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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B78E it is the complementary color #1F4871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B78E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B78E shade: #E5B789, #F6C99C, #FFDBAF, #FFEDC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B78E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B78E shade: #E0B78E, #CFA57B, #BE9368, #AD8155 and #9C6F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B78E shade: #E0B78E, #E0A18E and #E08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B78E shade: #E0B78E, #E0CD8E, #DDE08E, #C7E08E and #B1E08E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B78E shade matches the following richer shades: #E0B78E, #EBB783 and #F7B777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B78E shade: #E0B78E, #D4B79A, #C9B7A6, #BDB7B1 and #B2B7BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B78E shade: #E08E91, #E0A18E, #E0B78E, #E0CD8E and #DDE08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B78E shade: #CE8E4E, #D7A26E, #E0B78E, #E9CCAF and #F2E0CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B78E shade: #E0B78E, #A7E08E and #978EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B78E shade: #E0B78E, #8EE0B7 and #B78EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B78E shade: #E0B78E, #A7E08E, #8EB7E0 and #C78EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B78E shade: #E0B78E, #8EE08E, #8EB7E0 and #E08EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

Complementary color

CMYK 73 / 36 / 0 / 56

HEX #1F4871

RGB 31 72 113

HSL 210, 0.57%, 0.28%

LAB 29.71, 0.54, -27.81

 

CMYK 0 / 20 / 40 / 10

HEX #E5B789

RGB 229 183 137

HSL 30, 0.64%, 0.72%

LAB 77.48, 10.58, 29.69

 

CMYK 0 / 18 / 37 / 4

HEX #F6C99C

RGB 246 201 156

HSL 30, 0.83%, 0.79%

LAB 83.84, 9.91, 28.5

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBAF

RGB 255 219 175

HSL 33, 1%, 0.84%

LAB 89.4, 6.3, 26.28

 

CMYK 0 / 7 / 24 / 0

HEX #FFEDC2

RGB 255 237 194

HSL 42.3, 1%, 0.88%

LAB 94.19, -0.42, 23.07

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 20 / 41 / 19

HEX #CFA57B

RGB 207 165 123

HSL 30, 0.47%, 0.65%

LAB 70.6, 9.86, 27.63

 

CMYK 0 / 23 / 45 / 25

HEX #BE9368

RGB 190 147 104

HSL 30, 0.4%, 0.58%

LAB 64.01, 10.65, 28.94

 

CMYK 0 / 25 / 51 / 32

HEX #AD8155

RGB 173 129 85

HSL 30, 0.35%, 0.51%

LAB 57.31, 11.57, 30.35

 

CMYK 0 / 29 / 58 / 39

HEX #9C6F42

RGB 156 111 66

HSL 30, 0.41%, 0.44%

LAB 50.49, 12.67, 31.87

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 28 / 37 / 12

HEX #E0A18E

RGB 224 161 142

HSL 13.9, 0.57%, 0.72%

LAB 71.75, 20.95, 19.16

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 8 / 37 / 12

HEX #E0CD8E

RGB 224 205 142

HSL 46.1, 0.57%, 0.72%

LAB 82.63, -2.35, 33.8

 

CMYK 1 / 0 / 37 / 12

HEX #DDE08E

RGB 221 224 142

HSL 62.2, 0.57%, 0.72%

LAB 87.31, -13.17, 39.83

 

CMYK 11 / 0 / 37 / 12

HEX #C7E08E

RGB 199 224 142

HSL 78.29, 0.57%, 0.72%

LAB 85.71, -21.51, 37.45

 

CMYK 21 / 0 / 37 / 12

HEX #B1E08E

RGB 177 224 142

HSL 94.39, 0.57%, 0.72%

LAB 84.28, -29.52, 35.32

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 22 / 44 / 8

HEX #EBB783

RGB 235 183 131

HSL 30, 0.72%, 0.72%

LAB 77.97, 12.33, 33.61

 

CMYK 0 / 26 / 52 / 3

HEX #F7B777

RGB 247 183 119

HSL 30, 0.89%, 0.72%

LAB 79.03, 16.01, 41.41

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 14 / 27 / 17

HEX #D4B79A

RGB 212 183 154

HSL 30, 0.4%, 0.72%

LAB 76.19, 6.03, 18.6

 

