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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D596 it is the complementary color #492A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D596 shade: #BBD591, #CCE7A4, #DDF9B7, #EEFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D596 shade: #B6D596, #A5C383, #94B170, #839F5D and #728D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D596 shade: #B5D495, #C6D495, #D4D195, #D4C095 and #D4AF95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D596 shade: #B5D495, #A4D495, #95D497, #95D4A8 and #95D4B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D596 shade matches the following richer shades: #B5D495, #B5E089, #B5EC7D and #B6F871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D596 shade: #B5D495, #B5C8A1, #B5BCAD, #B4B0B9 and #B4A4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D596 shade: #D4D195, #C7D495, #B6D495, #A5D495 and #95D496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D596 shade: #8CBD5A, #A1C977, #B5D495, #CAE0B2 and #DEECD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D596 shade: #B6D596, #95D4C0 and #D495CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D596 shade: #B6D596, #95B6D4 and #D495B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D596 shade: #B6D596, #95D4C0, #B395D4 and #D495A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D596 shade: #B6D596, #95D4D3, #B395D4 and #D49596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

Complementary color

CMYK 30 / 60 / 0 / 59

HEX #492A69

RGB 73 42 105

HSL 269.52, 0.43%, 0.29%

LAB 23.97, 28.16, -31.62

 

CMYK 12 / 0 / 32 / 16

HEX #BBD591

RGB 187 213 145

HSL 82.94, 0.45%, 0.7%

LAB 81.95, -20.18, 30.83

 

CMYK 12 / 0 / 29 / 9

HEX #CCE7A4

RGB 204 231 164

HSL 84.18, 0.58%, 0.77%

LAB 88.29, -20.18, 29.76

 

CMYK 11 / 0 / 27 / 2

HEX #DDF9B7

RGB 221 249 183

HSL 85.45, 0.85%, 0.85%

LAB 94.54, -20.18, 28.75

 

CMYK 7 / 0 / 21 / 0

HEX #EEFFCA

RGB 238 255 202

HSL 79.25, 1%, 0.9%

LAB 97.62, -14.36, 23.52

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

CMYK 15 / 0 / 33 / 24

HEX #A5C383

RGB 165 195 131

HSL 88.13, 0.35%, 0.64%

LAB 75.24, -21.34, 28.93

 

CMYK 16 / 0 / 37 / 31

HEX #94B170

RGB 148 177 112

HSL 86.77, 0.29%, 0.57%

LAB 68.69, -21.37, 30.07

 

CMYK 18 / 0 / 42 / 38

HEX #839F5D

RGB 131 159 93

HSL 85.45, 0.26%, 0.49%

LAB 62.01, -21.38, 31.26

 

CMYK 19 / 0 / 48 / 45

HEX #728D4A

RGB 114 141 74

HSL 84.18, 0.31%, 0.42%

LAB 55.2, -21.36, 32.49

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 7 / 0 / 30 / 17

HEX #C6D495

RGB 198 212 149

HSL 73.33, 0.42%, 0.71%

LAB 82.52, -15.04, 29.67

 

CMYK 0 / 1 / 30 / 17

HEX #D4D195

RGB 212 209 149

HSL 57.14, 0.42%, 0.71%

LAB 82.79, -8.21, 30.21

 

CMYK 0 / 9 / 30 / 17

HEX #D4C095

RGB 212 192 149

HSL 40.95, 0.42%, 0.71%

LAB 78.38, 0.6, 24.28

 

CMYK 0 / 17 / 30 / 17

HEX #D4AF95

RGB 212 175 149

HSL 24.76, 0.42%, 0.71%

LAB 74.08, 9.64, 18.37

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 23 / 0 / 30 / 17

HEX #A4D495

RGB 164 212 149

HSL 105.71, 0.42%, 0.71%

LAB 80.26, -27.33, 26.24

 

CMYK 30 / 0 / 29 / 17

HEX #95D497

RGB 149 212 151

HSL 121.9, 0.42%, 0.71%

LAB 79.45, -32.02, 23.95

 

CMYK 30 / 0 / 21 / 17

HEX #95D4A8

RGB 149 212 168

HSL 138.1, 0.42%, 0.71%

LAB 79.79, -29.02, 15.46

 

CMYK 30 / 0 / 13 / 17

HEX #95D4B9

RGB 149 212 185

HSL 154.29, 0.42%, 0.71%

LAB 80.17, -25.7, 6.97

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 19 / 0 / 39 / 12

HEX #B5E089

RGB 181 224 137

HSL 89.66, 0.58%, 0.71%

LAB 84.45, -28.75, 38.1

 

CMYK 23 / 0 / 47 / 7

HEX #B5EC7D

RGB 181 236 125

HSL 89.73, 0.74%, 0.71%

LAB 87.63, -35.77, 47.98

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 10 / 0 / 20 / 22

HEX #B5C8A1

RGB 181 200 161

HSL 89.23, 0.26%, 0.71%

LAB 78.29, -13.45, 17.38

 

