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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8563D it is the complementary color #47A9C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8563D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8563D shade: #BD5638, #CE684B, #DF7A5E, #F08C71 and #FF9E84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8563D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8563D shade: #B8563D, #A7442A, #963217, #852004 and #740E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8563D shade: #B7563D and #B73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8563D shade: #B7563D, #B7773D, #B7983D, #B6B73D and #95B73D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8563D shade matches the following richer shades: #B7563D, #CB4A29, #DF3E15 and #F33201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8563D shade: #B7563D, #A36151, #8F6D64, #7C7978 and #68858C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8563D shade: #B73D65, #B73D45, #B7553D, #B7763D and #B7963D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8563D shade: #793928, #984732, #B7563D, #C76D57 and #D18875

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8563D shade: #B8563D, #86B73D and #3D55B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8563D shade: #B8563D, #3DB755 and #553DB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8563D shade: #B8563D, #86B73D, #3D9FB7 and #6E3DB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8563D shade: #B8563D, #61B73D, #3D9FB7 and #923DB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

Complementary color

CMYK 63 / 13 / 0 / 24

HEX #47A9C2

RGB 71 169 194

HSL 192.2, 0.5%, 0.52%

LAB 64.65, -20.9, -21.31

 

CMYK 0 / 54 / 70 / 26

HEX #BD5638

RGB 189 86 56

HSL 13.53, 0.54%, 0.48%

LAB 49.2, 39.43, 36.95

 

CMYK 0 / 50 / 64 / 19

HEX #CE684B

RGB 206 104 75

HSL 13.28, 0.57%, 0.55%

LAB 55.61, 37.97, 34.68

 

CMYK 0 / 45 / 58 / 13

HEX #DF7A5E

RGB 223 122 94

HSL 13.02, 0.67%, 0.62%

LAB 62.01, 36.59, 32.64

 

CMYK 0 / 42 / 53 / 6

HEX #F08C71

RGB 240 140 113

HSL 12.76, 0.81%, 0.69%

LAB 68.37, 35.33, 30.83

 

CMYK 0 / 38 / 48 / 0

HEX #FF9E84

RGB 255 158 132

HSL 12.68, 1%, 0.76%

LAB 74.43, 33.41, 28.83

 

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

CMYK 0 / 59 / 75 / 35

HEX #A7442A

RGB 167 68 42

HSL 12.48, 0.6%, 0.41%

LAB 42.03, 39.24, 35.64

 

CMYK 0 / 67 / 85 / 41

HEX #963217

RGB 150 50 23

HSL 12.76, 0.73%, 0.34%

LAB 35.65, 40.63, 38.26

 

CMYK 0 / 76 / 97 / 48

HEX #852004

RGB 133 32 4

HSL 13.02, 0.94%, 0.27%

LAB 29.48, 41.64, 40.25

 

CMYK 0 / 88 / 100 / 55

HEX #740E00

RGB 116 14 0

HSL 7.24, 1%, 0.23%

LAB 23.76, 41.73, 35.4

 

CMYK 0 / 53 / 67 / 28

HEX #B7563D

RGB 183 86 61

HSL 12.3, 0.5%, 0.48%

LAB 48.34, 37.39, 32.92

 

CMYK 0 / 67 / 67 / 28

HEX #B73D3D

RGB 183 61 61

HSL 0, 0.5%, 0.48%

LAB 43.86, 49.16, 27.5

 

CMYK 0 / 53 / 67 / 28

HEX #B7563D

RGB 183 86 61

HSL 12.3, 0.5%, 0.48%

LAB 48.34, 37.39, 32.92

 

CMYK 0 / 35 / 67 / 28

HEX #B7773D

RGB 183 119 61

HSL 28.52, 0.5%, 0.48%

LAB 55.68, 19.57, 41.43

 

CMYK 0 / 17 / 67 / 28

HEX #B7983D

RGB 183 152 61

HSL 44.75, 0.5%, 0.48%

LAB 64.05, 1.34, 50.6

 

CMYK 1 / 0 / 67 / 28

HEX #B6B73D

RGB 182 183 61

HSL 60.49, 0.5%, 0.48%

LAB 72.33, -15.42, 59.19

 

CMYK 19 / 0 / 67 / 28

HEX #95B73D

RGB 149 183 61

HSL 76.72, 0.5%, 0.48%

LAB 69.89, -29.14, 55.91

 

CMYK 0 / 53 / 67 / 28

HEX #B7563D

RGB 183 86 61

HSL 12.3, 0.5%, 0.48%

LAB 48.34, 37.39, 32.92

 

CMYK 0 / 64 / 80 / 20

HEX #CB4A29

RGB 203 74 41

HSL 12.22, 0.66%, 0.48%

LAB 49.2, 49.59, 45.5

 

CMYK 0 / 72 / 91 / 13

HEX #DF3E15

RGB 223 62 21

HSL 12.18, 0.83%, 0.48%

LAB 50.91, 60.49, 56.95

 

CMYK 0 / 79 / 100 / 5

HEX #F33201

RGB 243 50 1

HSL 12.15, 0.99%, 0.48%

LAB 53.32, 69.91, 65.55

 

