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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78DE0 it is the complementary color #48721F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78DE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78DE0 shade: #BC8DDB, #CD9FEE, #DEB1FF, #EFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78DE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78DE0 shade: #B78DE0, #A67BCD, #9569BA, #8457A7 and #734594

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78DE0 shade: #B88EE0, #CE8EE0, #E08EDC, #E08EC6 and #E08EB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78DE0 shade: #B88EE0, #A28EE0 and #8E8EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78DE0 shade matches the following richer shades: #B88EE0, #B883EB and #B877F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78DE0 shade: #B88EE0, #B79AD4, #B7A6C9, #B7B1BD and #B7BDB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78DE0 shade: #8E91E0, #A18EE0, #B78EE0, #CD8EE0 and #E08EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78DE0 shade: #8F4ECE, #A36ED7, #B88EE0, #CCAFE9 and #E1CFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78DE0 shade: #B78DE0, #E08EA7 and #8EE097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78DE0 shade: #B78DE0, #E0B78E and #8EE0B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78DE0 shade: #B78DE0, #E08EA7, #B7E08E and #8EE0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78DE0 shade: #B78DE0, #E08E8E, #B7E08E and #8EE0E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

Complementary color

CMYK 37 / 0 / 73 / 55

HEX #48721F

RGB 72 114 31

HSL 90.36, 0.57%, 0.28%

LAB 43.52, -29.2, 39.44

 

CMYK 14 / 36 / 0 / 14

HEX #BC8DDB

RGB 188 141 219

HSL 276.15, 0.52%, 0.71%

LAB 65.64, 32.11, -33.07

 

CMYK 14 / 33 / 0 / 7

HEX #CD9FEE

RGB 205 159 238

HSL 274.94, 0.7%, 0.78%

LAB 72.19, 31.42, -33.23

 

CMYK 13 / 31 / 0 / 0

HEX #DEB1FF

RGB 222 177 255

HSL 274.62, 1%, 0.85%

LAB 78.57, 30.36, -32.44

 

CMYK 6 / 24 / 0 / 0

HEX #EFC3FF

RGB 239 195 255

HSL 284, 1%, 0.88%

LAB 84.28, 26, -23.58

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

CMYK 19 / 40 / 0 / 20

HEX #A67BCD

RGB 166 123 205

HSL 271.46, 0.45%, 0.64%

LAB 58.68, 32.45, -36.23

 

CMYK 20 / 44 / 0 / 27

HEX #9569BA

RGB 149 105 186

HSL 272.59, 0.37%, 0.57%

LAB 51.88, 33.27, -36.16

 

CMYK 21 / 48 / 0 / 35

HEX #8457A7

RGB 132 87 167

HSL 273.75, 0.31%, 0.5%

LAB 44.96, 34.14, -36.09

 

CMYK 22 / 53 / 0 / 42

HEX #734594

RGB 115 69 148

HSL 274.94, 0.36%, 0.43%

LAB 37.91, 35.05, -36

 

CMYK 18 / 37 / 0 / 12

HEX #B88EE0

RGB 184 142 224

HSL 270.73, 0.57%, 0.72%

LAB 65.68, 31.43, -35.79

 

CMYK 8 / 37 / 0 / 12

HEX #CE8EE0

RGB 206 142 224

HSL 286.83, 0.57%, 0.72%

LAB 67.91, 38.09, -32.17

 

CMYK 0 / 37 / 2 / 12

HEX #E08EDC

RGB 224 142 220

HSL 302.93, 0.57%, 0.72%

LAB 69.73, 42.89, -26.99

 

CMYK 0 / 37 / 12 / 12

HEX #E08EC6

RGB 224 142 198

HSL 319.02, 0.57%, 0.72%

LAB 68.95, 39.1, -15.98

 

CMYK 0 / 37 / 21 / 12

HEX #E08EB0

RGB 224 142 176

HSL 335.12, 0.57%, 0.72%

LAB 68.26, 35.67, -4.72

 

CMYK 18 / 37 / 0 / 12

HEX #B88EE0

RGB 184 142 224

HSL 270.73, 0.57%, 0.72%

LAB 65.68, 31.43, -35.79

 

CMYK 28 / 37 / 0 / 12

HEX #A28EE0

RGB 162 142 224

HSL 254.63, 0.57%, 0.72%

LAB 63.68, 24.99, -39.07

 

CMYK 37 / 37 / 0 / 12

HEX #8E8EE0

RGB 142 142 224

HSL 240, 0.57%, 0.72%

LAB 62.06, 19.43, -41.72

 

CMYK 18 / 37 / 0 / 12

HEX #B88EE0

RGB 184 142 224

HSL 270.73, 0.57%, 0.72%

LAB 65.68, 31.43, -35.79

 

CMYK 22 / 44 / 0 / 8

HEX #B883EB

RGB 184 131 235

HSL 270.58, 0.72%, 0.72%

LAB 63.69, 39.99, -45.01

 

