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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D61E it is the complementary color #3A29E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D61E shade: #CAD619, #DBE82C, #ECFA3F, #FDFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D61E shade: #C5D61E, #B4C40B, #A3B200, #92A000 and #818E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D61E shade: #C5D61E, #D6B51E, #D6841E, #D6521E and #D6211E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D61E shade: #C5D61E, #93D61E, #62D61E, #30D61E and #1ED63D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D61E shade matches the following richer shades: #C5D61E and #D5EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D61E shade: #C5D61E, #B5C232, #A4AE46, #949A5A and #84866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D61E shade: #D6831E, #D6B41E, #C6D61E, #95D61E and #64D61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D61E shade: #828D14, #A4B219, #C5D61E, #D3E33B and #DBE85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D61E shade: #C5D61E, #1ED652 and #9C1ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D61E shade: #C5D61E, #1EC6D6 and #D61EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D61E shade: #C5D61E, #1ED652, #2D1ED6 and #D61EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D61E shade: #C5D61E, #1ED689, #2D1ED6 and #D61E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

Complementary color

CMYK 74 / 82 / 0 / 12

HEX #3A29E1

RGB 58 41 225

HSL 245.54, 0.75%, 0.52%

LAB 33.82, 62.08, -88.28

 

CMYK 6 / 0 / 88 / 16

HEX #CAD619

RGB 202 214 25

HSL 63.81, 0.79%, 0.47%

LAB 82.23, -23.63, 78.88

 

CMYK 6 / 0 / 81 / 9

HEX #DBE82C

RGB 219 232 44

HSL 64.15, 0.8%, 0.54%

LAB 88.43, -24.74, 80.61

 

CMYK 6 / 0 / 75 / 2

HEX #ECFA3F

RGB 236 250 63

HSL 64.49, 0.95%, 0.61%

LAB 94.55, -25.69, 81.38

 

CMYK 1 / 0 / 68 / 0

HEX #FDFF52

RGB 253 255 82

HSL 60.69, 1%, 0.66%

LAB 97.23, -20.37, 78.16

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 8 / 0 / 94 / 23

HEX #B4C40B

RGB 180 196 11

HSL 65.19, 0.89%, 0.41%

LAB 75.58, -24.4, 74.91

 

CMYK 8 / 0 / 100 / 30

HEX #A3B200

RGB 163 178 0

HSL 65.06, 1%, 0.35%

LAB 69.2, -22.99, 70.74

 

CMYK 9 / 0 / 100 / 37

HEX #92A000

RGB 146 160 0

HSL 65.25, 1%, 0.31%

LAB 62.72, -21.43, 65.34

 

CMYK 9 / 0 / 100 / 44

HEX #818E00

RGB 129 142 0

HSL 65.49, 1%, 0.28%

LAB 56.1, -19.84, 59.84

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 0 / 15 / 86 / 16

HEX #D6B51E

RGB 214 181 30

HSL 49.24, 0.75%, 0.48%

LAB 74.47, -1.73, 72.07

 

CMYK 0 / 38 / 86 / 16

HEX #D6841E

RGB 214 132 30

HSL 33.26, 0.75%, 0.48%

LAB 62.42, 24.49, 62.26

 

CMYK 0 / 62 / 86 / 16

HEX #D6521E

RGB 214 82 30

HSL 16.96, 0.75%, 0.48%

LAB 52.31, 49.66, 53.96

 

CMYK 0 / 85 / 86 / 16

HEX #D6211E

RGB 214 33 30

HSL 0.98, 0.75%, 0.48%

LAB 46.28, 66.24, 48.97

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 31 / 0 / 86 / 16

HEX #93D61E

RGB 147 214 30

HSL 81.85, 0.75%, 0.48%

LAB 78.69, -45.33, 73.59

 

CMYK 54 / 0 / 86 / 16

HEX #62D61E

RGB 98 214 30

HSL 97.83, 0.75%, 0.48%

LAB 76.55, -61.08, 70.91

 

CMYK 78 / 0 / 86 / 16

HEX #30D61E

RGB 48 214 30

HSL 114.13, 0.75%, 0.48%

LAB 75.34, -71.21, 69.38

 

CMYK 86 / 0 / 71 / 16

HEX #1ED63D

RGB 30 214 61

HSL 130.11, 0.75%, 0.48%

LAB 75.27, -71.24, 60.22

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 9 / 0 / 96 / 8

HEX #D5EA0A

RGB 213 234 10

HSL 65.63, 0.92%, 0.48%

LAB 88.45, -28.79, 85.88

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 7 / 0 / 74 / 24

HEX #B5C232

RGB 181 194 50

HSL 65.42, 0.59%, 0.48%

LAB 75.23, -21.91, 66

 

