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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A36151 it is the complementary color #5C9EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A36151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A36151 shade: #A8614C, #B9735F, #CA8572, #DB9785 and #ECA998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A36151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A36151 shade: #A36151, #924F3E, #813D2B, #702B18 and #5F1905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A36151 shade: #A46150 and #A45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A36151 shade: #A46150, #A47750, #A48D50, #A3A450 and #8DA450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A36151 shade matches the following richer shades: #A46150, #B7543C, #CB4829, #DF3C15 and #F33001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A36151 shade: #A46150, #906D64, #7C7978, #68858C and #5491A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A36151 shade: #A4506D, #A45057, #A46050, #A47650 and #A48C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A36151 shade: #6C4035, #885043, #A46150, #B57768 and #C29084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A36151 shade: #A36151, #84A450 and #5062A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A36151 shade: #A36151, #50A460 and #6050A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A36151 shade: #A36151, #84A450, #5094A4 and #7050A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A36151 shade: #A36151, #6BA450, #5094A4 and #8950A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

Complementary color

CMYK 47 / 9 / 0 / 32

HEX #5C9EAE

RGB 92 158 174

HSL 191.71, 0.34%, 0.52%

LAB 61.47, -16.66, -14.87

 

CMYK 0 / 42 / 55 / 34

HEX #A8614C

RGB 168 97 76

HSL 13.7, 0.38%, 0.48%

LAB 48.76, 26.61, 24.36

 

CMYK 0 / 38 / 49 / 27

HEX #B9735F

RGB 185 115 95

HSL 13.33, 0.39%, 0.55%

LAB 55.48, 25.38, 22.65

 

CMYK 0 / 34 / 44 / 21

HEX #CA8572

RGB 202 133 114

HSL 12.95, 0.45%, 0.62%

LAB 62.12, 24.29, 21.14

 

CMYK 0 / 31 / 39 / 14

HEX #DB9785

RGB 219 151 133

HSL 12.56, 0.54%, 0.69%

LAB 68.67, 23.34, 19.79

 

CMYK 0 / 28 / 36 / 7

HEX #ECA998

RGB 236 169 152

HSL 12.14, 0.69%, 0.76%

LAB 75.12, 22.48, 18.57

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 0 / 46 / 58 / 43

HEX #924F3E

RGB 146 79 62

HSL 12.14, 0.4%, 0.41%

LAB 41.3, 26.32, 22.4

 

CMYK 0 / 53 / 67 / 49

HEX #813D2B

RGB 129 61 43

HSL 12.56, 0.5%, 0.34%

LAB 34.35, 27.78, 24.61

 

CMYK 0 / 62 / 79 / 56

HEX #702B18

RGB 112 43 24

HSL 12.95, 0.65%, 0.27%

LAB 27.4, 29.37, 27.22

 

CMYK 0 / 74 / 95 / 63

HEX #5F1905

RGB 95 25 5

HSL 13.33, 0.9%, 0.2%

LAB 20.59, 30.79, 28.62

 

CMYK 0 / 41 / 51 / 36

HEX #A46150

RGB 164 97 80

HSL 12.14, 0.34%, 0.48%

LAB 48.29, 25.33, 21.31

 

CMYK 0 / 51 / 51 / 36

HEX #A45050

RGB 164 80 80

HSL 0, 0.34%, 0.48%

LAB 44.53, 34.62, 16.29

 

CMYK 0 / 41 / 51 / 36

HEX #A46150

RGB 164 97 80

HSL 12.14, 0.34%, 0.48%

LAB 48.29, 25.33, 21.31

 

CMYK 0 / 27 / 51 / 36

HEX #A47750

RGB 164 119 80

HSL 27.86, 0.34%, 0.48%

LAB 53.67, 12.87, 28.29

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 1 / 0 / 51 / 36

HEX #A3A450

RGB 163 164 80

HSL 60.71, 0.34%, 0.48%

LAB 65.68, -12.31, 42.97

 

CMYK 14 / 0 / 51 / 36

HEX #8DA450

RGB 141 164 80

HSL 76.43, 0.34%, 0.48%

LAB 63.99, -21.44, 40.55

 

CMYK 0 / 41 / 51 / 36

HEX #A46150

RGB 164 97 80

HSL 12.14, 0.34%, 0.48%

LAB 48.29, 25.33, 21.31

 

CMYK 0 / 54 / 67 / 28

HEX #B7543C

RGB 183 84 60

HSL 11.71, 0.51%, 0.48%

LAB 47.92, 38.35, 33

 

CMYK 0 / 65 / 80 / 20

HEX #CB4829

RGB 203 72 41

HSL 11.48, 0.66%, 0.48%

LAB 48.87, 50.46, 45.18

 

CMYK 0 / 73 / 91 / 13

HEX #DF3C15

RGB 223 60 21

HSL 11.58, 0.83%, 0.48%

LAB 50.66, 61.18, 56.78

 