CMYK 26 / 52 / 0 / 3

HEX #B877F7

RGB 184 119 247

HSL 270.47, 0.89%, 0.72%

LAB 61.74, 49.2, -54.72

 

CMYK 18 / 37 / 0 / 12

HEX #B88EE0

RGB 184 142 224

HSL 270.73, 0.57%, 0.72%

LAB 65.68, 31.43, -35.79

 

CMYK 14 / 27 / 0 / 17

HEX #B79AD4

RGB 183 154 212

HSL 270, 0.4%, 0.72%

LAB 67.97, 21.8, -25.63

 

CMYK 9 / 17 / 0 / 21

HEX #B7A6C9

RGB 183 166 201

HSL 269.14, 0.24%, 0.72%

LAB 70.56, 12.81, -15.6

 

CMYK 3 / 6 / 0 / 26

HEX #B7B1BD

RGB 183 177 189

HSL 270, 0.08%, 0.72%

LAB 73.01, 4.38, -5.35

 

CMYK 3 / 0 / 6 / 26

HEX #B7BDB2

RGB 183 189 178

HSL 92.73, 0.08%, 0.72%

LAB 75.87, -4.11, 4.82

 

CMYK 37 / 35 / 0 / 12

HEX #8E91E0

RGB 142 145 224

HSL 237.8, 0.57%, 0.72%

LAB 62.83, 17.69, -40.52

 

CMYK 28 / 37 / 0 / 12

HEX #A18EE0

RGB 161 142 224

HSL 253.9, 0.57%, 0.72%

LAB 63.59, 24.7, -39.21

 

CMYK 18 / 37 / 0 / 12

HEX #B78EE0

RGB 183 142 224

HSL 270, 0.57%, 0.72%

LAB 65.59, 31.13, -35.95

 

CMYK 8 / 37 / 0 / 12

HEX #CD8EE0

RGB 205 142 224

HSL 286.1, 0.57%, 0.72%

LAB 67.8, 37.79, -32.34

 

CMYK 0 / 37 / 1 / 12

HEX #E08EDD

RGB 224 142 221

HSL 302.2, 0.57%, 0.72%

LAB 69.76, 43.07, -27.49

 

CMYK 31 / 62 / 0 / 19

HEX #8F4ECE

RGB 143 78 206

HSL 270.47, 0.57%, 0.56%

LAB 46.64, 51.19, -56.07

 

CMYK 24 / 49 / 0 / 16

HEX #A36ED7

RGB 163 110 215

HSL 270.29, 0.57%, 0.64%

LAB 55.93, 41.18, -46.22

 

CMYK 18 / 37 / 0 / 12

HEX #B88EE0

RGB 184 142 224

HSL 270.73, 0.57%, 0.72%

LAB 65.68, 31.43, -35.79

 

CMYK 12 / 25 / 0 / 9

HEX #CCAFE9

RGB 204 175 233

HSL 270, 0.57%, 0.8%

LAB 75.69, 21.3, -25.15

 

CMYK 7 / 14 / 0 / 5

HEX #E1CFF2

RGB 225 207 242

HSL 270.86, 0.57%, 0.88%

LAB 85.53, 12.61, -14.91

 

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

CMYK 0 / 37 / 25 / 12

HEX #E08EA7

RGB 224 142 167

HSL 341.71, 0.57%, 0.72%

LAB 68.01, 34.37, -0.04

 

CMYK 37 / 0 / 33 / 12

HEX #8EE097

RGB 142 224 151

HSL 126.59, 0.57%, 0.72%

LAB 82.54, -39.72, 28.07

 

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 37 / 0 / 18 / 12

HEX #8EE0B7

RGB 142 224 183

HSL 150, 0.57%, 0.72%

LAB 83.17, -33.87, 12.26

 

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

CMYK 0 / 37 / 25 / 12

HEX #E08EA7

RGB 224 142 167

HSL 341.71, 0.57%, 0.72%

LAB 68.01, 34.37, -0.04

 

CMYK 18 / 0 / 37 / 12

HEX #B7E08E

RGB 183 224 142

HSL 90, 0.57%, 0.72%

LAB 84.65, -27.38, 35.88

 

CMYK 37 / 0 / 11 / 12

HEX #8EE0C7

RGB 142 224 199

HSL 161.71, 0.57%, 0.72%

LAB 83.54, -30.55, 4.36

 

CMYK 18 / 37 / 0 / 12

HEX #B78DE0

RGB 183 141 224

HSL 270.36, 0.57%, 0.72%

LAB 65.36, 31.69, -36.31

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 18 / 0 / 37 / 12

HEX #B7E08E

RGB 183 224 142

HSL 90, 0.57%, 0.72%

LAB 84.65, -27.38, 35.88

 

CMYK 37 / 0 / 0 / 12

HEX #8EE0E0

RGB 142 224 224

HSL 180, 0.57%, 0.72%

LAB 84.2, -24.88, -7.91

 

Description

Color code: HEX #B78DE0 | qconv.com Color code: HEX #B78DE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 141 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 141 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 37 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 37% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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