CMYK 0 / 9 / 17 / 21

HEX #C9B7A6

RGB 201 183 166

HSL 29.14, 0.24%, 0.72%

LAB 75.47, 3.62, 10.96

 

CMYK 0 / 3 / 6 / 26

HEX #BDB7B1

RGB 189 183 177

HSL 30, 0.08%, 0.72%

LAB 74.74, 1.05, 3.79

 

CMYK 6 / 3 / 0 / 26

HEX #B2B7BD

RGB 178 183 189

HSL 212.73, 0.08%, 0.72%

LAB 74.19, -0.58, -3.65

 

CMYK 0 / 37 / 35 / 12

HEX #E08E91

RGB 224 142 145

HSL 357.8, 0.57%, 0.72%

LAB 67.45, 31.49, 11.51

 

CMYK 0 / 28 / 37 / 12

HEX #E0A18E

RGB 224 161 142

HSL 13.9, 0.57%, 0.72%

LAB 71.75, 20.95, 19.16

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 8 / 37 / 12

HEX #E0CD8E

RGB 224 205 142

HSL 46.1, 0.57%, 0.72%

LAB 82.63, -2.35, 33.8

 

CMYK 1 / 0 / 37 / 12

HEX #DDE08E

RGB 221 224 142

HSL 62.2, 0.57%, 0.72%

LAB 87.31, -13.17, 39.83

 

CMYK 0 / 31 / 62 / 19

HEX #CE8E4E

RGB 206 142 78

HSL 30, 0.57%, 0.56%

LAB 64.18, 17.85, 43.27

 

CMYK 0 / 25 / 49 / 16

HEX #D7A26E

RGB 215 162 110

HSL 29.71, 0.57%, 0.64%

LAB 70.46, 13.39, 34.56

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 0 / 12 / 25 / 9

HEX #E9CCAF

RGB 233 204 175

HSL 30, 0.57%, 0.8%

LAB 83.76, 5.8, 18.2

 

CMYK 0 / 7 / 14 / 5

HEX #F2E0CF

RGB 242 224 207

HSL 29.14, 0.57%, 0.88%

LAB 90.18, 3.41, 10.53

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 25 / 0 / 37 / 12

HEX #A7E08E

RGB 167 224 142

HSL 101.71, 0.57%, 0.72%

LAB 83.69, -33, 34.44

 

CMYK 33 / 37 / 0 / 12

HEX #978EE0

RGB 151 142 224

HSL 246.59, 0.57%, 0.72%

LAB 62.77, 21.89, -40.57

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 37 / 0 / 18 / 12

HEX #8EE0B7

RGB 142 224 183

HSL 150, 0.57%, 0.72%

LAB 83.17, -33.87, 12.26

 

CMYK 18 / 37 / 0 / 12

HEX #B78EE0

RGB 183 142 224

HSL 270, 0.57%, 0.72%

LAB 65.59, 31.13, -35.95

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 25 / 0 / 37 / 12

HEX #A7E08E

RGB 167 224 142

HSL 101.71, 0.57%, 0.72%

LAB 83.69, -33, 34.44

 

CMYK 37 / 18 / 0 / 12

HEX #8EB7E0

RGB 142 183 224

HSL 210, 0.57%, 0.72%

LAB 72.89, -3.7, -24.94

 

CMYK 11 / 37 / 0 / 12

HEX #C78EE0

RGB 199 142 224

HSL 281.71, 0.57%, 0.72%

LAB 67.18, 35.96, -33.36

 

CMYK 0 / 18 / 37 / 12

HEX #E0B78E

RGB 224 183 142

HSL 30, 0.57%, 0.72%

LAB 77.08, 9.18, 26.42

 

CMYK 37 / 0 / 37 / 12

HEX #8EE08E

RGB 142 224 142

HSL 120, 0.57%, 0.72%

LAB 82.39, -41.16, 32.47

 

CMYK 37 / 18 / 0 / 12

HEX #8EB7E0

RGB 142 183 224

HSL 210, 0.57%, 0.72%

LAB 72.89, -3.7, -24.94

 

CMYK 0 / 37 / 0 / 12

HEX #E08EE0

RGB 224 142 224

HSL 300, 0.57%, 0.72%

LAB 69.88, 43.62, -28.97

 

Description

Color code: HEX #E0B78E | qconv.com Color code: HEX #E0B78E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 183 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 183 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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