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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C332 it is the complementary color #493CCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C332 shade: #BBC32D, #CCD540, #DDE753, #EEF966 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C332 shade: #B6C332, #A5B11F, #949F0C, #838D00 and #727B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C332 shade: #B5C232, #C2A832, #C28132, #C25A32 and #C23332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C332 shade: #B5C232, #8EC232, #67C232, #40C232 and #32C24A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C332 shade matches the following richer shades: #B5C232, #C5D61E and #D6EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C332 shade: #B5C232, #A5AE45, #959B59, #84876D and #747381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C332 shade: #C28132, #C2A832, #B6C232, #90C232 and #69C232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C332 shade: #788121, #97A129, #B5C232, #C5D14C and #CFD96D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C332 shade: #B6C332, #32C25B and #9432C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C332 shade: #B6C332, #32B6C2 and #C232B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C332 shade: #B6C332, #32C25B, #3E32C2 and #C23299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C332 shade: #B6C332, #32C286, #3E32C2 and #C2326E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

Complementary color

CMYK 64 / 71 / 0 / 20

HEX #493CCD

RGB 73 60 205

HSL 245.38, 0.59%, 0.52%

LAB 36.09, 47.95, -72.96

 

CMYK 4 / 0 / 77 / 24

HEX #BBC32D

RGB 187 195 45

HSL 63.2, 0.63%, 0.47%

LAB 75.94, -20.08, 68.4

 

CMYK 4 / 0 / 70 / 16

HEX #CCD540

RGB 204 213 64

HSL 63.62, 0.64%, 0.54%

LAB 82.27, -20.97, 68.56

 

CMYK 4 / 0 / 64 / 9

HEX #DDE753

RGB 221 231 83

HSL 64.05, 0.76%, 0.62%

LAB 88.52, -21.7, 68.16

 

CMYK 4 / 0 / 59 / 2

HEX #EEF966

RGB 238 249 102

HSL 64.49, 0.92%, 0.69%

LAB 94.69, -22.31, 67.45

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

CMYK 7 / 0 / 82 / 31

HEX #A5B11F

RGB 165 177 31

HSL 64.93, 0.7%, 0.41%

LAB 69.14, -21.03, 65.66

 

CMYK 7 / 0 / 92 / 38

HEX #949F0C

RGB 148 159 12

HSL 64.49, 0.86%, 0.34%

LAB 62.61, -19.85, 63.66

 

CMYK 7 / 0 / 100 / 45

HEX #838D00

RGB 131 141 0

HSL 64.26, 1%, 0.28%

LAB 55.96, -18.42, 59.8

 

CMYK 7 / 0 / 100 / 52

HEX #727B00

RGB 114 123 0

HSL 64.39, 1%, 0.24%

LAB 49.18, -16.76, 54.17

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 0 / 13 / 74 / 24

HEX #C2A832

RGB 194 168 50

HSL 49.17, 0.59%, 0.48%

LAB 69.26, -2.98, 60.72

 

CMYK 0 / 34 / 74 / 24

HEX #C28132

RGB 194 129 50

HSL 32.92, 0.59%, 0.48%

LAB 59.34, 18.21, 50.98

 

CMYK 0 / 54 / 74 / 24

HEX #C25A32

RGB 194 90 50

HSL 16.67, 0.59%, 0.48%

LAB 50.7, 39.06, 42.02

 

CMYK 0 / 74 / 74 / 24

HEX #C23332

RGB 194 51 50

HSL 0.42, 0.59%, 0.48%

LAB 44.33, 56.02, 35.03

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 27 / 0 / 74 / 24

HEX #8EC232

RGB 142 194 50

HSL 81.67, 0.59%, 0.48%

LAB 72.6, -37.66, 62.58

 

CMYK 47 / 0 / 74 / 24

HEX #67C232

RGB 103 194 50

HSL 97.92, 0.59%, 0.48%

LAB 70.66, -51.23, 60.02

 

CMYK 67 / 0 / 74 / 24

HEX #40C232

RGB 64 194 50

HSL 114.17, 0.59%, 0.48%

LAB 69.4, -61.2, 58.35

 

CMYK 74 / 0 / 62 / 24

HEX #32C24A

RGB 50 194 74

HSL 130, 0.59%, 0.48%

LAB 69.3, -61.39, 48.58

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 9 / 0 / 96 / 8

HEX #D6EA0A

RGB 214 234 10

HSL 65.36, 0.92%, 0.48%

LAB 88.53, -28.38, 85.97

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 5 / 0 / 60 / 32

HEX #A5AE45

RGB 165 174 69

HSL 65.14, 0.43%, 0.48%

LAB 68.53, -17.53, 51.41

 