CMYK 0 / 53 / 67 / 28

HEX #B7563D

RGB 183 86 61

HSL 12.3, 0.5%, 0.48%

LAB 48.34, 37.39, 32.92

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 0 / 24 / 30 / 44

HEX #8F6D64

RGB 143 109 100

HSL 12.56, 0.18%, 0.48%

LAB 49.13, 12.13, 10.23

 

CMYK 0 / 2 / 3 / 51

HEX #7C7978

RGB 124 121 120

HSL 15, 0.02%, 0.48%

LAB 51.05, 0.94, 0.94

 

CMYK 26 / 5 / 0 / 45

HEX #68858C

RGB 104 133 140

HSL 191.67, 0.15%, 0.48%

LAB 53.61, -8.57, -7.15

 

CMYK 0 / 67 / 45 / 28

HEX #B73D65

RGB 183 61 101

HSL 340.33, 0.5%, 0.48%

LAB 44.72, 52.29, 4.14

 

CMYK 0 / 67 / 62 / 28

HEX #B73D45

RGB 183 61 69

HSL 356.07, 0.5%, 0.48%

LAB 43.99, 49.65, 22.84

 

CMYK 0 / 54 / 67 / 28

HEX #B7553D

RGB 183 85 61

HSL 11.8, 0.5%, 0.48%

LAB 48.14, 37.9, 32.69

 

CMYK 0 / 36 / 67 / 28

HEX #B7763D

RGB 183 118 61

HSL 28.03, 0.5%, 0.48%

LAB 55.44, 20.13, 41.16

 

CMYK 0 / 18 / 67 / 28

HEX #B7963D

RGB 183 150 61

HSL 43.77, 0.5%, 0.48%

LAB 63.52, 2.43, 50.03

 

CMYK 0 / 53 / 67 / 53

HEX #793928

RGB 121 57 40

HSL 12.59, 0.5%, 0.32%

LAB 32.13, 26.44, 23.44

 

CMYK 0 / 53 / 67 / 40

HEX #984732

RGB 152 71 50

HSL 12.35, 0.5%, 0.4%

LAB 40.27, 32.27, 28.44

 

CMYK 0 / 53 / 67 / 28

HEX #B7563D

RGB 183 86 61

HSL 12.3, 0.5%, 0.48%

LAB 48.34, 37.39, 32.92

 

CMYK 0 / 45 / 56 / 22

HEX #C76D57

RGB 199 109 87

HSL 11.79, 0.5%, 0.56%

LAB 55.85, 33.5, 28.04

 

CMYK 0 / 35 / 44 / 18

HEX #D18875

RGB 209 136 117

HSL 12.39, 0.5%, 0.64%

LAB 63.71, 25.76, 21.75

 

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

CMYK 27 / 0 / 67 / 28

HEX #86B73D

RGB 134 183 61

HSL 84.1, 0.5%, 0.48%

LAB 68.95, -35.03, 54.63

 

CMYK 67 / 54 / 0 / 28

HEX #3D55B7

RGB 61 85 183

HSL 228.2, 0.5%, 0.48%

LAB 39.43, 23.39, -54.71

 

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

CMYK 67 / 0 / 54 / 28

HEX #3DB755

RGB 61 183 85

HSL 131.8, 0.5%, 0.48%

LAB 66.15, -54.24, 39.81

 

CMYK 54 / 67 / 0 / 28

HEX #553DB7

RGB 85 61 183

HSL 251.8, 0.5%, 0.48%

LAB 35.38, 42.37, -61.21

 

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

CMYK 27 / 0 / 67 / 28

HEX #86B73D

RGB 134 183 61

HSL 84.1, 0.5%, 0.48%

LAB 68.95, -35.03, 54.63

 

CMYK 67 / 13 / 0 / 28

HEX #3D9FB7

RGB 61 159 183

HSL 191.8, 0.5%, 0.48%

LAB 60.96, -20.75, -20.81

 

CMYK 40 / 67 / 0 / 28

HEX #6E3DB7

RGB 110 61 183

HSL 264.1, 0.5%, 0.48%

LAB 37.97, 47.12, -56.87

 

CMYK 0 / 53 / 67 / 28

HEX #B8563D

RGB 184 86 61

HSL 12.2, 0.5%, 0.48%

LAB 48.49, 37.78, 33.14

 

CMYK 47 / 0 / 67 / 28

HEX #61B73D

RGB 97 183 61

HSL 102.3, 0.5%, 0.48%

LAB 67.09, -47.88, 52.09

 

CMYK 67 / 13 / 0 / 28

HEX #3D9FB7

RGB 61 159 183

HSL 191.8, 0.5%, 0.48%

LAB 60.96, -20.75, -20.81

 

CMYK 20 / 67 / 0 / 28

HEX #923DB7

RGB 146 61 183

HSL 281.8, 0.5%, 0.48%

LAB 42.56, 54.89, -49.23

 

Description

Color code: HEX #B8563D | qconv.com Color code: HEX #B8563D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 86 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 86 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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