CMYK 4 / 0 / 8 / 26

HEX #B5BCAD

RGB 181 188 173

HSL 88, 0.1%, 0.71%

LAB 75.33, -5.18, 6.74

 

CMYK 3 / 5 / 0 / 27

HEX #B4B0B9

RGB 180 176 185

HSL 266.67, 0.06%, 0.71%

LAB 72.4, 3.11, -4.09

 

CMYK 9 / 17 / 0 / 23

HEX #B4A4C5

RGB 180 164 197

HSL 269.09, 0.22%, 0.71%

LAB 69.67, 12.09, -14.76

 

CMYK 0 / 1 / 30 / 17

HEX #D4D195

RGB 212 209 149

HSL 57.14, 0.42%, 0.71%

LAB 82.79, -8.21, 30.21

 

CMYK 6 / 0 / 30 / 17

HEX #C7D495

RGB 199 212 149

HSL 72.38, 0.42%, 0.71%

LAB 82.59, -14.67, 29.78

 

CMYK 14 / 0 / 30 / 17

HEX #B6D495

RGB 182 212 149

HSL 88.57, 0.42%, 0.71%

LAB 81.4, -20.95, 27.97

 

CMYK 22 / 0 / 30 / 17

HEX #A5D495

RGB 165 212 149

HSL 104.76, 0.42%, 0.71%

LAB 80.32, -26.98, 26.33

 

CMYK 30 / 0 / 29 / 17

HEX #95D496

RGB 149 212 150

HSL 120.95, 0.42%, 0.71%

LAB 79.43, -32.19, 24.45

 

CMYK 26 / 0 / 52 / 26

HEX #8CBD5A

RGB 140 189 90

HSL 89.7, 0.43%, 0.55%

LAB 71.36, -32.89, 44.44

 

CMYK 20 / 0 / 41 / 21

HEX #A1C977

RGB 161 201 119

HSL 89.27, 0.43%, 0.63%

LAB 76.49, -27.37, 36.69

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 10 / 0 / 21 / 12

HEX #CAE0B2

RGB 202 224 178

HSL 88.7, 0.43%, 0.79%

LAB 86.54, -15.36, 20.13

 

CMYK 6 / 0 / 12 / 7

HEX #DEECD0

RGB 222 236 208

HSL 90, 0.42%, 0.87%

LAB 91.72, -9.56, 12

 

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

CMYK 30 / 0 / 9 / 17

HEX #95D4C0

RGB 149 212 192

HSL 160.95, 0.42%, 0.71%

LAB 80.34, -24.25, 3.48

 

CMYK 0 / 30 / 2 / 17

HEX #D495CF

RGB 212 149 207

HSL 304.76, 0.42%, 0.71%

LAB 69.47, 32.96, -20.32

 

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

CMYK 30 / 14 / 0 / 17

HEX #95B6D4

RGB 149 182 212

HSL 208.57, 0.42%, 0.71%

LAB 72.63, -4.2, -18.76

 

CMYK 0 / 30 / 14 / 17

HEX #D495B6

RGB 212 149 182

HSL 328.57, 0.42%, 0.71%

LAB 68.66, 28.64, -7.63

 

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

CMYK 30 / 0 / 9 / 17

HEX #95D4C0

RGB 149 212 192

HSL 160.95, 0.42%, 0.71%

LAB 80.34, -24.25, 3.48

 

CMYK 16 / 30 / 0 / 17

HEX #B395D4

RGB 179 149 212

HSL 268.57, 0.42%, 0.71%

LAB 66.39, 23.33, -28.08

 

CMYK 0 / 30 / 20 / 17

HEX #D495A9

RGB 212 149 169

HSL 340.95, 0.42%, 0.71%

LAB 68.28, 26.58, -0.92

 

CMYK 15 / 0 / 30 / 16

HEX #B6D596

RGB 182 213 150

HSL 89.52, 0.43%, 0.71%

LAB 81.69, -21.3, 27.85

 

CMYK 30 / 0 / 0 / 17

HEX #95D4D3

RGB 149 212 211

HSL 179.05, 0.42%, 0.71%

LAB 80.84, -20.08, -5.93

 

CMYK 16 / 30 / 0 / 17

HEX #B395D4

RGB 179 149 212

HSL 268.57, 0.42%, 0.71%

LAB 66.39, 23.33, -28.08

 

CMYK 0 / 30 / 29 / 17

HEX #D49596

RGB 212 149 150

HSL 359.05, 0.42%, 0.71%

LAB 67.79, 23.85, 9

 

Description

Color code: HEX #B6D596 | qconv.com Color code: HEX #B6D596 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 213 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 213 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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