CMYK 4 / 0 / 43 / 39

HEX #959B59

RGB 149 155 89

HSL 65.45, 0.27%, 0.48%

LAB 62.13, -12.53, 33.8

 

CMYK 2 / 0 / 19 / 47

HEX #84876D

RGB 132 135 109

HSL 66.92, 0.11%, 0.48%

LAB 55.42, -5.85, 13.64

 

CMYK 10 / 11 / 0 / 49

HEX #747381

RGB 116 115 129

HSL 244.29, 0.06%, 0.48%

LAB 48.96, 3.35, -7.54

 

CMYK 0 / 34 / 74 / 24

HEX #C28132

RGB 194 129 50

HSL 32.92, 0.59%, 0.48%

LAB 59.34, 18.21, 50.98

 

CMYK 0 / 13 / 74 / 24

HEX #C2A832

RGB 194 168 50

HSL 49.17, 0.59%, 0.48%

LAB 69.26, -2.98, 60.72

 

CMYK 6 / 0 / 74 / 24

HEX #B6C232

RGB 182 194 50

HSL 65, 0.59%, 0.48%

LAB 75.3, -21.49, 66.1

 

CMYK 26 / 0 / 74 / 24

HEX #90C232

RGB 144 194 50

HSL 80.83, 0.59%, 0.48%

LAB 72.72, -36.89, 62.73

 

CMYK 46 / 0 / 74 / 24

HEX #69C232

RGB 105 194 50

HSL 97.08, 0.59%, 0.48%

LAB 70.74, -50.61, 60.13

 

CMYK 7 / 0 / 74 / 49

HEX #788121

RGB 120 129 33

HSL 65.63, 0.59%, 0.32%

LAB 51.61, -16.11, 47.82

 

CMYK 6 / 0 / 75 / 37

HEX #97A129

RGB 151 161 41

HSL 65, 0.59%, 0.4%

LAB 63.53, -18.62, 57.18

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 6 / 0 / 64 / 18

HEX #C5D14C

RGB 197 209 76

HSL 65.41, 0.59%, 0.56%

LAB 80.73, -21.21, 62.25

 

CMYK 5 / 0 / 50 / 15

HEX #CFD96D

RGB 207 217 109

HSL 65.56, 0.59%, 0.64%

LAB 83.96, -18.54, 51.52

 

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

CMYK 74 / 0 / 53 / 24

HEX #32C25B

RGB 50 194 91

HSL 137.08, 0.59%, 0.48%

LAB 69.48, -59.17, 40.89

 

CMYK 24 / 74 / 0 / 24

HEX #9432C2

RGB 148 50 194

HSL 280.83, 0.59%, 0.48%

LAB 41.96, 62.17, -56.63

 

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

CMYK 74 / 6 / 0 / 24

HEX #32B6C2

RGB 50 182 194

HSL 185, 0.59%, 0.48%

LAB 68.04, -30.43, -16.21

 

CMYK 0 / 74 / 6 / 24

HEX #C232B6

RGB 194 50 182

HSL 305, 0.59%, 0.48%

LAB 48.42, 69.55, -38.87

 

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

CMYK 74 / 0 / 53 / 24

HEX #32C25B

RGB 50 194 91

HSL 137.08, 0.59%, 0.48%

LAB 69.48, -59.17, 40.89

 

CMYK 68 / 74 / 0 / 24

HEX #3E32C2

RGB 62 50 194

HSL 245, 0.59%, 0.48%

LAB 32.26, 48.71, -72.88

 

CMYK 0 / 74 / 21 / 24

HEX #C23299

RGB 194 50 153

HSL 317.08, 0.59%, 0.48%

LAB 47.04, 65.42, -23.86

 

CMYK 7 / 0 / 74 / 24

HEX #B6C332

RGB 182 195 50

HSL 65.38, 0.59%, 0.48%

LAB 75.58, -21.98, 66.36

 

CMYK 74 / 0 / 31 / 24

HEX #32C286

RGB 50 194 134

HSL 155, 0.59%, 0.48%

LAB 70.16, -51.42, 19.65

 

CMYK 68 / 74 / 0 / 24

HEX #3E32C2

RGB 62 50 194

HSL 245, 0.59%, 0.48%

LAB 32.26, 48.71, -72.88

 

CMYK 0 / 74 / 43 / 24

HEX #C2326E

RGB 194 50 110

HSL 335, 0.59%, 0.48%

LAB 45.46, 60.49, -0.1

 

Description

Color code: HEX #B6C332 | qconv.com Color code: HEX #B6C332 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 195 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 195 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 74 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 74% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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