CMYK 0 / 80 / 100 / 5

HEX #F33001

RGB 243 48 1

HSL 11.65, 0.99%, 0.48%

LAB 53.14, 70.42, 65.47

 

CMYK 0 / 41 / 51 / 36

HEX #A46150

RGB 164 97 80

HSL 12.14, 0.34%, 0.48%

LAB 48.29, 25.33, 21.31

 

CMYK 0 / 24 / 31 / 44

HEX #906D64

RGB 144 109 100

HSL 12.27, 0.18%, 0.48%

LAB 49.24, 12.54, 10.4

 

CMYK 0 / 2 / 3 / 51

HEX #7C7978

RGB 124 121 120

HSL 15, 0.02%, 0.48%

LAB 51.05, 0.94, 0.94

 

CMYK 26 / 5 / 0 / 45

HEX #68858C

RGB 104 133 140

HSL 191.67, 0.15%, 0.48%

LAB 53.61, -8.57, -7.15

 

CMYK 48 / 9 / 0 / 37

HEX #5491A0

RGB 84 145 160

HSL 191.84, 0.31%, 0.48%

LAB 56.76, -15.58, -14.07

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 51 / 47 / 36

HEX #A45057

RGB 164 80 87

HSL 355, 0.34%, 0.48%

LAB 44.69, 35.32, 12.25

 

CMYK 0 / 41 / 51 / 36

HEX #A46050

RGB 164 96 80

HSL 11.43, 0.34%, 0.48%

LAB 48.05, 25.89, 21.01

 

CMYK 0 / 28 / 51 / 36

HEX #A47650

RGB 164 118 80

HSL 27.14, 0.34%, 0.48%

LAB 53.42, 13.44, 27.96

 

CMYK 0 / 15 / 51 / 36

HEX #A48C50

RGB 164 140 80

HSL 42.86, 0.34%, 0.48%

LAB 59.18, 1.07, 35.18

 

CMYK 0 / 41 / 51 / 58

HEX #6C4035

RGB 108 64 53

HSL 12, 0.34%, 0.32%

LAB 32.06, 17.84, 14.84

 

CMYK 0 / 41 / 51 / 47

HEX #885043

RGB 136 80 67

HSL 11.3, 0.34%, 0.4%

LAB 40.21, 22, 17.69

 

CMYK 0 / 41 / 51 / 36

HEX #A46150

RGB 164 97 80

HSL 12.14, 0.34%, 0.48%

LAB 48.29, 25.33, 21.31

 

CMYK 0 / 34 / 43 / 29

HEX #B57768

RGB 181 119 104

HSL 11.69, 0.34%, 0.56%

LAB 56.1, 22.5, 18.23

 

CMYK 0 / 26 / 32 / 24

HEX #C29084

RGB 194 144 132

HSL 11.61, 0.34%, 0.64%

LAB 64.23, 17.25, 13.77

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 20 / 0 / 51 / 36

HEX #84A450

RGB 132 164 80

HSL 82.86, 0.34%, 0.48%

LAB 63.37, -25.05, 39.66

 

CMYK 51 / 40 / 0 / 36

HEX #5062A4

RGB 80 98 164

HSL 227.14, 0.34%, 0.48%

LAB 42.95, 12.33, -37.81

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 51 / 0 / 41 / 36

HEX #50A460

RGB 80 164 96

HSL 131.43, 0.34%, 0.48%

LAB 60.87, -40.56, 27.66

 

CMYK 41 / 51 / 0 / 36

HEX #6050A4

RGB 96 80 164

HSL 251.43, 0.34%, 0.48%

LAB 39.42, 27.63, -43.34

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 20 / 0 / 51 / 36

HEX #84A450

RGB 132 164 80

HSL 82.86, 0.34%, 0.48%

LAB 63.37, -25.05, 39.66

 

CMYK 51 / 10 / 0 / 36

HEX #5094A4

RGB 80 148 164

HSL 191.43, 0.34%, 0.48%

LAB 57.62, -17, -15.07

 

CMYK 32 / 51 / 0 / 36

HEX #7050A4

RGB 112 80 164

HSL 262.86, 0.34%, 0.48%

LAB 41, 31.84, -40.73

 

CMYK 0 / 40 / 50 / 36

HEX #A36151

RGB 163 97 81

HSL 11.71, 0.34%, 0.48%

LAB 48.17, 25.02, 20.55

 

CMYK 35 / 0 / 51 / 36

HEX #6BA450

RGB 107 164 80

HSL 100.71, 0.34%, 0.48%

LAB 61.87, -34.42, 37.5

 

CMYK 51 / 10 / 0 / 36

HEX #5094A4

RGB 80 148 164

HSL 191.43, 0.34%, 0.48%

LAB 57.62, -17, -15.07

 

CMYK 16 / 51 / 0 / 36

HEX #8950A4

RGB 137 80 164

HSL 280.71, 0.34%, 0.48%

LAB 43.85, 38.85, -36.03

 

Description

Color code: HEX #A36151 | qconv.com Color code: HEX #A36151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 97 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 97 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 50 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 50% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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