57.72, 26.94, 63.6

 

CMYK 0 / 38 / 88 / 27

HEX #BA7417

RGB 186 116 23

HSL 34.23, 0.78%, 0.41%

LAB 55.06, 20.95, 56.91

 

CMYK 0 / 33 / 77 / 34

HEX #A97127

RGB 169 113 39

HSL 34.15, 0.63%, 0.41%

LAB 52.28, 15.62, 47.75

 

CMYK 0 / 27 / 63 / 40

HEX #986F38

RGB 152 111 56

HSL 34.38, 0.46%, 0.41%

LAB 49.89, 10.1, 36.42

 

CMYK 0 / 20 / 46 / 47

HEX #876C49

RGB 135 108 73

HSL 33.87, 0.3%, 0.41%

LAB 47.44, 5.8, 23.61

 

CMYK 0 / 10 / 24 / 54

HEX #766A5A

RGB 118 106 90

HSL 34.29, 0.13%, 0.41%

LAB 45.49, 1.93, 10.71

 

CMYK 0 / 85 / 88 / 27

HEX #BA1C17

RGB 186 28 23

HSL 1.84, 0.78%, 0.41%

LAB 40.13, 59.45, 44.9

 

CMYK 0 / 62 / 88 / 27

HEX #BA4717

RGB 186 71 23

HSL 17.67, 0.78%, 0.41%

LAB 45.64, 44.32, 49.34

 

CMYK 0 / 38 / 88 / 27

HEX #BA7317

RGB 186 115 23

HSL 33.87, 0.78%, 0.41%

LAB 54.83, 21.5, 56.72

 

CMYK 0 / 15 / 88 / 27

HEX #BA9E17

RGB 186 158 23

HSL 49.69, 0.78%, 0.41%

LAB 65.71, -2.11, 65.47

 

CMYK 9 / 0 / 88 / 27

HEX #A9BA17

RGB 169 186 23

HSL 66.26, 0.78%, 0.41%

LAB 71.97, -23.98, 69.93

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 0 / 38 / 88 / 42

HEX #955D12

RGB 149 93 18

HSL 34.35, 0.78%, 0.33%

LAB 44.61, 17.23, 47.96

 

CMYK 0 / 38 / 88 / 27

HEX #BA7417

RGB 186 116 23

HSL 34.23, 0.78%, 0.41%

LAB 55.06, 20.95, 56.91

 

CMYK 0 / 37 / 88 / 13

HEX #DE8B1B

RGB 222 139 27

HSL 34.46, 0.78%, 0.49%

LAB 65.02, 24.07, 65.63

 

CMYK 0 / 32 / 74 / 10

HEX #E69D3C

RGB 230 157 60

HSL 34.24, 0.77%, 0.57%

LAB 70.36, 18.91, 59.14

 

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

CMYK 67 / 0 / 88 / 27

HEX #3DBA17

RGB 61 186 23

HSL 106.01, 0.78%, 0.41%

LAB 66.65, -60.66, 63.32

 

CMYK 73 / 88 / 0 / 27

HEX #3217BA

RGB 50 23 186

HSL 249.94, 0.78%, 0.41%

LAB 26.26, 57.63, -78.11

 

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

CMYK 88 / 0 / 38 / 27

HEX #17BA73

RGB 23 186 115

HSL 153.87, 0.78%, 0.41%

LAB 66.93, -55.15, 25.33

 

CMYK 38 / 88 / 0 / 27

HEX #7317BA

RGB 115 23 186

HSL 273.87, 0.78%, 0.41%

LAB 33.57, 63.79, -65.8

 

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

CMYK 67 / 0 / 88 / 27

HEX #3DBA17

RGB 61 186 23

HSL 106.01, 0.78%, 0.41%

LAB 66.65, -60.66, 63.32

 

CMYK 88 / 50 / 0 / 27

HEX #175DBA

RGB 23 93 186

HSL 214.23, 0.78%, 0.41%

LAB 40.5, 14.93, -54.79

 

CMYK 20 / 88 / 0 / 27

HEX #9417BA

RGB 148 23 186

HSL 286.01, 0.78%, 0.41%

LAB 38.64, 68.55, -57.3

 

CMYK 0 / 38 / 88 / 28

HEX #B87317

RGB 184 115 23

HSL 34.29, 0.78%, 0.41%

LAB 54.57, 20.62, 56.41

 

CMYK 88 / 0 / 82 / 27

HEX #17BA21

RGB 23 186 33

HSL 123.68, 0.78%, 0.41%

LAB 66.07, -65.61, 60.19

 

CMYK 88 / 50 / 0 / 27

HEX #175DBA

RGB 23 93 186

HSL 214.23, 0.78%, 0.41%

LAB 40.5, 14.93, -54.79

 

CMYK 0 / 88 / 6 / 27

HEX #BA17AF

RGB 186 23 175

HSL 304.05, 0.78%, 0.41%

LAB 44.44, 73.32, -41.14

 

Description

Color code: HEX #B87317 | qconv.com Color code: HEX #B87317 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 115 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 115 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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