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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6F871 it is the complementary color #49078E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6F871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6F871 shade: #BBF86C, #CCFF7F, #DDFF92, #EEFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6F871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6F871 shade: #B6F871, #A5E65E, #94D44B, #83C238 and #72B025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6F871 shade: #B6F871, #DAF871, #F8F171, #F8CD71 and #F8A871

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6F871 shade: #B6F871, #92F871, #71F875, #71F899 and #71F8BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6F871 shade matches the following richer shades: #B6F871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6F871 shade: #B6F871, #B6EC7D, #B6E089, #B5D495 and #B5C8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6F871 shade: #F8F171, #DBF871, #B7F871, #93F871 and #71F873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6F871 shade: #8EF422, #A2F64A, #B6F871, #CAFA99 and #DEFCC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6F871 shade: #B6F871, #71F8CD and #F871ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6F871 shade: #B6F871, #71B7F8 and #F871B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6F871 shade: #B6F871, #71F8CD, #B271F8 and #F8719C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6F871 shade: #B6F871, #71F8F6, #B271F8 and #F87173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

Complementary color

CMYK 49 / 95 / 0 / 44

HEX #49078E

RGB 73 7 142

HSL 269.33, 0.91%, 0.29%

LAB 22.02, 52.52, -58.31

 

CMYK 25 / 0 / 56 / 3

HEX #BBF86C

RGB 187 248 108

HSL 86.14, 0.91%, 0.7%

LAB 91.14, -40.72, 60

 

CMYK 20 / 0 / 50 / 0

HEX #CCFF7F

RGB 204 255 127

HSL 83.91, 1%, 0.75%

LAB 94.27, -35.91, 55.42

 

CMYK 13 / 0 / 43 / 0

HEX #DDFF92

RGB 221 255 146

HSL 78.72, 1%, 0.79%

LAB 95.57, -27.71, 48.36

 

CMYK 7 / 0 / 35 / 0

HEX #EEFFA5

RGB 238 255 165

HSL 71.33, 1%, 0.82%

LAB 96.99, -19.28, 41.2

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 28 / 0 / 59 / 10

HEX #A5E65E

RGB 165 230 94

HSL 88.68, 0.73%, 0.64%

LAB 84.69, -41.92, 58.42

 

CMYK 30 / 0 / 65 / 17

HEX #94D44B

RGB 148 212 75

HSL 88.03, 0.61%, 0.56%

LAB 78.4, -41.72, 59.22

 

CMYK 32 / 0 / 71 / 24

HEX #83C238

RGB 131 194 56

HSL 87.39, 0.55%, 0.49%

LAB 72.02, -41.4, 59.68

 

CMYK 35 / 0 / 79 / 31

HEX #72B025

RGB 114 176 37

HSL 86.76, 0.65%, 0.42%

LAB 65.56, -40.9, 59.53

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 12 / 0 / 54 / 3

HEX #DAF871

RGB 218 248 113

HSL 73.33, 0.91%, 0.71%

LAB 93.12, -28.77, 60.59

 

CMYK 0 / 3 / 54 / 3

HEX #F8F171

RGB 248 241 113

HSL 56.89, 0.91%, 0.71%

LAB 93.48, -13.68, 61.58

 

CMYK 0 / 17 / 54 / 3

HEX #F8CD71

RGB 248 205 113

HSL 40.89, 0.91%, 0.71%

LAB 84.39, 4.45, 50.96

 

CMYK 0 / 32 / 54 / 3

HEX #F8A871

RGB 248 168 113

HSL 24.44, 0.91%, 0.71%

LAB 75.55, 23.8, 40.17

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 41 / 0 / 54 / 3

HEX #92F871

RGB 146 248 113

HSL 105.33, 0.91%, 0.71%

LAB 89.13, -53.86, 54.93

 

CMYK 54 / 0 / 53 / 3

HEX #71F875

RGB 113 248 117

HSL 121.78, 0.91%, 0.71%

LAB 87.93, -62.42, 51.39

 

CMYK 54 / 0 / 38 / 3

HEX #71F899

RGB 113 248 153

HSL 137.78, 0.91%, 0.71%

LAB 88.42, -57.17, 34.7

 

CMYK 54 / 0 / 23 / 3

HEX #71F8BE

RGB 113 248 190

HSL 154.22, 0.91%, 0.71%

LAB 89.09, -50.25, 16.82

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 23 / 0 / 47 / 7

HEX #B6EC7D

RGB 182 236 125

HSL 89.19, 0.74%, 0.71%

LAB 87.69, -35.41, 48.06

 

