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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 70 13 it is the complementary color RGB 143 185 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 70 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 70 13 shade: RGB 117 70 8, RGB 134 88 27, RGB 151 106 46, RGB 168 124 65 and RGB 185 142 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 70 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 70 13 shade: RGB 112 70 13, RGB 95 52 0, RGB 78 34 0, RGB 61 16 0 and RGB 44 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 70 13 shade: RGB 114 71 13, RGB 114 44 13, RGB 114 17 13 and RGB 114 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 70 13 shade: RGB 114 71 13, RGB 114 98 13, RGB 102 114 13, RGB 75 114 13 and RGB 48 114 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 70 13 shade matches the following richer shades: RGB 114 71 13 and RGB 124 72 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 70 13 shade: RGB 114 71 13, RGB 103 69 23, RGB 93 68 34, RGB 83 66 44 and RGB 72 65 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 70 13 shade: RGB 114 16 13, RGB 114 43 13, RGB 114 70 13, RGB 114 97 13 and RGB 104 114 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 70 13 shade: RGB 40 25 4, RGB 77 48 9, RGB 114 71 13, RGB 151 94 17 and RGB 187 117 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 70 13 shade: RGB 112 70 13, RGB 36 114 13 and RGB 30 13 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 70 13 shade: RGB 112 70 13, RGB 13 114 70 and RGB 70 13 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 70 13 shade: RGB 112 70 13, RGB 36 114 13, RGB 13 57 114 and RGB 90 13 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 70 13 shade: RGB 112 70 13, RGB 13 114 20, RGB 13 57 114 and RGB 114 13 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

Complementary color

CMYK 41 / 24 / 0 / 5

HEX #8FB9F2

RGB 143 185 242

HSL 214.55, 0.79%, 0.75%

LAB 74.16, 0.23, -32.75

 

CMYK 0 / 40 / 93 / 54

HEX #754608

RGB 117 70 8

HSL 34.13, 0.87%, 0.25%

LAB 34.35, 15.57, 41.06

 

CMYK 0 / 34 / 80 / 47

HEX #86581B

RGB 134 88 27

HSL 34.21, 0.66%, 0.32%

LAB 41.42, 13.51, 40.93

 

CMYK 0 / 30 / 70 / 41

HEX #976A2E

RGB 151 106 46

HSL 34.29, 0.53%, 0.39%

LAB 48.37, 11.85, 39.78

 

CMYK 0 / 26 / 61 / 34

HEX #A87C41

RGB 168 124 65

HSL 34.37, 0.44%, 0.46%

LAB 55.2, 10.5, 38.35

 

CMYK 0 / 23 / 55 / 27

HEX #B98E54

RGB 185 142 84

HSL 34.46, 0.42%, 0.53%

LAB 61.91, 9.38, 36.9

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 0 / 45 / 100 / 63

HEX #5F3400

RGB 95 52 0

HSL 32.84, 1%, 0.19%

LAB 26.42, 15.67, 36.53

 

CMYK 0 / 56 / 100 / 69

HEX #4E2200

RGB 78 34 0

HSL 26.15, 1%, 0.15%

LAB 19.07, 18.5, 28.05

 

CMYK 0 / 74 / 100 / 76

HEX #3D1000

RGB 61 16 0

HSL 15.74, 1%, 0.12%

LAB 11.71, 21.09, 18.01

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 38 / 89 / 55

HEX #72470D

RGB 114 71 13

HSL 34.46, 0.8%, 0.25%

LAB 34.22, 13.66, 39.08

 

CMYK 0 / 61 / 89 / 55

HEX #722C0D

RGB 114 44 13

HSL 18.42, 0.8%, 0.25%

LAB 27.87, 29.24, 33.64

 

CMYK 0 / 85 / 89 / 55

HEX #72110D

RGB 114 17 13

HSL 2.38, 0.8%, 0.25%

LAB 23.7, 40.58, 29.78

 

CMYK 0 / 89 / 89 / 55

HEX #720D0D

RGB 114 13 13

HSL 0, 0.8%, 0.25%

LAB 23.32, 41.65, 29.4

 

CMYK 0 / 38 / 89 / 55

HEX #72470D

RGB 114 71 13

HSL 34.46, 0.8%, 0.25%

LAB 34.22, 13.66, 39.08

 

CMYK 0 / 14 / 89 / 55

HEX #72620D

RGB 114 98 13

HSL 50.5, 0.8%, 0.25%

LAB 41.75, -2.51, 45.41

 

CMYK 11 / 0 / 89 / 55

HEX #66720D

RGB 102 114 13

HSL 67.13, 0.8%, 0.25%

LAB 45.48, -17.21, 48.08

 

CMYK 34 / 0 / 89 / 55

HEX #4B720D

RGB 75 114 13

HSL 83.17, 0.8%, 0.25%

LAB 43.59, -29.05, 45.72

 

CMYK 58 / 0 / 89 / 55

HEX #30720D

RGB 48 114 13

HSL 99.21, 0.8%, 0.25%

LAB 42.3, -38.65, 44.08

 

CMYK 0 / 38 / 89 / 55

HEX #72470D

RGB 114 71 13

HSL 34.46, 0.8%, 0.25%

LAB 34.22, 13.66, 39.08

 