CMYK 6 / 0 / 60 / 32

HEX #A4AE46

RGB 164 174 70

HSL 65.77, 0.43%, 0.48%

LAB 68.47, -17.87, 50.86

 

CMYK 4 / 0 / 42 / 40

HEX #949A5A

RGB 148 154 90

HSL 65.63, 0.26%, 0.48%

LAB 61.78, -12.3, 32.82

 

CMYK 1 / 0 / 19 / 47

HEX #84866D

RGB 132 134 109

HSL 64.8, 0.1%, 0.48%

LAB 55.13, -5.3, 13.24

 

CMYK 0 / 39 / 86 / 16

HEX #D6831E

RGB 214 131 30

HSL 32.93, 0.75%, 0.48%

LAB 62.19, 25.02, 62.07

 

CMYK 0 / 16 / 86 / 16

HEX #D6B41E

RGB 214 180 30

HSL 48.91, 0.75%, 0.48%

LAB 74.21, -1.21, 71.87

 

CMYK 7 / 0 / 86 / 16

HEX #C6D61E

RGB 198 214 30

HSL 65.22, 0.75%, 0.48%

LAB 81.94, -25.19, 77.62

 

CMYK 30 / 0 / 86 / 16

HEX #95D61E

RGB 149 214 30

HSL 81.2, 0.75%, 0.48%

LAB 78.8, -44.59, 73.72

 

CMYK 53 / 0 / 86 / 16

HEX #64D61E

RGB 100 214 30

HSL 97.17, 0.75%, 0.48%

LAB 76.62, -60.54, 70.99

 

CMYK 8 / 0 / 86 / 45

HEX #828D14

RGB 130 141 20

HSL 65.45, 0.75%, 0.32%

LAB 55.93, -18.44, 56.07

 

CMYK 8 / 0 / 86 / 30

HEX #A4B219

RGB 164 178 25

HSL 65.49, 0.75%, 0.4%

LAB 69.33, -22.13, 67.2

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 7 / 0 / 74 / 11

HEX #D3E33B

RGB 211 227 59

HSL 65.71, 0.75%, 0.56%

LAB 86.55, -25.08, 74.52

 

CMYK 6 / 0 / 59 / 9

HEX #DBE85F

RGB 219 232 95

HSL 65.69, 0.75%, 0.64%

LAB 88.73, -22.19, 63.46

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 86 / 0 / 62 / 16

HEX #1ED652

RGB 30 214 82

HSL 136.96, 0.75%, 0.48%

LAB 75.44, -69.12, 51.98

 

CMYK 27 / 86 / 0 / 16

HEX #9C1ED6

RGB 156 30 214

HSL 281.09, 0.75%, 0.48%

LAB 42.54, 73.55, -67.22

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 86 / 7 / 0 / 16

HEX #1EC6D6

RGB 30 198 214

HSL 185.22, 0.75%, 0.48%

LAB 73.23, -33.67, -19.32

 

CMYK 0 / 86 / 7 / 16

HEX #D61EC6

RGB 214 30 198

HSL 305.22, 0.75%, 0.48%

LAB 51.04, 80.64, -43.82

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 86 / 0 / 62 / 16

HEX #1ED652

RGB 30 214 82

HSL 136.96, 0.75%, 0.48%

LAB 75.44, -69.12, 51.98

 

CMYK 79 / 86 / 0 / 16

HEX #2D1ED6

RGB 45 30 214

HSL 244.89, 0.75%, 0.48%

LAB 30.26, 62.67, -87.88

 

CMYK 0 / 86 / 24 / 16

HEX #D61EA2

RGB 214 30 162

HSL 316.96, 0.75%, 0.48%

LAB 49.29, 75.98, -25.46

 

CMYK 8 / 0 / 86 / 16

HEX #C5D61E

RGB 197 214 30

HSL 65.54, 0.75%, 0.48%

LAB 81.87, -25.6, 77.53

 

CMYK 86 / 0 / 36 / 16

HEX #1ED689

RGB 30 214 137

HSL 154.89, 0.75%, 0.48%

LAB 76.18, -60.33, 26.21

 

CMYK 79 / 86 / 0 / 16

HEX #2D1ED6

RGB 45 30 214

HSL 244.89, 0.75%, 0.48%

LAB 30.26, 62.67, -87.88

 

CMYK 0 / 86 / 50 / 16

HEX #D61E6B

RGB 214 30 107

HSL 334.89, 0.75%, 0.48%

LAB 47.35, 70.57, 4.95

 

Description

Color code: HEX #C5D61E | qconv.com Color code: HEX #C5D61E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 214 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 214 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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