CMYK 19 / 0 / 39 / 12

HEX #B6E089

RGB 182 224 137

HSL 88.97, 0.58%, 0.71%

LAB 84.52, -28.39, 38.2

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 10 / 0 / 20 / 22

HEX #B5C8A1

RGB 181 200 161

HSL 89.23, 0.26%, 0.71%

LAB 78.29, -13.45, 17.38

 

CMYK 0 / 3 / 54 / 3

HEX #F8F171

RGB 248 241 113

HSL 56.89, 0.91%, 0.71%

LAB 93.48, -13.68, 61.58

 

CMYK 12 / 0 / 54 / 3

HEX #DBF871

RGB 219 248 113

HSL 72.89, 0.91%, 0.71%

LAB 93.18, -28.39, 60.68

 

CMYK 26 / 0 / 54 / 3

HEX #B7F871

RGB 183 248 113

HSL 88.89, 0.91%, 0.71%

LAB 90.96, -41.68, 57.54

 

CMYK 41 / 0 / 54 / 3

HEX #93F871

RGB 147 248 113

HSL 104.89, 0.91%, 0.71%

LAB 89.17, -53.56, 54.99

 

CMYK 54 / 0 / 54 / 3

HEX #71F873

RGB 113 248 115

HSL 120.89, 0.91%, 0.71%

LAB 87.91, -62.66, 52.27

 

CMYK 42 / 0 / 86 / 4

HEX #8EF422

RGB 142 244 34

HSL 89.14, 0.91%, 0.55%

LAB 87.27, -58.96, 80.02

 

CMYK 34 / 0 / 70 / 4

HEX #A2F64A

RGB 162 246 74

HSL 89.3, 0.91%, 0.63%

LAB 88.96, -51.26, 70.82

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 19 / 0 / 39 / 2

HEX #CAFA99

RGB 202 250 153

HSL 89.69, 0.91%, 0.79%

LAB 93.11, -31.41, 41.61

 

CMYK 12 / 0 / 24 / 1

HEX #DEFCC0

RGB 222 252 192

HSL 90, 0.91%, 0.87%

LAB 95.56, -19.97, 25.59

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 54 / 0 / 17 / 3

HEX #71F8CD

RGB 113 248 205

HSL 160.89, 0.91%, 0.71%

LAB 89.42, -47.04, 9.52

 

CMYK 0 / 54 / 4 / 3

HEX #F871ED

RGB 248 113 237

HSL 304.89, 0.91%, 0.71%

LAB 67.93, 66.91, -38.92

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 54 / 26 / 0 / 3

HEX #71B7F8

RGB 113 183 248

HSL 208.89, 0.91%, 0.71%

LAB 72.33, -3.91, -38.94

 

CMYK 0 / 54 / 26 / 3

HEX #F871B7

RGB 248 113 183

HSL 328.89, 0.91%, 0.71%

LAB 65.89, 58.98, -11.85

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 54 / 0 / 17 / 3

HEX #71F8CD

RGB 113 248 205

HSL 160.89, 0.91%, 0.71%

LAB 89.42, -47.04, 9.52

 

CMYK 28 / 54 / 0 / 3

HEX #B271F8

RGB 178 113 248

HSL 268.89, 0.91%, 0.71%

LAB 59.94, 51.12, -58.19

 

CMYK 0 / 54 / 37 / 3

HEX #F8719C

RGB 248 113 156

HSL 340.89, 0.91%, 0.71%

LAB 65.09, 55.73, 2.32

 

CMYK 27 / 0 / 54 / 3

HEX #B6F871

RGB 182 248 113

HSL 89.33, 0.91%, 0.71%

LAB 90.9, -42.03, 57.46

 

CMYK 54 / 0 / 1 / 3

HEX #71F8F6

RGB 113 248 246

HSL 179.11, 0.91%, 0.71%

LAB 90.46, -37.2, -10.27

 

CMYK 28 / 54 / 0 / 3

HEX #B271F8

RGB 178 113 248

HSL 268.89, 0.91%, 0.71%

LAB 59.94, 51.12, -58.19

 

CMYK 0 / 54 / 54 / 3

HEX #F87173

RGB 248 113 115

HSL 359.11, 0.91%, 0.71%

LAB 64.16, 51.83, 24.38

 

Description

Color code: HEX #B6F871 | qconv.com Color code: HEX #B6F871 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 248 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 248 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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