CMYK 0 / 42 / 98 / 51

HEX #7C4803

RGB 124 72 3

HSL 34.21, 0.95%, 0.25%

LAB 35.84, 17.56, 44.29

 

CMYK 0 / 38 / 89 / 55

HEX #72470D

RGB 114 71 13

HSL 34.46, 0.8%, 0.25%

LAB 34.22, 13.66, 39.08

 

CMYK 0 / 33 / 78 / 60

HEX #674517

RGB 103 69 23

HSL 34.5, 0.63%, 0.25%

LAB 32.26, 9.96, 32.4

 

CMYK 0 / 27 / 63 / 64

HEX #5D4422

RGB 93 68 34

HSL 34.58, 0.46%, 0.25%

LAB 30.82, 6.45, 24.49

 

CMYK 0 / 20 / 47 / 67

HEX #53422C

RGB 83 66 44

HSL 33.85, 0.31%, 0.25%

LAB 29.2, 3.92, 16.15

 

CMYK 0 / 10 / 25 / 72

HEX #484136

RGB 72 65 54

HSL 36.67, 0.14%, 0.25%

LAB 27.91, 0.89, 7.81

 

CMYK 0 / 86 / 89 / 55

HEX #72100D

RGB 114 16 13

HSL 1.78, 0.8%, 0.25%

LAB 23.6, 40.86, 29.68

 

CMYK 0 / 62 / 89 / 55

HEX #722B0D

RGB 114 43 13

HSL 17.82, 0.8%, 0.25%

LAB 27.67, 29.77, 33.47

 

CMYK 0 / 39 / 89 / 55

HEX #72460D

RGB 114 70 13

HSL 33.86, 0.8%, 0.25%

LAB 33.96, 14.27, 38.86

 

CMYK 0 / 15 / 89 / 55

HEX #72610D

RGB 114 97 13

HSL 49.9, 0.8%, 0.25%

LAB 41.46, -1.92, 45.17

 

CMYK 9 / 0 / 89 / 55

HEX #68720D

RGB 104 114 13

HSL 65.94, 0.8%, 0.25%

LAB 45.64, -16.28, 48.28

 

CMYK 0 / 38 / 90 / 84

HEX #281904

RGB 40 25 4

HSL 35, 0.82%, 0.09%

LAB 10.22, 4.82, 13.73

 

CMYK 0 / 38 / 88 / 70

HEX #4D3009

RGB 77 48 9

HSL 34.41, 0.79%, 0.17%

LAB 22.69, 9.52, 28.32

 

CMYK 0 / 38 / 89 / 55

HEX #72470D

RGB 114 71 13

HSL 34.46, 0.8%, 0.25%

LAB 34.22, 13.66, 39.08

 

CMYK 0 / 38 / 89 / 41

HEX #975E11

RGB 151 94 17

HSL 34.48, 0.8%, 0.33%

LAB 45.12, 17.54, 48.8

 

CMYK 0 / 37 / 88 / 27

HEX #BB7516

RGB 187 117 22

HSL 34.55, 0.79%, 0.41%

LAB 55.43, 20.81, 57.55

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 68 / 0 / 89 / 55

HEX #24720D

RGB 36 114 13

HSL 106.34, 0.8%, 0.25%

LAB 41.91, -41.85, 43.59

 

CMYK 74 / 89 / 0 / 55

HEX #1E0D72

RGB 30 13 114

HSL 250.1, 0.8%, 0.25%

LAB 14.28, 39.19, -53.48

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 89 / 0 / 39 / 55

HEX #0D7246

RGB 13 114 70

HSL 153.86, 0.8%, 0.25%

LAB 42.1, -37.99, 16.98

 

CMYK 39 / 89 / 0 / 55

HEX #460D72

RGB 70 13 114

HSL 273.86, 0.8%, 0.25%

LAB 19.24, 43.87, -45.12

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 68 / 0 / 89 / 55

HEX #24720D

RGB 36 114 13

HSL 106.34, 0.8%, 0.25%

LAB 41.91, -41.85, 43.59

 

CMYK 89 / 50 / 0 / 55

HEX #0D3972

RGB 13 57 114

HSL 213.86, 0.8%, 0.25%

LAB 24.41, 8.91, -36.94

 

CMYK 21 / 89 / 0 / 55

HEX #5A0D72

RGB 90 13 114

HSL 285.74, 0.8%, 0.25%

LAB 22.57, 47.22, -39.56

 

CMYK 0 / 38 / 88 / 56

HEX #70460D

RGB 112 70 13

HSL 34.55, 0.79%, 0.25%

LAB 33.68, 13.3, 38.51

 

CMYK 89 / 0 / 82 / 55

HEX #0D7214

RGB 13 114 20

HSL 124.16, 0.8%, 0.25%

LAB 41.49, -45.33, 40.95

 

CMYK 89 / 50 / 0 / 55

HEX #0D3972

RGB 13 57 114

HSL 213.86, 0.8%, 0.25%

LAB 24.41, 8.91, -36.94

 

CMYK 0 / 89 / 6 / 55

HEX #720D6B

RGB 114 13 107

HSL 304.16, 0.8%, 0.25%

LAB 26.53, 50.66, -28.45

 

Description

Color code: RGB 112 70 13 | qconv.com Color code: RGB 112 70 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 70 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 70 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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